Numerous Production Opportunities
The PTTP production schedule is designed to fulfill two commitments: providing the maximum number of production opportunities for each student, and achieving optimal integration of studio class work with the rehearsal and performance process. Students are in rehearsal or performance at virtually all times during their training and are always at work on a significant role or (in the case of Stage Managers and Technical Production students) or a major production assignment. The selection of plays, casting, and production assignments includes a careful assessment of each individual’s needs and potential and assures that each student has ample and appropriate opportunities for growth and development. Each year includes multiple productions and the number and scope of productions increase each year of the training cycle, culminating in season of 10-12 productions in the third year. Plays are frequently presented in rotating repertory.
During the last two PTTP classes, the Program produced such titles as: Tadashi Suzuki's Oedipus Rex, Adrian Hall's All the King's Men, Saint Joan, An Ideal Husband, The Winter's Tale, The Trial, Private Lives, Candida, The Good Person of Szechwan, The Beaux' Stratagem, The Learned Ladies, Mrs. Warren's Profession, The Doctor's Dilemma, The Count of Monte Cristo, Travesties, Ah, Wilderness!, Translations, The Tragedy of King Lear, The Cherry Orchard, Love's Labour's Lost, Henry VI parts 1,2,3, Jewel Walker’s Tuesday, Much Ado About Nothing, The Three Sisters, Twelfth Night, Uncle Vanya, Heartbreak House, The Play’s the Thing, Major Barbara, Rosencrantz and Guildenstern are Dead, Arms and the Man, The Rivals, Peter Pan, Cyrano De Bergerac, A Flea in Her Ear, Mary Stuart, Misalliance, Adrian Hall’s Christians, Savages and Other Homo Sapiens, The Life of Galileo, A Streetcar Named Desire, The Taming of the Shrew, Top Dog/Underdog, Tartuffe, and Henry V.
Areas of Training 
