LATIN

A	g 4	20	a	Unknown	N.L.	LatCiv	A 6	C	Mochica (Museo Nacional, Lima)
A	g 4	20	a	Unknown	N.L.	LatCiv	A 6	C	Mochica (Museo Nacional, Lima)
A	i11	20	a	Unknown	N.L.	LatCiv	A 7	C	Mochica (Museo Nacional, Lima)
A	i11	20	a	Unknown	N.L.	LatCiv	A 7	C	Mochica (Museo Nacional, Lima)
A	i11	20	a	Unknown	N.L.	LatCiv	A 8	C	Mochica (Museo Nacional, Lima)
A	i11	20	a	Unknown	N.L.	LatCiv	A 8	C	Mochica (Museo Nacional, Lima)
A	m 1	20	a	Unknown	N.L.	LatCiv	A 9	C	Mochica (Museo Nacional, Lima)
A	i11	20	a	Unknown	N.L.	LatCiv	A 9	C	Mochica (Museo Nacional, Lima)
A	i11	20	a	Unknown	N.L.	LatCiv	A 9	C	Mochica (Museo Nacional, Lima)
A	m 1	20	a	Unknown	N.L.	LatCiv	A 9	C	Mochica (Museo Nacional, Lima)
A	i11	20	e	Unknown	N.L.	LatCiv	A 10	C	Huari (Museo Nacional, Lima)
A	i11	20	e	Unknown	N.L.	LatCiv	A 10	C	Huari (Museo Nacional, Lima)
A	i11	20	e	Unknown	N.L.	LatCiv	A 11	C	Wari (Museo Nacional, Lima)
A	i11	20	e	Unknown	N.L.	LatCiv	A 11	C	Wari (Museo Nacional, Lima)
A	b 5	7		pre-1000 AD-15th c.	Tikal, Guatemala	LatCiv	A 18	C	Map of Mesoamerica.
B	b 5	7		pre-1000 AD-15th c.	Tikal, Guatemala	LatCiv	A 18	C	Map of Mesoamerica.
B	b 5	7		pre-1000 AD-15th c.	Tikal, Guatemala	LatCiv	A 19	B	Map of Maya sites.
A	b 5	7		pre-1000 AD-15th c.	Tikal, Guatemala	LatCiv	A 19	B	Map of Maya sites.
B	b 5	7		Unknown	Tikal, Guatemala	LatCiv	A 20	C	Map of Peten.
B	n 4	7		Unknown	Tikal, Guatemala	LatCiv	A 20	C	Map of Peten.
C	n 4	7		Unknown	Tikal, Guatemala	LatCiv	A 20	C	Map of Peten.
A	b 5	7		Unknown	Tikal, Guatemala	LatCiv	A 20	C	Map of Peten.
A	n 4	7		Unknown	Tikal, Guatemala	LatCiv	A 20	C	Map of Peten.
C	b 5	7		Unknown	Tikal, Guatemala	LatCiv	A 20	C	Map of Peten.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 21	C	First view of Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 21	C	First view of Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 22	C	First view of Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 22	C	First view of Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 23	C	Temples 1 and 2, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 23	C	Temples 1 and 2, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 24	C	Temple 2, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 24	C	Temple 2, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 25	C	Ladder up roofcomb, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 25	C	Ladder up roofcomb, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 26	C	First view of Temple I, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 26	C	First view of Temple I, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 27	C	First view of Temple I, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 27	C	First view of Temple I, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 28	C	The main Plaza, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 28	C	The main Plaza, Tikal.
A	h 3	7		900 AD	Tikal, Guatemala	LatCiv	A 29	C	Artist's rendition of Tikal (water color).
A	h 3	7		900 AD	Tikal, Guatemala	LatCiv	A 30	C	Artist's rendition of Tikal (water color).
A	h 1	7		900 AD	Tikal, Guatemala	LatCiv	A 31	C	Scale model of Tikal, National Archaeology Museum, Guatemala City.
A	h 3	7		900 AD	Tikal, Guatemala	LatCiv	A 31	C	Scale model of Tikal, National Archaeology Museum, Guatemala City.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 32	C	Temple I, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 32	C	Temple I, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 33	C	Temple I, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 33	C	Temple I, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 34	C	Temple I, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 34	C	Temple I, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 35	C	Temple 2, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 35	C	Temple 2, Tikal.
A	h 1	7		800 AD	Tikal, Guatemala	LatCiv	A 36	C	Main Plaza, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 36	C	Main Plaza, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 37	C	Temple 4, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 37	C	Temple 4, Tikal.
A	h 1	7		800 AD	Tikal, Guatemala	LatCiv	A 38	C	The Acropolis, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 38	C	The Acropolis, Tikal.
A	h 1	7		800 AD	Tikal, Guatemala	LatCiv	A 39	C	The Acropolis, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 39	C	The Acropolis, Tikal.
A	h 1	7		800 AD	Tikal, Guatemala	LatCiv	A 40	C	The Acropolis, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 40	C	The Acropolis, Tikal.
A	h 1	7		800 AD	Tikal, Guatemala	LatCiv	A 41	C	The Acropolis, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 41	C	The Acropolis, Tikal.
A	h 1	7		800 AD	Tikal, Guatemala	LatCiv	A 42	C	The Acropolis, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 42	C	The Acropolis, Tikal.
A	h 1	7		800 AD	Tikal, Guatemala	LatCiv	A 43	C	The Acropolis, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 43	C	The Acropolis, Tikal.
A	h 1	7		800 AD	Tikal, Guatemala	LatCiv	A 44	C	The Acropolis, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 44	C	The Acropolis, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 45	C	Unexcavated pyramid, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 45	C	Unexcavated pyramid, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 46	C	unexcavated pyramid, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 46	C	unexcavated pyramid, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 47	C	Walls of unreconstructed temple, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 47	C	Walls of unreconstructed temple, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 48	C	Chichen-style temple, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 48	C	Chichen-style temple, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 49	C	Chichen-style temple, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 49	C	Chichen-style temple, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 50	C	Outlying temples, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 50	C	Outlying temples, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 51	C	Outlying temples, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 51	C	Outlying temples, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 52	C	Stelae and altars in front of temple, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 52	C	Stelae and altars in front of temple, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 53	C	Stelae and altars in front of temple, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 53	C	Stelae and altars in front of temple, Tikal.
A	h 5	7		800 AD	Tikal, Guatemala	LatCiv	A 54	C	Eroded stela, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 55	B	University of Penn excavation, Tikal.
H	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 55	B	University of Penn excavation, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 56	B	University of Penn excavation, Tikal.
H	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 56	B	University of Penn excavation, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 57	B	Reconstruction underway, Tikal.
H	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 57	B	Reconstruction underway, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 58	C	Reconstructed roofcomb, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 58	C	Reconstructed roofcomb, Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 59	B	Cross-section of roofcomb, Tikal (drawing).
A	p 1	7		800 AD	Tikal, Guatemala	LatCiv	A 59	B	Cross-section of roofcomb, Tikal (drawing).
A	h 2	7		800 AD	Tikal, Guatemala	LatCiv	A 60	C	Current reconstruction, Tikal.
A	h 6	7		800 AD	Tikal, Guatemala	LatCiv	A 60	C	Current reconstruction, Tikal.
A	h 7	7		800 AD	Tikal, Guatemala	LatCiv	A 61	C	Workmen's shed (shade and rain), Tikal.
A	h 3	7		800 AD	Tikal, Guatemala	LatCiv	A 62	B	Wooden lintel, doorway from Tikal.
A	p 1	7		800 AD	Tikal, Guatemala	LatCiv	A 62	B	Wooden lintel, doorway from Tikal.
A	i11	7		800 AD	Tikal, Guatemala	LatCiv	A 63	C	Cylindrical vase from Tikal.
A	i11	7		800 AD	Tikal, Guatemala	LatCiv	A 64	C	Maya noble- painted on ceramic from Tikal.
A	c 6	7		800 AD	Tikal, Guatemala	LatCiv	A 64	C	Maya noble- painted on ceramic from Tikal.
A	i11	7		800 AD	Tikal, Guatemala	LatCiv	A 65	B	Artists copy of fish design from pottery bowl from Tikal (drawing).
A	i11	7		800 AD	Tikal, Guatemala	LatCiv	A 66	C	Mosaic face, pottery from Tikal.
A	i 3	7		800 AD	Tikal, Guatemala	LatCiv	A 67	C	Jade carving from Tikal (sculpture).
A	g 4	7		800 AD	Tikal, Guatemala	LatCiv	A 68	B	Example of Maya burial (drawing).
A	i 6	7		800 AD	Tikal, Guatemala	LatCiv	A 69	C	Grafitti in temple, Tikal (drawing).
A	g 4	7		800 AD	Tikal, Guatemala	LatCiv	A 70	C	Altar Stone, Tikal.
A	h 5	7		800 AD	Tikal, Guatemala	LatCiv	A 71	C	Stela, Main Plaza, Tikal.
