William Anderson, Untitled, 1978. Gelatin silver print. Paul R. Jones Collection, University Museums © William Anderson
Clarissa Sligh, Reading Dick and Jane With Me, 1989. Folio detail. Special Collections, of the University of Delaware Library © Clarissa Sligh
Portrait of Major Octavius V. Catto. Hand-colored salted paper print, enlargement of photograph by Gallo W. Cheston, pre-1871. University Museums, Gift of Mary Christine Hevner
Forget Me Not: Photography between Poetry and Politics
February 11–May 17, 2015
The construction and preservation of historical memory have been central to photography since its inception. Yet, both memory and photography offer partial, fragmented, and incomplete traces of recordable phenomena. Moreover, artists and exhibition frameworks can influence and even interrupt conventional ways of seeing and reading photographic images of an earlier period. These interstices are generative, enabling us to receive and probe pictorial archives anew. Drawn from the University Museums’ African American art collection, Forget Me Not: Photography between Poetry and Politics foregrounds the photographic arts as testimony and remembrance, aesthetic document and encomium.
What do photographs know? How do they speak
to us about the recorded past and its relationship
to the present? From the late nineteenth-century
portraits taken by Augustus Washington and Gallo W. Cheston to P. H. Polk’s photographs of Tuskegee Airmen, Forget Me Not commemorates individual, communal, and national narratives.
Remembered here are troubling histories of racial discrimination and disenfranchisement, legacies of a segregated America as well as persistence, resistance, and the creativity of its opposition. Artists and their work “talk back,” as it were, offering counterarchives that challenge incomplete narratives and reconstitute notions of self and community, nation and belonging. “Making my art has become a way of learning what I know, a way of being conscious of how and why I learned it, a way to heal the scars and learn new truths,” notes the visual artist and essayist Clarissa Sligh. A selection of Sligh’s artist’s books, creative diaries of kinship and conflict, are among the works featured in Forget Me Not.
Aspiration, family, and love; ritual, beauty, and performance; authority, autonomy, and resilience are among the themes evoked by the works on view. Through images that range from elegant to the elegiac, Forget Me Not showcases work by artists active from the 1840s to the present day, among them James VanDerZee, Roy DeCarava, Bert Andrews, Carrie Mae Weems, Ming Smith, William Anderson, Colette Gaiter and Wendel White.
Forget Me Not Programming
Wednesday, February 18, 12:30 –1:15 p.m.
Julie L. McGee
Curator of African American Art, Associate Professor of
Black American Studies
Mechanical Hall Gallery
Thursday, February 26, 7:00 p.m.
Dr. William Jelani Cobb
Associate Professor of History and Director of the Africana Studies Institute, University of Connecticut
Presented in partnership with the Department of Black American Studies
Trabant University Center, Multipurpose Rooms
Monday, March 2, 7:00 p.m.
Paul R. Jones Annual Lecture
Thomas Allen Harris
Chimpanzee Productions (Through a Lens Darkly, Digital Diaspora Roadshow).
Tuesday, March 24, 5:00 p.m.
Smith Hall, Room 130
Thursday, May 7, 4:30–7:30 p.m.
First Thursday Open House
Old College and Mechanical Hall Galleries