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- Web Sites
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- http://www.museum-security.org/forgery1.htm
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- http://www.syntac.net/hoax/artforg.php
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- http://www.whyfiles.org/081art_sci/
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- Ashley-Smith, Jonathan (editor)
- 1987 An Introduction to Materials. London: The Conservation Unit.
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- Bauch, J. and D. Eckstein
- 1970 “Dendrochronological Dating of Oak Panels of Dutch Seventeenth-Century Paintings,” Studies in Conservation 15:45-50.
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- Craddock, Paul and Sheridan Bowman
- 1991 “Chapter 8: Spotting the Fakes,” In Science and the Past, edited by Sheridan Bowman: 141-156. Toronoto: University of Toronto Press.
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- Dornberg, John
- 1985 “Artists who fake fine art have met their match–in the laboratory. Smithsonian 16:60-69.
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- Feder, Kenneth L.
- 1999 Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology. Mountain View, CA: Mayfield.
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- Fleming, Stuart J.
- 1976 Authenticity in Art: The Scientific Detection of Forgery. London: Institute of Physics.
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- Goffer, Zvi
- 1980 Archaeological Chemistiry: A Sourcebook on the Applications of Chemistry to Archaeology.
New York: John Wiley & Sons.
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- Jones, Mark (editor)
- 1990 Fake? The Art of Deception. Berkeley: University of California Press
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- Jones, Mark (editor)
- 1992 Why Fakes Matter: Essays on Problems of Authenticity. London: British Museum Press.
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- Taft, Stanley and James W. Mayer
- 2000 The Science of Paintings. New York: Springer
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