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Creating Carlson’s inauguration gala dress was a team effort. From left to right, Julia Walton, Lily Guilbault, John Wargins, Laura Carlson, Adriana Gorea, Katya Roelse and Casey Tyler.
Creating President Laura Carlson’s inauguration gala dress was a team effort. From left to right, Julia Walton, Lily Guilbault, John Wargins, Carlson, Adriana Gorea, Katya Roelse and Casey Tyler.

Tailored for the occasion

Photos by Kathy F. Atkinson and Evan Krape

In UD-designed inauguration dress, every detail reflects University’s identity, traditions and bold new chapter

It would be easy to mistake the blazer’s blue and gold appliqué for little flowers. But look closer, and their shape — and meaning — reveal something deeper. The two-inch-wide laser-cut sneakers stitched into the design speak to University of Delaware President Laura Carlson’s passion for running. The dress beneath reflects her knitting hobby. And the unique details — like the 150 tiny shoes to represent UD’s 150 academic majors — reflect an institutional love that UD’s 29th president proudly wears on her sleeves. 

Presidential inaugurations are steeped in tradition — formal speeches, academic regalia and a carefully choreographed ceremony. But at a gala on April 16, part of Carlson’s two-day inauguration celebration, one element stood out: a custom-designed gown and handmade jacket, created not by a fashion house, but by Blue Hen students and faculty.

“It’s not just pretty. It’s artistry,” said Adriana Gorea, assistant professor in the Department of Fashion and Apparel Studies, and lead designer of the gown. “When you spend your time creating something, you transfer part of your soul.”

“When there are big moments, we should celebrate them,” said Carlson, pictured with Katya Roelse, Casey Tyler and Adriana Gorea at the gala. “And part of that is putting on your academic garb and getting dressed up, and having motifs that are connected to the University makes it really special.”
“When there are big moments, we should celebrate them,” said Carlson, pictured with Katya Roelse, Casey Tyler and Adriana Gorea at the gala. “And part of that is putting on your academic garb and getting dressed up, and having motifs that are connected to the University makes it really special.”

The soul of this project began as a simple idea. When President Carlson put out a campus call for ideas, Emilie Delaye, a fashion and apparel studies graduate student, suggested her department create Carlson’s gala gown. While she did not have the capacity to take on the project herself, Delaye pitched the idea to department chair Huantian Cao, who recruited Gorea and professor Katya Roelse. 

From there, the project expanded intentionally. Gorea and Roelse brainstormed ways they could build out the project to incorporate as many elements of the department as possible, from student involvement to novel technologies to the Pearson Hall Makerspace.

“It really is reflective of everything that we do,” said Roelse, who designed and created Carlson’s jacket. “We’re trying to bring in all the different things that we’re good at into one meaningful ensemble.”

Creating Carlson’s inauguration gala dress was a team effort. From left to right, Julia Walton, Lily Guilbault, Adriana Gorea, Casey Tyler, John Wargins and Katya Roelse.
Creating Carlson’s inauguration gala dress was a team effort. From left to right, Julia Walton, Lily Guilbault, Adriana Gorea, Casey Tyler, John Wargins and Katya Roelse.

Every detail of the gown was designed to tell a story. Achieving the perfect balance of blue and gold thread for the knitted dress took multiple attempts, while the racerback design and sneaker heel reflect Carlson’s sporty style.

“[The inauguration] is a big deal for me, personally, but also a big deal for the University,” Carlson said. “When there are big moments, we should celebrate them. And part of that is putting on your academic garb and getting dressed up; and having motifs that are connected to the University makes it really special.”

Turning that vision into reality required Blue Hen innovation, passion and expertise.

The laser-cut blue and gold sneakers that adorn Carlson’s jacket represent her love for running as well as UD’s 150 majors.
The laser-cut blue and gold sneakers that adorn Carlson’s jacket represent her love for running as well as UD’s 150 majors.

Casey Tyler, a graduate student in fashion and apparel studies, translated Gorea’s dress design for the University’s state-of-the-art 3D knitting machine, eliminating the need for cutting and sewing while reducing material waste. 

