FLLT 330-010   REBELS AND HEROES
Spring 2002
Fulfills UD Second Writing Requirement and B Requirement
Section 010 is the regular section for 02S
     Section 011 is the Second Writing Requirement section for 02S
Texts at UD bookstore:
1.  The Poem of the Cid, Penguin Classics
2.  Steinbeck, The Acts of King Arthur & His Noble Knights,
      Noonday 0-374-52378-9 or Del Rey 0-345-34512-6
3.  Goethe, Faust, L. MacNeice trans., Oxford
4.  Lermontov, A Hero of Our Time, Penguin
5.  Schaefer, Shane, Bantam Books
6.  Reading Packet (Tirso, Byron, Zorrilla, Faulkner)
Films at Morris Library:
1.  The Hero's Adventure (VHS 967)
2.  The Arthurian Legends & the Western World: Where
    There Was No Path (VHS 2055 part 11)
3.  Don Quixote (Kozintsev's film adaptation) (VHS 1893)
4.  The Private Life of Don Juan (VHS 255)
5.  Casablanca
6.  It’s a Wonderful Life
7.  The Princess Bride
Writing Resources
Interesting links
Bibliography
Vocabulary
Final themes

Course Objectives:   A study of western literary rebels and heroes of epic--rather than mythical--proportions from medieval times to the present.  The characters studied will be placed within their intellectual and historical context in order to ascertain their temporal and universal qualities, and the reasons for any changes through time.  By the end of this course you will have learned about some of the great literary contributions of Spain, Germany, France and Russia, as well as England and the USA.

Second Writing Requirement Option (section 011):  This section is for Juniors and Seniors who need to fulfill UD's second writing requirement. This option requires an extended critique of your expository writing. To insure this, you must meet with me after choosing a topic to discuss your outline and sources (this will constitute 10% of the paper grade). At least 2 weeks prior to your presentation date, we must meet again to discuss your first draft (an additional 30% of your grade). The final copy of the paper (for a final 60% of the grade) is due the class period prior to the presentation. 

Class Focus:    We will focus on identifying the qualities and flaws of our rebels and heroes, the reasons for their creation at their respective times, the changes they may have suffered through time, the reasons for these changes, and finally, the possible reasons for their continued appeal and existence.  We should also be able to identify and distinguish between those characteristics which are timeless and universal, and those that are unique or particular to the time and cultural environs of the rebel or hero.  The roles of the women who appear in these works will also be studied.

Class Format:   Discussion and presentations.  A sign-up sheet will be distributed in class for the presentations.

Attendance and Participation:   Attendance at all classes is expected and highly recommended, especially if you were unable to finish the reading for the day. A good grade presupposes participation in class.  Information from class presentations should be included in the reaction papers.
 
Grade Breakdown:
 4 reaction papers  (2-3 pages long)     @10% 
 Quizzes
 Research paper  (10 pages) 
 Oral presentation based on paper 
 Class participation 
                                                               Total 