A	i 6	7		800 AD	Tikal, Guatemala	LatCiv	A 72	B	Drawing of hieroglyphs from Tikal.
A	c 3	7		800 AD	Tikal, Guatemala	LatCiv	A 73	C	Noble on stela, Tikal.
A	i 3	7		800 AD	Tikal, Guatemala	LatCiv	A 73	C	Noble on stela, Tikal.
A	h 5	7		800 AD	Tikal, Guatemala	LatCiv	A 74	C	Artist's rendition of stela production (watercolor).
A	i 3	7		800 AD	Tikal, Guatemala	LatCiv	A 75	C	Maya profile from Tikal.
A	i 3	7		800 AD	Tikal, Guatemala	LatCiv	A 76	C	Tlaloc face, Acropolis, Tikal.
A	h 2	7		800 AD	Tikal, Guatemala	LatCiv	A 77	C	Nobles' houses, Acropolis, Tikal.
A	h 2	7		800 AD	Tikal, Guatemala	LatCiv	A 78	C	Corbeled vault, noble's apartment, Tikal.
A	h 2	7		800 AD	Tikal, Guatemala	LatCiv	A 79	C	Artist's rendition of interior of noble's house, Tikal (watercolor).
A	i 9	7		800 AD	Tikal, Guatemala	LatCiv	A 79	C	Artist's rendition of interior of noble's house, Tikal (watercolor).
A	h 5	7		800 AD	Tikal, Guatemala	LatCiv	A 80	B	How to read a stela, photo of stela with various parts labeled.
A	m 1	7		800 AD	Tikal, Guatemala	LatCiv	A 81	B	Maya warrior in full dress (drawing).
A	c 6	7		800 AD	Tikal, Guatemala	LatCiv	A 82	B	Maya ruler, shows headress and other articles worn by this class (drawing).
A	c11	7		800 AD	Tikal, Guatemala	LatCiv	A 82	B	Maya ruler, shows headress and other articles worn by this class (drawing).
A	m 1	7		800 AD	Tikal, Guatemala	LatCiv	A 83	B	Jaguar warrior, in full dress wearing full skin (drawing).
A	i11	20	a	1st-8th C AD	Donnan, Christopher B.	LatCiv	A 86		Moche portrait head bottle
A	i13	20	a	1st-8th C AD	Donnan, Christopher B.	LatCiv	A 87		Moche gold mask with visor and ear ornaments. The eyes and mouth are inlaid with shell and stone.
A	i13	20	a	1st-8th C AD	Donnan, Christopher B.	LatCiv	A 88		Moche ear ornaments of sheet gold inlaid with shell, stone, and gold. The designs depict anthropomorphized bird runners.
A	i11	20	a	1st-8th C AD	Donnan, Christopher B.	LatCiv	A 89		Moche bottle. Man seated on a throne with a feline resting at the site.
A	i11	20	a	1st-8th C AD	Donnan, Christopher B.	LatCiv	A 90		Moche ceramic bottle with a fineline drawing of a burial ceremony.
A	i11	20	a	1st - 8th C AD	Donnan, Christopher B.	Lat Civ	A 91	C	Moche ceramic bottle. Seal lion with a round abject in its mouth.
A	i11	20	a	1st-8th C AD	Donnan, Christopher B.	LatCiv	A 92	C	Moche ceramic bottle. Supernatural firgure with large fangs and serpent earrings holding a conch shell trumpet.
A	i11	20	a	1st-8th C AD	Donnan, Christopher B.	LatCiv	A 93	C	Moche ceramic vessel depicting numerous individuals and animals in the setting of 5 mountain peaks.
A	i11	20	a	1st-8th C AD	Donnan, Christopher B.	LatCiv	A 94	C	Moche ceramic bottle. A structure, 2 war clubs and shields in the setting of 7 mountain peaks.
A	n 4	3			Burland, C.A.	LatCiv	A 95	B	Map of Central America showing the major cities of the pre-Columbian societies in this region.
B	n 4	3			Burland, C.A.	LatCiv	A 95	B	Map of Central America showing the major cities of the pre-Columbian societies in this region.
A	n 4	3	a		Burland, C.A.	LatCiv	A 96	B	Map of Mexico City and its environs with pre-Columbian sites indicated.
B	n 4	3	a		Burland, C.A.	LatCiv	A 96	B	Map of Mexico City and its environs with pre-Columbian sites indicated.
B	n 4	30			Burland, C.A.	LatCiv	A 97	B	Map of South America showing the extent of the Amazon forests and the Atacama desert.
A	n 4				Burland, C.A.	LatCiv	A 97	b	Map of South America showing the extent of the Amazon forests and the Atacama desert.
A	n 4	30			Burland, C.A.	LatCiv	A 98	b	Map of northern South America showing the extent of tropical rain forest and the major sites of the region's pre-Columbian societies.
B	n 4	30			Burland, C.A.	LatCiv	A 98	b	Map of northern South America showing the extent of tropical rain forest and the major sites of the region's pre-Columbian societies.
A	h 3	3		7-9th C.	Burland, C.A.	LatCiv	A 99	C	Stone figures which supported a pyramid erected to the Toltec diety, Quetzalcoatl between the 7th-9th centuries.
A	i 3	3		7-9th C.	Burland, C.A.	LatCiv	A 99	C	Stone figures which supported a pyramid erected to the Toltec diety, Quetzalcoatl between the 7th-9th centuries.
A	h 3	3		7th C	Burland, C.A.	LatCiv	A 100	C	Pyramid of the Sun photographed from the top of the Pyramid of the Moon, Teotihuacan, 7th century or earlier.
A	i 3	3		9-10th C	Burland, C.A.	LatCiv	A 101	C	Olmec jade figure covered with jaguar symbols.
A	i 1	3		7th C	Burland, C.A.	LatCiv	A 102	b	A section of the 7th-century (Mayan) Bonampak frieze (after recent reconstruction).
A	h 3	3		7th C	Burland, C.A.	LatCiv	A 102	b	A section of the 7th-century (Mayan) Bonampak frieze (after recent reconstruction).
A	i 1	3		7th C	Burland, C.A.	LatCiv	A 103	b	A section of the 7th-century (Mayan) Bonampak frieze (after recent reconstruction).
A	h 3	3		7th C	Burland, C.A.	LatCiv	A 103	b	A section of the 7th-century (Mayan) Bonampak frieze (after recent reconstruction).
A	i 1	3		7th C	Burland, C.A.	LatCiv	A 104	c	Wall painting showing 3 Mayan dignataries, from the temple of Bonampak. The whole temple is painted with representations of ceremonial life and war. The thickness of the waistbelts worn by the figures appears to be an indication of their importance.
A	h 3	3		7th C	Burland, C.A.	LatCiv	A 104	c	Wall painting showing 3 Mayan dignataries, from the temple of Bonampak. The whole temple is painted with representations of ceremonial life and war. The thickness of the waistbelts worn by the figures appears to be an indication of their importance.
A	i 3	10		11th C	Burland, C.A.	LatCiv	A 105	c	Standing figure of a jaguar diety from Costa Rica.
A	g 4	10		11th C	Burland, C.A.	LatCiv	A 105	c	Standing figure of a jaguar diety from Costa Rica.
A	i13	11		c. 12th C	Burland, C.A.	LatCiv	A 106	c	Staff end: a golden pelican from Panama, c. 12th century.
A	i11	20	h	700-900	Burland, C.A.	LatCiv	A 107	c	Pottery vessel showing a man wearing a typical hat and shirt decorated with llama heads, from Tiahuanaco.
A	i11	20		5th-7th C	Burland, C.A.	LatCiv	A 108	C	Three Mochica pottery vessels with realistic faces: a flute-player; a potter modeling a vase; and a fully armed warrior.
A	i11	20		13th or 14th C	Burland, C.A.	LatCiv	A 109	C	Featherwork 'brestplate ' with the figure of a Chimu god and shell bead pendants.
A	k 7	20		12th or 13th C	Burland, C.A.	LatCiv	A 110	C	Chimu golden plate showing vegetation goddess and planting ceremonies, possibly a calendar.
A	i13	20		12th or 13th C	Burland, C.A.	LatCiv	A 110	C	Chimu golden plate showing vegetation goddess and planting ceremonies, possibly a calendar.
A	h 1	20			Burland, C.A.	LatCiv	A 111	C	The ruins of Machupicchu, the Inca fortified city.
A	i 1	20	d	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 112	C	Cerro Trinidad, Chancay Valley, murals as found when Rogger Ravines studied them in 1963 (Panel A is to the left. Panel B to the right). Lima style, Early Intermediate Period.
A	i 1	20	d	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 113	C	Cerro Trinidad, Chancay Valley, murals found by Rogger Ravines in 1963. Detail of Panel B with typical interlocking motifs of the Lima style. Early Intermediate Period.
A	i 1	20	a	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 114	C	Huaca Coton, Pacasmayo, detail of a mural found in 1981. Early Intermediate Period.
