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Motherhood reflected in art Images of mothers have long been a staple in Western art, Tomlinson says. In Roman times, a mother with children, known as Caritas or charity, was a common personification of the giving mother figure in paintings and sculpture. Later, charity became a quality invested in the Virgin Mary, who was seen as an intercessor for the faithful and as a widely venerated Christian figure and mother. Mary was portrayed differently throughout the ages, Tomlinson says. In the Middle Ages, she was often portrayed as the elegant Queen of Heaven; during the Renaissance, she began to appear in domestic settings or in verdant fields, playing with her child. The imagery of motherhood became increasingly secularized during the 18th Century, Tomlinson says. Happy and virtuous women delighting in maternal duties were a reflection of the writings of Jean Jacques Rousseau. From the 19th Century on, Tomlinson says, artists began to explore all facets of human existences and motherhood. Such an artist was Francisco Goya, who painted valiant mothers struggling to save their children from the ravages of war. Interactions of mothers and children in daily life were a favorite subject for many Impressionists, Tomlinson says, while Victorian artists explored the plights of those who strayed from the virtuous path of motherhood. "By the early 20th Century, women artists, including Mary Cassatt and Gertrude Kåsebeir, elevated the image of mother and child as a central theme of their work," Tomlinson says. Article by Sue Moncure To learn how to subscribe to UDaily, click here. |