40%
20%
20%
10%
10%
100%

SYLLABUS

Date  Monday Wednesday Friday
Feb 6, 8   Introduction Campbell: The Hero’s Adventure
11, 13, 15 The Hero’s Adventure 1150?--El Cid - Introduction
Medieval Spain; the Reconquest
El Cid, First Cantar
18, 20, 22 El Cid, Second Cantar El Cid, Third Cantar Campbell: The Arthurian Legend and the Western World
25, 27 
March 1
Malory’s 15th cent. England; Wars of the Roses
Presentations #1 and 2
1450?--The Acts of King Arthur: Merlin
Presentation #3
The Acts: The Knight with the Two Swords
Warlordship (News Journal)
Presentation #4
4, 6, 8 The Acts: The Wedding of King Arthur;
The Death of Merlin
Presentation #5
The Acts: Morgan Le Fay The Acts: Gawain, Ewain, and Marhalt
Presentations #6 and 7
11, 13, 15 The Acts: The Noble Tale of Sir Lancelot of the Lake
Presentations #8 and 9
Reaction paper #1 due 1605--Cervantes Don Quijote
Spain’s Siglo de Oro
Presentation #10
18, 20, 22 Don Quijote Don Quijote Don Quijote
Presentations #11 and 12
25, 27, 29 1620--Tirso de Molina The Trickster of Seville (in Reader)
Presentations #13 and 14
The Trickster of Seville (cont.) Reaction paper #2 due
April 1-5 S P R I N G     R E C E S S    
8, 10, 12 1808--Goethe Faust (to p. 83)
Presentation #15
Faust (to p. 154) Faust (pages 268-303)
Presentation #16
15, 17, 19 1813--Byron The Giaour (in Reader)
Presentations #17 and 18
1844--Zorrilla Don Juan Tenorio (in Reader)
Presentations #19 and 20
1840--Lermontov A Hero of Our Time (to p. 62)
Presentation #21
22, 24, 26 Lermontov (to p. 91) Lermontov (to p. 185)
Presentation #22
Reaction paper #3 due
29, May 1, 3 1938--Faulkner "An Odor of Verbena" (in Reader)
Presentations #23, 24 and 25
1942--Casablanca
Presentation #26
Casablana
The Cross of Lorraine
6, 8, 10 Casablanca Casablanca 1949--Schaefer Shane
Presentation #27
13, 15 Shane (cont.)
Presentation #28
Reaction paper #4 due
Review and Conclusions  

***THIS SYLLABUS IS SUBJECT TO CHANGE***

REACTION PAPERS
Reaction papers should be 2-3 pages long (typed and double-spaced).  They should be based on your interpretation of the reading, and your reaction to class discussion and presentations on the reading.  You may support or refute any theories or opinions presented in class.  Feel free to critique any shortcomings of the reading, laud any parts you felt were especially interesting or relevant, express any doubts, and pose any unanswered questions.  Your grade will depend on how well you defend your position, so be specific and provide examples to back up your point-of-view.  On the day reaction papers are due, some students will be called upon at random to read their papers.

FORMAT OF PRESENTATIONS
Every student must give a five-minute (more or less) oral presentation (10%) and turn in a typed, double-spaced copy of the presentation (20%) including a bibliography.  A bibliography of reference sources (books, articles and www sites) is included in this syllabus.  You may use these and/or any other sources of relevant information for your presentation and reaction papers.  Your grade will depend on the relevance of the information presented, your familiarity with the subject matter, and the interest you incite in your classmates.  Visual aids are strongly recommended.

Any student choosing an author must present a detailed biography with the goal of placing the author and his work in their historical context.  The presentation must explain
· how the story fits into the author’s life and times,
· what reasons the author may have had for creating such a work,
· why the work transcended its time.

Students choosing a character must present a character analysis which will include:
· description of the character’s qualities and flaws,
· explain what motivates the character and what he intends to achieve,
· how these issues are presented or illustrated in the story (give quotes),
· do things work out as the character intended?  Why or why not?  What do the character and the reader learn from this experience?

POINTS TO FOCUS ON WHILE READING:
  1.  What is the protagonist’s situation at the beginning of the adventure (not necessarily the story)?  Does he have plans for the future? If so, what?
 2.  What changes the protagonist’s situation, plans or ideas?  How does he embark on his "mission"?  Was this an intentional or unintentional occurrence?
 3.  What is the "mission"?  Do his actions have the desired effect?  the opposite effect?  a greater effect than expected?  To what extent is the protagonist aware of the consequences of his actions?
 4.  What is the climax of the story?  What decisions must the protagonist make?  How does he decide, that is, which ideas does he embrace, which does he reject?  Does he have to make some sort of a sacrifice?  What does he learn about life and himself?
 5.  What role do the female characters play in the story?  Do they serve as obstacles, inspiration, facilitators, sex symbols, devil’s advocate, a foil (contrast)?
 6.  What is the message of the story in regards to how we should view life, and what our place is in the world?
 7.  How was this message relevant to the people of its time?  Is it still relevant?  As much?  In the same manner?
 8.  What is your reaction to the message?  What do you feel are the implications of the message to individual freedom and social responsibility?
 

        Lasrt updated:  March 10, 2002