After some trial and error and several half-scale models, Tyler produced the perfect finished gown. Using the fabric from the half-scale models, they created a matching clutch, adorned with a blue feather.

“I’ve been having a blast with the project, and I have a high standard for how I want this to come out,” Tyler said. “It’s really exciting, and I want it to be our best quality work.”

Graduate student Casey Tyler (center) took Gorea’s dress design and programmed it for the University’s state-of-the-art 3D knitting machine, eliminating the need for cutting and sewing while reducing waste and labor.
Graduate student Casey Tyler (center) took Gorea’s dress design and programmed it for the University’s state-of-the-art 3D knitting machine, eliminating the need for cutting and sewing while reducing waste and labor.

For Gorea, the project also offered an opportunity to reshape how people think about fashion.

“People still think of fashion design as just making dresses,” she said. “We are apparel engineers. If somebody engineers a car or builds a building, we basically do the same, but with something much closer to your skin. I love educating people about what fashion is and how they shouldn't minimize it.”

Fashion can play a defining role in an event like a presidential inauguration, conveying personality, tradition and vision through intentional choices like color, symbolism and event footwear.

“It’s a reflection of the time,” Roelse said. “In 10 years, maybe everyone will be wearing sneakers to gala events. The way we’re using the technology is brand new. In the future, we can look back and see how the industry has changed or how garments have changed because of innovations that are being made today.”

Lily Guilbault, a senior fashion merchandising major, created style inspiration for other inaugural events, including a breakfast, lunch, prez run and community barbecue.
Lily Guilbault, a senior fashion merchandising major, created style inspiration for other inaugural events, including a breakfast, lunch, prez run and community barbecue.

Student involvement extended beyond the gala look. Julia Walton, a senior fashion design major, created a custom print for a bowtie that was to be worn by Carlson’s husband, Professor Robert West. Lily Guilbault, a senior honors fashion merchandising major, created style inspiration for other inaugural events, including a breakfast, lunch, Prez Walk and Run, and community barbecue.

“It was a great challenge for me and also a nice creative outlet,” Guilbault said. “It was something different that I haven’t done in classes. And having that real-life experience element — what I’m doing is not just submitted on Canvas, it’s actually going to show up in something that’s substantial for the University — it was a great experience, and I’m really honored and humbled that I was asked to do it.”

Roelse said these opportunities are central to the department’s approach to educating its students. 

Julia Walton, a senior fashion design major, designed a print for the bowtie worn by Carlson’s husband, Professor Robert West.
Julia Walton, a senior fashion design major, designed a print for the bowtie worn by Carlson’s husband, Professor Robert West.

“Students get exposure to things that maybe they don’t get to have in the classroom — to actually work on a haute couture style garment,” she said. “That’s sort of the cream of getting an education in our department — these outside projects, these extra things that you can zhuzh and add to your résumé.”

Tyler, who also earned their undergraduate degree at UD, said it’s those extra experiences that made their time at the University feel meaningful.

“I’ve been taught here that fashion is so much more than just runway, and I think that’s the part that’s made me feel confident about moving into the industry,” they said. “There’s not just one path that I can take moving on from here.”

Every detail of the gown — from color to stitching — was designed to tell a story.
Every detail of the gown — from color to stitching — was designed to tell a story.

The ensemble represents more than a single moment for UD’s new president. It is a visible presentation of the University she’s so proud to now be leading.

At the inauguration gala, that meaning came to life in real time. Stepping to the podium, Carlson paused to take in the crowd — a sea of blue and gold — before adding with a smile, “Thanks for marking the occasion by getting dressed up! And, though you are all lovely, I have to say — I win! Look at this dress!” The room erupted as she gave a quick spin, the details of the gown catching the light.

For Carlson, the moment was about more than the dress itself. Like the University it represents, all of the inauguration celebrations were built with intention — shaped by many hands, disciplines and ideas across the UD community.

“I’m certainly happy to do my job as a walking billboard for Fashion and Apparel,” she said. “It’s what I do — think about all the different ways we can promote the University. This was a super exciting and creative way to do just that.”

In that way, the gown tells a broader story — one that mirrors the spirit of OurUD: a shared effort to ensure the entire UD community has a role in shaping what the University becomes.

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