A	i 1	20	a	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 115	C	Panamarca, mural A, detail of large scene of two people fighting. Visible are one arm of each antagonist and the face of the right-hand figure. Moche style, Early Intermediate Period.
A	i 1	20	a	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 116	C	Panamarca, mural B, 'feline snail' facing into corner. Traces of mural D are on the adjoinging wall. Moche style, Early Intermediate Period.
A	i 1	20	a	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 117	C	Panamarca, detail of mural B, 'feline snail'. Moche style, Early Intermediate Period.
A	i 1	20	a	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 118	C	Panamarca, mural C, portion of great 'procession' Richard Schaedel found in the plaza. The center figure was the last exposed for his study; the ones to its right were uncovered later. Moche style, Early Intermediate Period.
A	i 1	20	a	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 119	C	Panamarca, detail of figure in mural C, (the great 'procession' which Richard Schaedel found in the plaza.) Moche style, Early Intermediate Period.
A	i 1	20	a	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 120	C	Panamarca, detail of mural E, discovered in 1958. Portion of scene of ritual human sacrifice; the large figure is an attendant of the 'great priestess'; behind him are two prisioners. Moche style, Early Intermediate Period.
A	i 1	20	a	500 BC - 500 AD	Bonavia, Duccio	LatCiv	A 121	C	Panamarca, detail of mural E, discovered in 1958. Portion of scene of ritual human sacrifice; one prisoner and a guard. Moche style, Early Intermediate Period.
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 122	C	Huaca del la Luna, Moche Valley. Large preserved fragment of sceond of three murals found on platform 1a. Middle Horizon.
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 123	C	Huaca del la Luna, Moche Valley. Detail of third mural of platform 1a. This part of the mural was not exposed in 1955 but foundonly in 1972. Middle Horizon.
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 124	C	Huaca del la Luna, Moche Valley. Part of a mural first described in1955 and re-excavated in 1972. It is the third stage of repainting of the wall on platform 1a. Middle Horizon Epoch.
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 125	C	Huaca del la Luna, Moche Valley. Third mural of platform 1a. Detail showing two motifs that repeat in checkerboard facion. Middle Horizon.
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 126	C	Huaca del la Luna, Moche Valley. Detail of second mural (platform 1a) showing surface and technique. Middle Horizon.
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 127	C	Huaca Pintada, Lambayeque. Painting of mural details made in 1916 for Enrique Bruning. Panel represents Richard Schaedel's fig 2; examples of the 4 background motifs on right showing color alternation. Handwriting is Brunings. Middle Horizon Epoch 2.
A	i 1	20	a	800 - 1400 AD	Bonavia, Duccio	LatCiv	A 128	C	Tucume, Lambayeque. Decorated doorway photographed in 1953 when it was found. Late Intermediate Period.
B	i 1	20	a	800 - 1400 AD	Bonavia, Duccio	LatCiv	A 128	C	Tucume, Lambayeque. Decorated doorway photographed in 1953 when it was found. Late Intermediate Period.
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 129	C	Chornancap, detail of mural from right side of west wall, showing personages 29 and 30. Middle Horizon 4?
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 130	C	Chornancap, detail of mural from right side of west wall, showing personages 36 and 37. Middle Horizon 4?
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 131	C	Chornancap, detail of mural on right side of west wall, including personages 1-5. Middle Horizon 4?
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 132	C	Chornancap, portion of mural on right side of west wall, including personages 28-33 and half of 34. Middle Horizon 4?
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 133	C	Chornancap, detail of mural from right side of west wall, including personages 37, 38, 39 and half of 34. Middle Horizon 4?
A	i 1	20	a	500 - 800 AD	Bonavia, Duccio	LatCiv	A 134	C	Chornancap, detail of mural from right side of west wall, showing personage 33. Middle Horizon 4?
A	i11	3		1300-800 BC	Smith, Bradley	LatCiv	A 135	C	Three-eyed figure. Ceramic. Tlatilco, 1300-800 BC. The two faces sharing a common eye in an early sculptural expression of the ancient concept of duality.
A	g 4	3		1300-800 BC	Smith, Bradley	LatCiv	A 135	C	Three-eyed figure. Ceramic. Tlatilco, 1300-800 BC. The two faces sharing a common eye in an early sculptural expression of the ancient concept of duality.
A	g 4	3		1300-800 BC	Smith, Bradley	LatCiv	A 136	C	Maternity figure. Ceramic. Tlatilco, 1300-800 BC.
A	i11	3		1300-800 BC	Smith, Bradley	LatCiv	A 136	C	Maternity figure. Ceramic. Tlatilco, 1300-800 BC.
A	i11	3		1300-800 BC	Smith, Bradley	LatCiv	A 137	C	Female figure holding a dog. Ceramic. Tlatilco, 1300-800 BC. The long skirt she wears is an unusual mode of dress for the period.
A	c11	3		1300-800 BC	Smith, Bradley	LatCiv	A 137	C	Female figure holding a dog. Ceramic. Tlatilco, 1300-800 BC. The long skirt she wears is an unusual mode of dress for the period.
A	i11	3		1700-1300 BC	Smith, Bradley	LatCiv	A 138	C	Female figure holding a baby. Ceramic. Tlatilco, 1700-1300 BC. The figure wears a turbanlike headdress and carries a child; probably related to a fertility cult.
A	g 4	3		1700-1300 BC	Smith, Bradley	LatCiv	A 138	C	Female figure holding a baby. Ceramic. Tlatilco, 1700-1300 BC. The figure wears a turbanlike headdress and carries a child; probably related to a fertility cult.
A	i11	3		1300-800 BC	Smith, Bradley	LatCiv	A 139	C	Sculptured head with slantedhead and mouth showing a strong Olmec influence. Olmec type. Ceramic. Tlatilco, 1300-800 BC. The figure wears a turbanlike headdress and carries a child; probably related to a fertility cult.
A	i11	3		1300-800 BC	Smith, Bradley	LatCiv	A 140	C	Acrobat. Anthropopmorphous vessel. Tlatilco, 1300-800 BC. Vase in the shape of an acrobat found at a burial site. The sharpened teeth were the custom at the time.
A	i11	3		1700-1300 BC	Smith, Bradley	LatCiv	A 141	C	Four female figures. Ceramic. Tlatilco, 1700-1300 BC.
A	g 4	3		1700-1300 BC	Smith, Bradley	LatCiv	A 142	C	Sculptured figure: half flesh, half skeleton which represents the eternal duality of life and death. Ceramic. Tlatilco, 1700-1300 BC.
A	i11	3		1700-1300 BC	Smith, Bradley	LatCiv	A 142	C	Sculptured figure: half flesh, half skeleton which represents the eternal duality of life and death. Ceramic. Tlatilco, 1700-1300 BC.
A	i 3	3		1700-1300 BC	Smith, Bradley	LatCiv	A 143	C	Jade tiger. From Necaxa, Puebla. Olmec: 1700-1300 BC. The figure has both human and animal features. One of the oldest jade carvings in the New World.
A	i 3	3		1700-100 BC	Smith, Bradley	LatCiv	A 144	C	Hunchback. Green stone. From Guerrero state. Olmec: 1700-100 BC. The Olmecs respected deformed people, especially hunchbacks, who were believed to possess magical powers.
A	g 4	3		1500-200 BC	Smith, Bradley	LatCiv	A 145	C	Seated figure with child. Stone. Olmec: 1500-200 BC. The figure may symbolically represent an Olmec god holding mankind.
A	i 3	3		1500-200 BC	Smith, Bradley	LatCiv	A 145	C	Seated figure with child. Stone. Olmec: 1500-200 BC. The figure may symbolically represent an Olmec god holding mankind.
A	i 3	3		800-200 BC	Smith, Bradley	LatCiv	A 146	C	Figure of crying infant-adult. Jade. Olmec: 800-200 BC. The figure may represent a snarling man or a crying child.
A	i 3	3		800-200 BC	Smith, Bradley	LatCiv	A 147	C	Colossal head number 2. Stone. Olmec: 800-200 BC.
A	c15	4		1500-800 BC	Smith, Bradley	LatCiv	A 148	C	Figure of a mother holding a child tenderly and leaning over it protectively (twice life size). Stone. From La Venta, Tabasco. Olmec: 1500-800 BC.
A	i 3	4		1500-800 BC	Smith, Bradley	LatCiv	A 148	C	Figure of a mother holding a child tenderly and leaning over it protectively (twice life size). Stone. From La Venta, Tabasco. Olmec: 1500-800 BC.
A	h 5	4		1500-800 BC	Smith, Bradley	LatCiv	A 149	C	Trimphal monument; the figure is probably a king. He wears a crown of leaves and feathers and has in his hands a rope and dagger. Stone. From La Venta, Tabasco. Olmec: 1500-800 BC.
A	i 3	4		1500-800 BC	Smith, Bradley	LatCiv	A 149	C	Trimphal monument; the figure is probably a king. He wears a crown of leaves and feathers and has in his hands a rope and dagger. Stone. From La Venta, Tabasco. Olmec: 1500-800 BC.
