Course Objectives: A study of western literary rebels and heroes of epic--rather than mythical--proportions from medieval times to the present. The characters studied will be placed within their intellectual and historical context in order to ascertain their temporal and universal qualities, and the reasons for any changes through time. By the end of this course you will have learned about some of the great literary contributions of Spain, Germany, France and Russia, as well as England and the USA. Second Writing Requirement Option (section 011): This section is for Juniors and Seniors who need to fulfill UD's second writing requirement. This option requires an extended critique of your expository writing. To insure this, you must meet with me after choosing a topic to discuss your outline and sources (this will constitute 10% of the paper grade). At least 2 weeks prior to your presentation date, we must meet again to discuss your first draft (an additional 30% of your grade). The final copy of the paper (for a final 60% of the grade) is due the class period prior to the presentation. Class Focus: We will focus on identifying the qualities and flaws of our rebels and heroes, the reasons for their creation at their respective times, the changes they may have suffered through time, the reasons for these changes, and finally, the possible reasons for their continued appeal and existence. We should also be able to identify and distinguish between those characteristics which are timeless and universal, and those that are unique or particular to the time and cultural environs of the rebel or hero. The roles of the women who appear in these works will also be studied. Class Format: Discussion and presentations. A sign-up sheet will be distributed in class for the presentations. Attendance and Participation:
Attendance at all classes is expected and highly recommended, especially
if you were unable to finish the reading for the day. A good grade presupposes
participation in class. Information from class presentations should
be included in the reaction papers.
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SYLLABUS
Date | Monday | Wednesday | Friday |
Feb 6, 8 | Introduction | Campbell: The Hero’s Adventure | |
11, 13, 15 | The Hero’s Adventure | 1150?--El Cid - Introduction
Medieval Spain; the Reconquest |
El Cid, First Cantar |
18, 20, 22 | El Cid, Second Cantar | El Cid, Third Cantar | Campbell: The Arthurian Legend and the Western World |
25, 27
March 1 |
Malory’s 15th cent. England; Wars of the Roses
Presentations #1 and 2 |
1450?--The Acts of King Arthur: Merlin
Presentation #3 |
The Acts: The Knight with the Two Swords
Warlordship (News Journal) Presentation #4 |
4, 6, 8 | The Acts: The Wedding of King Arthur;
The Death of Merlin Presentation #5 |
The Acts: Morgan Le Fay | The Acts: Gawain, Ewain, and Marhalt
Presentations #6 and 7 |
11, 13, 15 | The
Acts: The Noble Tale of Sir Lancelot of the Lake
Presentations #8 and 9 |
Reaction paper #1 due | 1605--Cervantes Don Quijote
Spain’s Siglo de Oro Presentation #10 |
18, 20, 22 | Don Quijote | Don Quijote | Don Quijote
Presentations #11 and 12 |
25, 27, 29 | 1620--Tirso de Molina The Trickster of Seville (in Reader)
Presentations #13 and 14 |
The Trickster of Seville (cont.) | Reaction paper #2 due |
April 1-5 | S P R I N G R E C E S S | ||
8, 10, 12 | 1808--Goethe Faust (to p. 83)
Presentation #15 |
Faust (to p. 154) | Faust (pages 268-303)
Presentation #16 |
15, 17, 19 | 1813--Byron The
Giaour (in Reader)
Presentations #17 and 18 |
1844--Zorrilla Don Juan Tenorio (in Reader)
Presentations #19 and 20 |
1840--Lermontov A Hero of Our Time (to p. 62)
Presentation #21 |
22, 24, 26 | Lermontov (to p. 91) | Lermontov (to p. 185)
Presentation #22 |
Reaction paper #3 due |
29, May 1, 3 | 1938--Faulkner "An Odor of Verbena" (in Reader)
Presentations #23, 24 and 25 |
1942--Casablanca
Presentation #26 |
Casablana
The Cross of Lorraine |
6, 8, 10 | Casablanca | Casablanca | 1949--Schaefer Shane
Presentation #27 |
13, 15 | Shane (cont.)
Presentation #28 Reaction paper #4 due |
Review and Conclusions |
***THIS SYLLABUS IS SUBJECT TO CHANGE***
REACTION PAPERS
Reaction papers should be 2-3 pages long (typed and double-spaced). They should be based on your interpretation of the reading, and your reaction to class discussion and presentations on the reading. You may support or refute any theories or opinions presented in class. Feel free to critique any shortcomings of the reading, laud any parts you felt were especially interesting or relevant, express any doubts, and pose any unanswered questions. Your grade will depend on how well you defend your position, so be specific and provide examples to back up your point-of-view. On the day reaction papers are due, some students will be called upon at random to read their papers. FORMAT OF PRESENTATIONS
Any student choosing an author must
present a detailed biography with the goal of placing the author and his
work in their historical context. The presentation must explain
Students choosing a character must
present a character analysis which will include:
POINTS TO FOCUS ON WHILE READING:
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Lasrt updated: March 10, 2002