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Opera virtuosos in concert at UD March 1 The concert features Ian Greenlaw, baritone with the Metropolitan Opera; Alexandra Deshorties, soprano with the Metropolitan Opera; Howard Watkins, piano coach and accompanist with the Metropolitan Opera; and Marie Robinson, University of Delaware faculty soprano. The program will include art songs of Francis Poulenc, Hugo Wolf, Maurice Ravel, John Carter and Kurt Weill, as well as gems from the operatic repertoire of Wagner, Tchaikovsky, Handel, Gounod and Puccini. Tickets are $17 for adults, $12 for senior citizens/UDstaff and alumni and $5 for students and are on sale at UD box offices, through TicketMaster, by calling (302) 984-2000, and at the door.
Delaware Performing Art Series and the Office of the President. A graduate of the Metropolitan Operas Lindemann Young Artists Development Program, Alexandra Deshorties has developed a strong relationship with the Metropolitan Opera over the past few seasons. She made her house debut during the 1999-2000 season as the Priestess in Aida. The following season she sang the role of Anna in the Mets new production of Nabucco, as well as First Lady in Die Zauberflote. This past season Deshorties returned as Donna Anna in a new production of Don Giovanni and as Countess Almaviva in Le nozze di Figaro. Deshorties studied at the Marseilles Conservatory, where she earned a gold medal/first prize for her performance in vocal juries. She continued her education at the Manhattan School of Music.
A native of Saint Louis, Greenlaw received his bachelors degree from the Eastman School of Music and his masters degree from the University of North Carolina at Greensboro. Marie Robinson is an associate professor of voice at UD. A native of Thomasville, Ga., Robinson made her operatic debut as Aida with the Graz Opera Theatre, where she was principal soloist for three years.
American pianist Howard Watkins is in the vanguard of the current generation of collaborative pianists. In recent years, he has assisted many of the worlds leading musicians both on the concert stage and in his work as an assistant conductor at the Metropolitan Opera in New York City. Watkins was one of only two pianists from a worldwide audition invited into the Lindemann Young Artist Program of the Metropolitan Opera in 1998, and he was soon invited to join the
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