A	h 3	4		700-300 BC	Smith, Bradley	LatCiv	A 150	C	Danzante (Dancer). Stone. Monte Alban, Oaxaca. Monte Alban I: 700-300 BC.
A	i 3	4		700-300 BC	Smith, Bradley	LatCiv	A 150	C	Danzante (Dancer). Stone. Monte Alban, Oaxaca. Monte Alban I: 700-300 BC.
A	i 3	4		700-300 BC	Smith, Bradley	LatCiv	A 151	C	Danzante (Dancer). Stone. Monte Alban, Oaxaca. Monte Alban I: 700-300 BC. The head of a god is carved on the chest of this dancer; below it a second head may represent the sun deity.
A	h 3	4		700-300 BC	Smith, Bradley	LatCiv	A 151	C	Danzante (Dancer). Stone. Monte Alban, Oaxaca. Monte Alban I: 700-300 BC. The head of a god is carved on the chest of this dancer; below it a second head may represent the sun deity.
A	h 3	4		700-300 BC	Smith, Bradley	LatCiv	A 152	C	Danzante (Dancer). Stone. Monte Alban, Oaxaca. Monte Alban I: 700-300 BC. An old, helmeted hunchback crawls along on hands and knees; part of a frieze that bordered the ceremonial temple.
A	i 3	4		700-300 BC	Smith, Bradley	LatCiv	A 152	C	Danzante (Dancer). Stone. Monte Alban, Oaxaca. Monte Alban I: 700-300 BC. An old, helmeted hunchback crawls along on hands and knees; part of a frieze that bordered the ceremonial temple.
A	i11	4		300-200 BC	Smith, Bradley	LatCiv	A 153	C	Man with inscription. Ceramic. Monte Alban II. Zapotec; 300-200 BC. Inscribed twice with the date 13. Flint.
A	i11	3		0-500 AD	Smith, Bradley	LatCiv	A 154	C	Women using a metate. Ceramic Colima (l) and Chupicuaro (r). 0-500 AD. A child takes a tortilla from his mother's metate; the smaller figure to the right is eating.
A	c15	3		0-500 AD	Smith, Bradley	LatCiv	A 154	C	Women using a metate. Ceramic Colima (l) and Chupicuaro (r). 0-500 AD. A child takes a tortilla from his mother's metate; the smaller figure to the right is eating.
A	c15	3		c. 500 AD	Smith, Bradley	LatCiv	A 156	C	Young pregnant woman, Ceramic From Las Cebollas, Near Tequilita, Nayarit. Circa 300 AD.
A	i11	3		c. 500 AD	Smith, Bradley	LatCiv	A 156	C	Young pregnant woman, Ceramic From Las Cebollas, Near Tequilita, Nayarit. Circa 300 AD.
A	i11	3		350-650 AD	Smith, Bradley	LatCiv	A 157	C	Three figures of Teotihuacan: a noble is flanked by 2 women with shawls of a type still worn in Mexico. Ceramic. From La Ventilla, Teotihuacan. 350-650 AD.
A	c 6	3		350-650 AD	Smith, Bradley	LatCiv	A 157	C	Three figures of Teotihuacan: a noble is flanked by 2 women with shawls of a type still worn in Mexico. Ceramic. From La Ventilla, Teotihuacan. 350-650 AD.
A	i11	3		350-650 AD	Smith, Bradley	LatCiv	A 158	C	Dancing figure. Ceramic. From Teotihuacan. 350-650 AD.
A	i11	3		450-900 AD	Smith, Bradley	LatCiv	A 159	C	Drinking vessel: reclining man with shaved head. Ceramic. From Teotihuacan. 400-900 AD.
A	i11	3		400-900 AD	Smith, Bradley	LatCiv	A 160	C	Water carrier. Ceramic. From San Tateo Tepetilla. Teotihuacan; 400-900 AD.
A	c 1	3		400-900 AD	Smith, Bradley	LatCiv	A 160	C	Water carrier. Ceramic. From San Tateo Tepetilla. Teotihuacan; 400-900 AD.
A	i 2	3		1 BC-900 AD	Smith, Bradley	LatCiv	A 161	C	Yacatecuhtli, god of commerce (detail). He carries maize on his head, his back, and in one hand; he also carries an incense bag. From Zacuala, Teotihuacan: 1 BC-900 AD.
A	g 4	3		1 BC-900 AD	Smith, Bradley	LatCiv	A 161	C	Yacatecuhtli, god of commerce (detail). He carries maize on his head, his back, and in one hand; he also carries an incense bag. From Zacuala, Teotihuacan: 1 BC-900 AD.
A	i 3	5		200-400 AD	Smith, Bradley	LatCiv	A 162	C	Miniature sculpture of an early Mayan chief with a flowing headdress on pedestal. Bone (Jaguar femur). From region of the Usumacinta River. Mayan: 200-400 AD.
A	g 4	5		644-720 AD	Smith, Bradley	LatCiv	A 163	C	Homage to the god of corn: a priest of the sun cult and a priestess of the rain god flank the Lord of Palenque. Stone slab. From Palenque. Mayan: 644-720 AD.
A	i 3	5		644-720 AD	Smith, Bradley	LatCiv	A 163	C	Homage to the god of corn: a priest of the sun cult and a priestess of the rain god flank the Lord of Palenque. Stone slab. From Palenque. Mayan: 644-720 AD.
A	m 1	5		700-900 AD	Smith, Bradley	LatCiv	A 164	C	Vase with warriors. Ceramic, polychrome decoration over orange 'slip'. From Jaina, Campeche. Mayan: 700-900 AD.
A	i11	5		700-900 AD	Smith, Bradley	LatCiv	A 164	C	Vase with warriors. Ceramic, polychrome decoration over orange 'slip'. From Jaina, Campeche. Mayan: 700-900 AD.
A	c11	5		700-900 AD	Smith, Bradley	LatCiv	A 165	C	Richly dressed woman. Ceramic. From Jaina, Campeche. Mayan: 700-900 AD. The woman's face is scarred, either for sacrifice or vanity.
A	i11	5		700-900 AD	Smith, Bradley	LatCiv	A 165	C	Richly dressed woman. Ceramic. From Jaina, Campeche. Mayan: 700-900 AD. The woman's face is scarred, either for sacrifice or vanity.
A	c11	5		700-900 AD	Smith, Bradley	LatCiv	A 166	C	Woman with high hat. Ceramic. From Jaina, Campeche. Mayan: 700-900 AD.
A	i11	5		700-900 AD	Smith, Bradley	LatCiv	A 166	C	Woman with high hat. Ceramic. From Jaina, Campeche. Mayan: 700-900 AD.
A	c 1	5		700-900 AD	Smith, Bradley	LatCiv	A 167	C	Woman weaver. Ceramic. From Jaina, Campeche. Mayan: 700-900 AD. One end of the loom is attached to the woman's waist, the other to a tree trunk.
A	c11	5		700-900 AD	Smith, Bradley	LatCiv	A 167	C	Woman weaver. Ceramic. From Jaina, Campeche. Mayan: 700-900 AD. One end of the loom is attached to the woman's waist, the other to a tree trunk.
A	c 4	5		700-900 AD	Smith, Bradley	LatCiv	A 168	C	Mayan ball player wearing a thick protective belt, gauntlets, and leggings. Ceramic. From Jaina, Campeche. Mayan: 700-900 AD.
A	i11	5		700-900 AD	Smith, Bradley	LatCiv	A 168	C	Mayan ball player wearing a thick protective belt, gauntlets, and leggings. Ceramic. From Jaina, Campeche. Mayan: 700-900 AD.
A	c11	5		400-700 AD	Smith, Bradley	LatCiv	A 169	C	Women of high caste, wearing the traditional hupil dress and with elaborate Mayan hair styling. Ceramic. From Campeche. Mayan: 400-700 AD.
A	i11	5		400-700 AD	Smith, Bradley	LatCiv	A 169	C	Women of high caste, wearing the traditional hupil dress and with elaborate Mayan hair styling. Ceramic. From Campeche. Mayan: 400-700 AD.
A	i13	5		900-1250 AD	Smith, Bradley	LatCiv	A 170	C	Bell-shaped gold ornament decorated with a stylized owl. From Cenote Sagrado de Chichen Itza, Yucatan. Mayan: 900-1250 AD.
A	i13	5		900-1250 AD	Smith, Bradley	LatCiv	A 171	C	Gold ornament: apelike creature which holds its tail in one hand while eating with the other. From Cenote Sagrado de Chichen Itza, Yucatan. Mayan: 900-1250 AD.
A	g 4	4		900-1250 AD	Smith, Bradley	LatCiv	A 172	C	Bat vampire goddess. Ceramic. Monte Alban III: 100 AD. The bloodsucking teeth of the vampire bat are plainly visible in this sculpture of an elaborately masked goddess.
