Winterthur Program in American Material Culture

Welcome to the Winterthur Program in American Material Culture

 

The Winterthur Program offers a Master’s Degree preparing Fellows for the interdisciplinary study of objects, landscapes, buildings, decorative arts, and design history, as well as craft history, exhibitions, and museum professions. Supported by unparalleled access to objects both within and outside the vast collections of the Winterthur Museum, Garden & Library, our students acquire practical and theoretical skills necessary to expand and confound predominant scholarship in material culture while preparing for careers in cultural heritage professions.

Fall Visit Days

Register for one of the following dates by clicking a link below.

Winterthur Fellows Experience!

Student group looking at tablescape

INTERDISCIPLINARY LEARNING

Students engage in both coursework and field study in all public humanities.

 

HANDS-ON STUDY

Students have access to renowned public & private collections, university and special collection libraries, scientific laboratories, and multimedia design studios.

Students looking at antique ceramic glass

FACULTY MENTORING

Students build life-long relationships with distinguished museum and university thought leaders.

Instructor pointing at the top of South American on a map of the world on a wall

PUBLIC SCHOLARSHIP

Students contribute to ground-breaking scholarship in public humanities and material culture study.

Storage facility for antiques

PROFESSIONAL DEVELOPMENT

Students are exceptionally prepared for careers in academic teaching, art and antiques markets, consulting, historic sites, museums, and preservation.

Material Matters is a hub of innovative material culture research—the study of objects and what they reveal about individuals and societies. Material Matters is independently managed and written by the Fellows.

Visit Material Matters

Recent News
  • A close-up view of a student's hands holding a light to inspect a 19th century transferware print.

    Art conservation and fragile images

    February 12, 2026 | Written by Lisa Chambers
    The tension between permanence and disappearance makes a 19th-century transferware print a fitting project for Emma Reuther, a paper major in the Winterthur/University of Delaware Program in Art Conservation.
  • Death Becomes Her: Class, Gender, and Labor in the English Coffin Furniture Industry

    April 29, 2025 | Written by Graham Titus, WPAMC ’25
    Most people don’t like to think about death, but death was an important part of everyday life for the workers at Newman Brothers’ Coffin Furniture Manufactory.
  • History Under the Surface: A Punch Bowl at the International Slavery Museum

    April 29, 2025 | Written by Katie Cynkar, WPAMC ’25
    From the 1767 oil painting, The Swing, by Jean-Honore Fragonard at The Wallace Collection, to a 1991 Super Nintendo at The Museum of the Home, I had the pleasure of seeing an extraordinary amount of visual and material culture on our trip to England for our British Design History course.

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