A	i11	4		900-1250 AD	Smith, Bradley	LatCiv	A 172	C	Bat vampire goddess. Ceramic. Monte Alban III: 100 AD. The bloodsucking teeth of the vampire bat are plainly visible in this sculpture of an elaborately masked goddess.
A	g 4	4		c. 1000 AD	Smith, Bradley	LatCiv	A 173	C	Gold pendant: the skin of a victim covers the face of the flaying god Xipe-Totec. From Coixtlahuaca, Oaxaca. Mixtec: circa 1000 AD.
A	i13	4		c. 1000 AD	Smith, Bradley	LatCiv	A 173	C	Gold pendant: the skin of a victim covers the face of the flaying god Xipe-Totec. From Coixtlahuaca, Oaxaca. Mixtec: circa 1000 AD.
A	g 4	4		c. 1000 AD	Smith, Bradley	LatCiv	A 174	C	Gold pendant of a solar disk circling a god whose lowere body is a bell. From Oaxaca. Mixtec: circa 1000 AD.
A	i13	4		c. 1000 AD	Smith, Bradley	LatCiv	A 174	C	Gold pendant of a solar disk circling a god whose lowere body is a bell. From Oaxaca. Mixtec: circa 1000 AD.
A	i11	3		200-500 AD	Smith, Bradley	LatCiv	A 175	C	The Totonac Goddess Cihuateteo, posing like an orator addressing an audience. Ceramic. From Remojadas, Veracruz. Totonac: 200-500 AD.
A	g 4	3		200-500 AD	Smith, Bradley	LatCiv	A 175	C	The Totonac Goddess Cihuateteo, posing like an orator addressing an audience. Ceramic. From Remojadas, Veracruz. Totonac: 200-500 AD.
A	g 4	3		600-900 AD	Smith, Bradley	LatCiv	A 176	C	Mictlantecuhtli, lord of the dead. Ceramic. From Tierra Blanca, Veracruz. Totonac: 600-900 AD.
A	i11	3		600-900 AD	Smith, Bradley	LatCiv	A 176	C	Mictlantecuhtli, lord of the dead. Ceramic. From Tierra Blanca, Veracruz. Totonac: 600-900 AD.
A	i11	3		200-500 AD	Smith, Bradley	LatCiv	A 177	C	Totonac warrior on throne; his mouth and eyebrows outlined with tar. Ceramic; from El Faisan, Veracruz. Totonac: 200-500 AD.
A	m	3		200-500 AD	Smith, Bradley	LatCiv	A 177	C	Totonac warrior on throne; his mouth and eyebrows outlined with tar. Ceramic; from El Faisan, Veracruz. Totonac: 200-500 AD.
A	i11	3		600-900 AD	Smith, Bradley	LatCiv	A 178	C	Jaguar on wheels. Ceramic; from Veracruz. Totonac: 600-900 AD.
A	h 3	3		900-1200 AD	Smith, Bradley	LatCiv	A 179	C	Giant warriors from the top of the pyramid at Tula; on their chests are stylized butterflies, the Toltec emblem. Stone. Toltec Tula: 900-1200 AD.
A	i 3	3		900-1200 AD	Smith, Bradley	LatCiv	A 179	C	Giant warriors from the top of the pyramid at Tula; on their chests are stylized butterflies, the Toltec emblem. Stone. Toltec Tula: 900-1200 AD.
A	i11	3			Fernandez, Justino	LatCiv	A 180	C	Dog wearing a mask. Painted clay; funerary sculpture. Western Mexico ('Tarascan
A	g 4	3			Fernandez, Justino	LatCiv	A 180	C	Dog wearing a mask. Painted clay; funerary sculpture. Western Mexico ('Tarascan
A	i11	3			Fernandez, Justino	LatCiv	A 181	C	Starving dog. Painted clay; funerary sculpture. Western Mexico ('Tarascan
A	g 4	3			Fernandez, Justino	LatCiv	A 181	C	Starving dog. Painted clay; funerary sculpture. Western Mexico ('Tarascan
A	i 3	3			Fernandez, Justino	LatCiv	A 182	C	Carved stone head of a guacamaya bird. Votive 'hacha' ('axes'). Early classic period, from the center of Veracruz state.
A	g 4	3			Fernandez, Justino	LatCiv	A 182	C	Carved stone head of a guacamaya bird. Votive 'hacha' ('axes'). Early classic period, from the center of Veracruz state.
A	i 3	3			Fernandez, Justino	LatCiv	A 183	C	Hands. Votive palma. Stone. Totonac culture; Tajin, Veracruz state.
A	g 4	3			Fernandez, Justino	LatCiv	A 183	C	Hands. Votive palma. Stone. Totonac culture; Tajin, Veracruz state.
A	h 3	3		before 9th C.	Fernandez, Justino	LatCiv	A 184	C	Pyramid of the Niches. Probably Totonac, before the 9th Century. Tajin, Veracruz state. The niches were probably for votive offerings; there are a total of 364 niches.
A	i 3	3	a		Fernandez, Justino	LatCiv	A 185	C	Seated figure. Clay. Pre-classic Olmec. From Tlatilco, Mexico City. The head shows deliberate deformation with hair shaved off. Press-out lips & down-turned corners of the lips are typical Olmec shape, forming what is called the 'jaguar mouth.'
A	i 3	3			Fernandez, Justino	LatCiv	A 186	C	'The Adolescent.' Stone. Huastec culture. From near Tamuin, San Luis Potosi state. Represents the god Quetzalcoatl as a young priest carrying his son on his back.
A	g 4	3			Fernandez, Justino	LatCiv	A 186	C	'The Adolescent.' Stone. Huastec culture. From near Tamuin, San Luis Potosi state. Represents the god Quetzalcoatl as a young priest carrying his son on his back.
A	i 3	3			Fernandez, Justino	LatCiv	A 187	C	Jade mask. Olmec culture. A baby's face, still showing traces of red coloring.
A	i 3	3			Fernandez, Justino	LatCiv	A 188	C	Colossal head. Stone. Olmec culture. La Venta, Tabasco state. Represents a chieftain wearing a leather helmet, the symbol of authority. The mouth is shaped like a jaguar's.
A	h 3	3		4th-9th C	Fernandez, Justino	LatCiv	A 189	C	The Pyramid and Temple of the Inscriptions. Maya culture, Palenque, Chiapas state. A burial crypt (found containing the remains of a dignitary, probably a priest) lies under the pyramid, connected to the upper levels by an internal stairway.
A	g 4	3		4th-9th C	Fernandez, Justino	LatCiv	A 190	C	Mask of Jade. Mosaic. Maya culture from Palenque, Chiapas state. Found in the sarcophagus under the Temple of the Inscriptions. The mask originally covered the face of the dignitary buried there.
A	i 3	3		4th-9th C	Fernandez, Justino	LatCiv	A 190	C	Mask of Jade. Mosaic. Maya culture from Palenque, Chiapas state. Found in the sarcophagus under the Temple of the Inscriptions. The mask originally covered the face of the dignitary buried there.
A	i11	3			Fernandez, Justino	LatCiv	A 191	C	Human figure. Painted clay. Maya culture. Jaina, Campeche state. This figure is actually a whistle.
A	h 3	5		10-13th C	Fernandez, Justino	LatCiv	A 192	C	The Temple of the Tigers. On the E. platform of ball-game yard, Chichen Itza, Yucatan state. Characterized by the use of Toltec forms such as the inverted plumed-serpent columns combined w/ Maya archit. concept. Tigers were warriors in military clan.
A	h 4	5		7th-8th C.	Fernandez, Justino	LatCiv	A 193	C	Palace of the Governor. Uxmal, Yucatan state. Classic Maya period, Puuc style (which flourished between the 7th and 8th centuries). Masks of the rain god Chac, with a long nose, decorate the angles.
B	h 3	3		4-9th C	Fernandez, Justino	LatCiv	A 194	C	Pyramid of the Sun, Teotihuacan. 4th-9th centuries.
B	h 3	3		4-9th C	Fernandez, Justino	LatCiv	A 195	C	Plumed serpent. Detail of the Pyramid of Quetzalcoatl, Teotihuacan. The god Quetzalcoatl appears repeatedly in the guise of the Plumed Serpent on the various faces of the pyramid, alternately with Tlaloc, the god of the rains.
B	i 3	3			Fernandez, Justino	LatCiv	A 196	C	Mural Painting of Tigers. Classic or late period at Teotihuacan. Fragment of a fresco restored in a room next to the so-called Palace of the Quetzalpapalotl ('Quetzal-bird butterfly').
B	h 4	3			Fernandez, Justino	LatCiv	A 196	C	Mural Painting of Tigers. Classic or late period at Teotihuacan. Fragment of a fresco restored in a room next to the so-called Palace of the Quetzalpapalotl ('Quetzal-bird butterfly').
A	n 4	3			Anton, Ferdinand et al.	LatCiv	A 197	c	Map of the most important archaeological sites in pre-columbian Mexico.
A	n 2	3			Anton, Ferdinand et al.	LatCiv	A 198	c	View from Monte Negro across the Mixteca Alta. Oaxaca, Mexico.
A	f 4	3		c. 1300-700 bc	Anton, Ferdinand et al.	LatCiv	A 199	c	Head of a girl. Whitish and red painted baked clay. Preclassic culture, c. 1300-700 BC. From Tlatilco, Upper Valley of Mexico.
A	i11	3		c. 1300-700 bc	Anton, Ferdinand et al.	LatCiv	A 199	c	Head of a girl. Whitish and red painted baked clay. Preclassic culture, c. 1300-700 BC. From Tlatilco, Upper Valley of Mexico.
A	g 4	3		c. 1300-700 bc	Anton, Ferdinand et al.	LatCiv	A 200	c	Seated woman. White and reddish painted baked clay. Preclassic culture, c. 1300-700 BC. From Tlatilco, Upper Valley of Mexico.
A	i11	3		c. 1300-700 bc	Anton, Ferdinand et al.	LatCiv	A 200	c	Seated woman. White and reddish painted baked clay. Preclassic culture, c. 1300-700 BC. From Tlatilco, Upper Valley of Mexico.
A	g 4	4		c. 500 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 201	c	Figure of 'Baby Face' type. Jade. Olmec Culture, c. 500 BC - 200 AD. From La Venta, Tabasco.
A	i 3	4		c. 500 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 201	c	Figure of 'Baby Face' type. Jade. Olmec Culture, c. 500 BC - 200 AD. From La Venta, Tabasco.
A	g 4	3		c. 500 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 202	c	Colossal head. Basalt, height 9 feet. Olmec Culture, c. 500 BC - 200 AD. From San Lorenzo, Tenochtitlan, Vera Cruz, Mexico.
A	i 3	3		c. 500 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 202	c	Colossal head. Basalt, height 9 feet. Olmec Culture, c. 500 BC - 200 AD. From San Lorenzo, Tenochtitlan, Vera Cruz, Mexico.
A	g 4	4		c. 500 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 203	c	Altar IV, front view. Basalt. Olmec Culture, c. 500 BC - 200 AD. From La, Venta, Tabasco.
A	i 3	4		c. 500 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 203	c	Altar IV, front view. Basalt. Olmec Culture, c. 500 BC - 200 AD. From La, Venta, Tabasco.
A	i 3	3		c. 500 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 204	c	Seated figure. Steatite with traces of red paint. Olmec Culture, c. 500 BC - 200 AD. From Teotilan del Camino, Oaxaca, Mexico.
A	h 3	3		c. 100 BC - 400 AD	Anton, Ferdinand et al.	LatCiv	A 205	c	Pyramid of the Sun. Teotihuacan Culture, c. 100 BC - 400 AD. Teotihuacan, Upper Valley of Mexico.
A	i 1	3		c. 100 BC - 400 AD	Anton, Ferdinand et al.	LatCiv	A 206	c	Fresco with a rain god. Teotihuacan Culture, c. 100 BC - 400 AD. Teotihuacan, Upper Valley of Mexico.
A	g 4	3		c. 100 BC - 400 AD	Anton, Ferdinand et al.	LatCiv	A 206	c	Fresco with a rain god. Teotihuacan Culture, c. 100 BC - 400 AD. Teotihuacan, Upper Valley of Mexico.
A	i11	3		c. 100 BC - 400 AD	Anton, Ferdinand et al.	LatCiv	A 207	c	Round bowl decorated with a figure of the rain god Tlaloc. Earthenware, painted in so-called cloisonne technique. Teotihuacan Culture, c. 100 BC - 400 AD. Provenance unknown.
A	g 4	3		c. 100 BC - 400 AD	Anton, Ferdinand et al.	LatCiv	A 207	c	Round bowl decorated with a figure of the rain god Tlaloc. Earthenware, painted in so-called cloisonne technique. Teotihuacan Culture, c. 100 BC - 400 AD. Provenance unknown.
A	i 3	3		c. 100 BC - 400 AD	Anton, Ferdinand et al.	LatCiv	A 208	c	Mask. Alabaster. Teotihuacan Culture, c. 100 BC - 400 AD. Provenance unknown.
A	g 4	3		c. 100 BC - 400 AD	Anton, Ferdinand et al.	LatCiv	A 208	c	Mask. Alabaster. Teotihuacan Culture, c. 100 BC - 400 AD. Provenance unknown.
A	h 4	4		c. 1200-1400	Anton, Ferdinand et al.	LatCiv	A 209	c	Facade of the palace at Mitla. Zapotec-Mixtec Mixed Culture, c. 1200-1400. Mitla, Oaxaca, Mexico.
A	h 4	4		c. 1200-1400	Anton, Ferdinand et al.	LatCiv	A 210	c	Human skull inlaid with peices of turquoise and shell. Mixtec Culture, c. 1200-1400. From Monte Alban, Oaxaca.
A	i 2	3		c. 1350	Anton, Ferdinand et al.	LatCiv	A 211	c	Left 1/2 of p. 47 of Codex Vindobonesis. Mixtec Culture, c. 1350. Central Gulf Coast(?), Mexico. At upper left, Quetzalcoatl-9-Wing separates heavens from waters. In middle, rain god Tlaloc depicted as mountain, prob. symbol for Mixteca Alta.
A	g 2	3		c. 1350	Anton, Ferdinand et al.	LatCiv	A 211	c	Left 1/2 of p. 47 of Codex Vindobonesis. Mixtec Culture, c. 1350. Central Gulf Coast(?), Mexico. At upper left, Quetzalcoatl-9-Wing separates heavens from waters. In middle, rain god Tlaloc depicted as mountain, prob. symbol for Mixteca Alta.
A	i13	4		c. 900-1494	Anton, Ferdinand et al.	LatCiv	A 212	c	Mask of the god of spring Xipe Totec, 'Our-Lord-Who-Was-Flayed.' Gold, cast by the 'lost-wax' method. Mixtec Culture, c. 900-1494. From Monte Alban, Tomb 7, Oaxaca.
A	g 4	4		c. 900-1494	Anton, Ferdinand et al.	LatCiv	A 212	c	Mask of the god of spring Xipe Totec, 'Our-Lord-Who-Was-Flayed.' Gold, cast by the 'lost-wax' method. Mixtec Culture, c. 900-1494. From Monte Alban, Tomb 7, Oaxaca.
A	i11	3		c. 500-1400	Anton, Ferdinand et al.	LatCiv	A 213	c	Standing figure. Baked clay. Culture of the Gulf Coast, c. 500-1400. From El Faisan, Vera Cruz.
A	i11	3		c. 500-1200	Anton, Ferdinand et al.	LatCiv	A 214	c	Head of a girl. Baked clay. Culture of the Gulf Coast, c. 500-1200. Provenance unknow.
A	g 4	3		c. 500-1200	Anton, Ferdinand et al.	LatCiv	A 215	c	Seated dignitary. Baked clay. Culture of the Gulf Coast, c. 500-1200. From Teirra Blanca region, Vera Cruz.
A	i11	3		c. 500-1200	Anton, Ferdinand et al.	LatCiv	A 215	c	Seated dignitary. Baked clay. Culture of the Gulf Coast, c. 500-1200. From Teirra Blanca region, Vera Cruz.
A	h 3	3		c. 500-1200	Anton, Ferdinand et al.	LatCiv	A 216	c	Pyramid of the 365 Niches at El Tajin. Culture of the Gulf Coast, c. 500-1200. El Tajin, Vera Cruz.
A	i11	2		c. 1300-1500	Anton, Ferdinand et al.	LatCiv	A 217	c	Vase with painted face. Earthenware. Culture of northern Mexico, Casa Grandes style, c. 1300-1500. From Casa Grandes, Chihuahua, Mexico.
A	i11	3		c. 300-1000	Anton, Ferdinand et al.	LatCiv	A 218	c	Humpback standing on a two headed fish., Terra cotta. Colima style, culture of the Northwestern Coast, c. 300-1000. From Colima, Mexico.
A	h 4	3		c. 900-1168	Anton, Ferdinand et al.	LatCiv	A 219	c	Carved columns which formerly supported the roof of the Palace of Quetazlcoatl, representing the priest-king Quetzalcoatl as the God of the Morning Star. Volcanic stone. Toltec Culture, c. 900-1168. Tual, Hidalgo, Mexico.
A	i 3	3		c. 900-1168	Anton, Ferdinand et al.	LatCiv	A 219	c	Carved columns which formerly supported the roof of the Palace of Quetazlcoatl, representing the priest-king Quetzalcoatl as the God of the Morning Star. Volcanic stone. Toltec Culture, c. 900-1168. Tual, Hidalgo, Mexico.
A	g 4	8		c. 7th-8th c.	Anton, Ferdinand et al.	LatCiv	A 220	c	The young maize-god. Basalt. Classic Maya Culture, c. 7th-8th centuries. From Copan, Honduras.
A	i 3	8		c. 7th-8th c.	Anton, Ferdinand et al.	LatCiv	A 220	c	The young maize-god. Basalt. Classic Maya Culture, c. 7th-8th centuries. From Copan, Honduras.
A	h 3	8		c. 5th-9th c.	Anton, Ferdinand et al.	LatCiv	A 221	c	The ball court in Copan, Honduras, with the 'Place of the Steles' in the background. Classic Maya Culture, c. 5th-9th centuries.
A	h 3	6		650-700	Anton, Ferdinand et al.	LatCiv	A 222	c	Temple of the Inscriptions in Palenque, Chiapas, Mexico. Classic May Culture, probably built in the second half of the 7th century.
A	h 4	6		c. 400-850	Anton, Ferdinand et al.	LatCiv	A 223	b	The palace at Palenque (aerial view), Palenque, Chiapas, Mexico. Classic May Culture, c. 400-850.
A	g 4	6		c. 692	Anton, Ferdinand et al.	LatCiv	A 224	c	Mask of a dignitary. Jade inlaid with shell. Classic May Culture, c. 692. Found in the crypt of the Temple of the Inscriptions in Palenque, Chiapas.
A	i10	6		c. 692	Anton, Ferdinand et al.	LatCiv	A 224	c	Mask of a dignitary. Jade inlaid with shell. Classic May Culture, c. 692. Found in the crypt of the Temple of the Inscriptions in Palenque, Chiapas.
A	i11	6		7th-8th c.	Anton, Ferdinand et al.	LatCiv	A 225	c	Receptacle for offerings of feathers, depicting the sun god Kinich Ahau. Terra cotta. Classic Maya Culture, 7th-8th centuries. From Palenque, Chiapas, Mexico.
A	g 4	6		7th-8th c.	Anton, Ferdinand et al.	LatCiv	A 225	c	Receptacle for offerings of feathers, depicting the sun god Kinich Ahau. Terra cotta. Classic Maya Culture, 7th-8th centuries. From Palenque, Chiapas, Mexico.
A	i 1	6		c. 700 AD	Anton, Ferdinand et al.	LatCiv	A 226	c	Wall painting showing three dignitaries. Vegetable and mineral colors applied in fresco technique. Classic Maya Culture, c. 700 AD. Bonampak, Chiapas, Mexico.
A	h 4	7		c. 292-850	Anton, Ferdinand et al.	LatCiv	A 227	b	Temple I, also called the Temple of the Great Jaguar, during resotration. Classic Maya Culture, c. 292-850. Tikal, Peten, Guatemala.
A	g 4	6		590 AD	Anton, Ferdinand et al.	LatCiv	A 228	c	Stone marker for a ball game. Limestone. Classic Maya Culture, 590 AD. From Chinkultic, Chiapas, Mexico.
A	g 4	8		c. 800-1000	Anton, Ferdinand et al.	LatCiv	A 229	c	Ritual vessel. Calcite. Late classic Maya Culture, c. 800-1000. From Ulay Valley, Honduras. Depicts pairs of lovers or dancers.
A	i11	7		600-900	Anton, Ferdinand et al.	LatCiv	A 230	c	The so-called Chama Vessel. Painted baked clay. Late classic Maya Culture, Chama III Phase, 600-900. From Chama, Guatemala. Example of a naturlistic trend within classic maya vase painting.
A	g 4	3		c. 700-900	Anton, Ferdinand et al.	LatCiv	A 231	c	Two plates. Painted baked clay. Late classic Maya Culture, c. 700-900. From the Campeche coast, Mexico.
A	i11	3		c. 700-900	Anton, Ferdinand et al.	LatCiv	A 231	c	Two plates. Painted baked clay. Late classic Maya Culture, c. 700-900. From the Campeche coast, Mexico.
A	g 4	5		700-900	Anton, Ferdinand et al.	LatCiv	A 232	c	Aristocratic woman and dignitary. Painted solid terra cotta. Late classic Maya Culture, 700-900. From Jaina Island, Campeche, Mexico.
A	i11	5		700-900	Anton, Ferdinand et al.	LatCiv	A 232	c	Aristocratic woman and dignitary. Painted solid terra cotta. Late classic Maya Culture, 700-900. From Jaina Island, Campeche, Mexico.
A	h 3	5		c. 11th-13th c.	Anton, Ferdinand et al.	LatCiv	A 233	c	Arch of Labna, Yucatan, Mexico Early postclassic Maya Culture, Puuc style, c. 11th-13th centuries.
A	h 3	5		c. 950-1250	Anton, Ferdinand et al.	LatCiv	A 234	c	The House of the Dwarfr (west facade), Uxmal, Mexico. Early postclassic Maya Culture, c. 950-1250, Puuc style.
A	i 3	5		c. 11-13th C.	Anton, Ferdinand et al.	LatCiv	A 235	c	Jaguar throne of a high dignitary, from inside the 'Castillo,'; Chichen Itza, Yucatan, Mexico. Red-painted massive stone with green jade inlays. Maya-Toltec Mixed Culture, c. 11-13th centuries.
A	g 4	5		c. 12th C.	Anton, Ferdinand et al.	LatCiv	A 236	c	Miniature decorative shield. Wood with pyrite and touquoise inlay. Postclassic Maya period with toltec influence, c. 12th century. From Chichen Itza, Ycatan, Mexico. The 4 'Fire-Serpents' in mosaic prob. represent the 4 points of the compass.
A	g 2	5		c. 10th-12th C.	Anton, Ferdinand et al.	LatCiv	A 237	c	Detail from the Dresden Codex showing god holding a sacred vessel. Hammered plant fibers covered with a thin chalk ground. Provenance unknown, Maya Culture, c. 10th-12th centuries.
A	i 2	5		c. 10th-12th C.	Anton, Ferdinand et al.	LatCiv	A 237	c	Detail from the Dresden Codex showing a god holding a sacred vessel. Hammered plant fibers covered with a thin chalk ground. Provenance unknown, Maya Culture, c. 10th-12th centuries.
A	i 2	5		c. 10th-12th C.	Anton, Ferdinand et al.	LatCiv	A 238	c	Two pages from the Dresden Codex. Hammered plant fibers covered with a thin chalk ground. Provenance unknown, Maya Culture, c. 10th-12th centuries.
A	g 2	5		c. 10th-12th C.	Anton, Ferdinand et al.	LatCiv	A 238	c	Two pages from the Dresden Codex. Hammered plant fibers covered with a thin chalk ground. Provenance unknown, Maya Culture, c. 10th-12th centuries.
A	g 4	18		100-1400 AD	Anton, Ferdinand et al.	LatCiv	A 239	c	Map of Latin America from Nicaragua to Colombia showing the chief centers of native civilization from 100-1400 AD.
A	g 4	3		100-1400 AD	Anton, Ferdinand et al.	LatCiv	A 239	c	Map of Latin America from Nicaragua to Colombia showing the chief centers of native civilization from 100-1400 AD.
A	i11	10		c. 900-1400	Anton, Ferdinand et al.	LatCiv	A 240	c	Mythical animal, probably an ape. Painted terra cotta., c. 900-1400. From Rivas-Nicoya region, borderland of Nicaragua and Costa Rica.
A	i11	10		c. 200-500	Anton, Ferdinand et al.	LatCiv	A 241	c	Kneeling figure. Painted ceramic, c. 200-500. From Nicoya Peninsula Costa Rica. Probably represents a chieftain. The incised lines indicate tattoo marks, and the yellow circles in low relief stand for disk-shaped gold ornaments.
A	g 4	11		c. 100-1500	Anton, Ferdinand et al.	LatCiv	A 242	c	Amulet. Cast gold, c. 200-1500. From Cocle region, Panama.
A	i10	11		c. 100-1500	Anton, Ferdinand et al.	LatCiv	A 242	c	Amulet. Cast gold, c. 200-1500. From Cocle region, Panama.
A	i10	11			Anton, Ferdinand et al.	LatCiv	A 243	c	Pendant. Gold cast in a single piece. Style of Veraguas, Panama. Typical 'Golden Eagle' design found frequently in the region and which was mentioned by Columbus as a pectoral ornament worn by the chieftain in the Yucatan.
A	g 4	11			Anton, Ferdinand et al.	LatCiv	A 243	c	Pendant. Gold cast in a single piece. Style of Veraguas, Panama. Typical 'Golden Eagle' design found frequently in the region and which was mentioned by Columbus as a pectoral ornament worn by the chieftain in the Yucatan.
A	n 4	20			Anton, Ferdinand et al.	LatCiv	A 244	c	Map of the major sites of native civilizations in Peru.
A	i 5	20	d	c. 200 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 245	c	Detail of a large night-blue burial blanket ('manta') with puma-demons embroidered in alpaca wool on cotton cloth. Paracas Necropolis Culture, c. 200 BC-200 AD. From southern coast of Peru.
A	g 4	20	d	c. 200 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 245	c	Detail of a large night-blue burial blanket ('manta') with puma-demons embroidered in alpaca wool on cotton cloth. Paracas Necropolis Culture, c. 200 BC-200 AD. From southern coast of Peru.
A	i 5	20	d	c. 200 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 246	c	Detail of a burial blanket ('manta') Cotton embroidered with alpaca wool. Paracas Necropolis Culture, c. 200 BC-200 AD. From southern coast of Peru.
A	g 4	20	d	c. 200 BC - 200 AD	Anton, Ferdinand et al.	LatCiv	A 246	c	Detail of a burial blanket ('manta') Cotton embroidered with alpaca wool. Paracas Necropolis Culture, c. 200 BC-200 AD. From southern coast of Peru.
A	i11	20	d	c. 400 - 600	Anton, Ferdinand et al.	LatCiv	A 247	c	Vessel in the form of a fish with human like face. Polychrome painted baked clay. Classic Nazca style, c. 400-600. From southern coast of Peru. Depictions of fish were connected w/ prayers for fertility (though more for the fields than for family).
A	g 4	20	d	c. 400 - 600	Anton, Ferdinand et al.	LatCiv	A 247	c	Vessel in the form of a fish with human like face. Polychrome painted baked clay. Classic Nazca style, c. 400-600. From southern coast of Peru. Depictions of fish were connected w/ prayers for fertility (though more for the fields than for family).
A	i11	20	d	c. 250 - 750	Anton, Ferdinand et al.	LatCiv	A 248	c	Stirrup-handled jug w/ double spout, decorated w/ a puma-demon coiling around the body of vessel, wearing a golden mouth mask & holding a trophy head. Polychrome painted baked clay. Nazca Culture, c. 250-750. From southern coast of Peru.
A	g 4	20	d	c. 250 - 750	Anton, Ferdinand et al.	LatCiv	A 248	c	Stirrup-handled jug w/ double spout, decorated w/ a puma-demon coiling around the body of vessel, wearing a golden mouth mask & holding a trophy head. Polychrome painted baked clay. Nazca Culture, c. 250-750. From southern coast of Peru.
A	i11	20	d	c. 250 - 750	Anton, Ferdinand et al.	LatCiv	A 249	c	Jug in the form of a musician w/ panpipes, drum, & horn held up like an ear-trumpet. Polychrome painted baked clay. Nazca Culture, c. 250-750. From s. coast of Peru. Figure may be a priest because of the serpents dangling from the neck of the vessel.
A	g 4	20	d	c. 250 - 750	Anton, Ferdinand et al.	LatCiv	A 249	c	Jug in the form of a musician w/ panpipes, drum, & horn held up like an ear-trumpet. Polychrome painted baked clay. Nazca Culture, c. 250-750. From s. coast of Peru. Figure may be a priest because of the serpents dangling from the neck of the vessel.
A	g 4	20	a	c. 250 - 750	Anton, Ferdinand et al.	LatCiv	A 250	c	Ritual mask in the form of a puma head flanked by condors, probably part of a headdress. Cold-hammered thin gold sheet. Early phase of the Moche Culture, c. 250-750. From the northern coast of Peru.
A	i13	20	a	c. 250 - 750	Anton, Ferdinand et al.	LatCiv	A 250	c	Ritual mask in the form of a puma head flanked by condors, probably part of a headdress. Cold-hammered thin gold sheet. Early phase of the Moche Culture, c. 250-750. From the northern coast of Peru.
A	g 4	20	a	c. 200 - 800	Anton, Ferdinand et al.	LatCiv	A 251	c	Jug with stirrup-ring spout decorated with an animal-demon warrior holding a war ax and a trophy head. Painted baked clay. Moche Culture, c. 200-800. From Chimbote, northern coast of Peru.
A	i11	20	a	c. 200 - 800	Anton, Ferdinand et al.	LatCiv	A 251	c	Jug with stirrup-ring spout decorated with an animal-demon warrior holding a war ax and a trophy head. Painted baked clay. Moche Culture, c. 200-800. From Chimbote, northern coast of Peru.
A	i 5	20		c. 500 - 700	Anton, Ferdinand et al.	LatCiv	A 252	c	Detail of a textile with hightly stylized figures of gods. Late classic Taihuanaco Culture, c. 500-700. Provenance unknown.
A	g 4	20		c. 500 - 700	Anton, Ferdinand et al.	LatCiv	A 252	c	Detail of a textile with hightly stylized figures of gods. Late classic Taihuanaco Culture, c. 500-700. Provenance unknown.
A	i13	20	a	c. 1200 - 1463	Anton, Ferdinand et al.	LatCiv	A 253	c	Funerary gloves decorated with small idols embossed on the back of the hands and zoomorphic motifs on the forearms. Chimu Culture, c. 1200-1463.
B	g 4	20	a	c. 1200 - 1463	Anton, Ferdinand et al.	LatCiv	A 253	c	Funerary gloves decorated with small idols embossed on the back of the hands and zoomorphic motifs on the forearms. Chimu Culture, c. 1200-1463.
B	g 4	20	d	c. 1200 - 1500	Anton, Ferdinand et al.	LatCiv	A 254	c	Textile with a pattern of figures, some in profile, some frontal, but with faces always seen frontally. Chancay Culutre, c. 1200-1500. From central coast of Peru.
A	i 5	20	d	c. 1200 - 1500	Anton, Ferdinand et al.	LatCiv	A 254	c	Textile with a pattern of figures, some in profile, some frontal, but with faces always seen frontally. Chancay Culutre, c. 1200-1500. From central coast of Peru.
A	h 3	5		10-13th C	Fernandez, Justino	LatCiv	A 255	C	The 'Church' (iglesia). Chichen Itza, yucatan state. Late, post-classic Maya culture (between the 10th and mid-13th centuries), the period also known as 'Mexican,' or Maya-Toltec, because of the Toltec domination & the mixing of Toltec & Maya forms.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 256	c	Tapestry - 3 persons and zoomorphic heads.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 257	c	Tapestry - 2 persons and zoomorphic heads.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 258	c
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 259	c
A	c11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 260	c	cotton tunic.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 260	c	cotton tunic.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 261	c	Tunic-weave of birds and feathers.
A	c11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 261	c	Tunic-weave of birds and feathers.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 262	c	Rare cushma weave - stylized fish.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 263	c	Cotton panel with starfish motif.
A	c11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 264	c	Detail of a mantle - feline design on cotton.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 264	c	Detail of a mantle - feline design on cotton.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 265	c	Front half of cotton tabard with applied feathers.
A	c11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 265	c	Front half of cotton tabard with applied feathers.
A	c11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 266	c	Front half of cotton tabard with applied feathers.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 266	c	Front half of cotton tabard with applied feathers.
A	c11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 267	c	Cotton panels with applied feathers; infant tunic.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 267	c	Cotton panels with applied feathers; infant tunic.
A	i10	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 268	c	Feather earrings and funerary mask.
A	c 2	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 269	c	Weighing scale.
A	c11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 270	c	Cotton cap decorated with feathers.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 270	c	Cotton cap decorated with feathers.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 271	c	silver (?) clothing adornment.
A	i10	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 272	c	Gold crown.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 272	c	Gold crown.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 273	c	Gold breastplate.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 274	c	Gold earplugs.
A	i10	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 274	c	Gold earplugs.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 275	c	Circular ceramic vessel with hollow interior and 2 small deer.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 276	c	Ceramic vessel, duck effigy.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 277	c	Stirrup-spout jar with marine dieties.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 278	c	Globular ceramic vessel with fox designs.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 279	c	Ceramic vessel, portrait with earplugs.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 280	c	Stirrup-spouted vessels.
B	i11	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 281	c	Ceramics - 2 person bearing a child.
A	i11	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 281	c	Ceramics - 2 person bearing a child.
A	i11	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 282	c	Ceramics - figure removing facial hairs with tweezers.
B	i11	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 282	c	Ceramics - figure removing facial hairs with tweezers.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 283	c	Fishermen aboard 'caballitos'.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 284	c	Dancing and drinking chicha.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 285	c	Ceramic - 3 toads.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 286	c	Ceramic fish.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 287	c	Ceramic - bitch and her young.
A	i11	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 288	c	Coiled snake.
B	i11	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 289	c	Ceramic - corn plant.
A	i11	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 289	c	Ceramic - corn plant.
A	i11	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 290	c	Ceramic - monkey eating pacae.
B	i11	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 290	c	Ceramic - monkey eating pacae.
B	i 5	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 291	c	Textile - yellow feathers on carmine backgound.
A	i 5	20		Chimu-Inca	Arte y Tesoros del Pery	LatCiv	A 291	c	Textile - yellow feathers on carmine backgound.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 292	c	Textile - zoomorphic figures.
A	i 5	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 293	c	tapestry - evocative of Chovin or Paracas.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 294	c	Necklace and bracelet of hammered gold.
A	i10	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 294	c	Necklace and bracelet of hammered gold.
A	i10	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 295	c	Earplugs and effigy of spider.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 295	c	Earplugs and effigy of spider.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 296	c	Beaten gold beaker.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 297	c	Beaten gold beaker.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 298	c	Silver pins.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 299	c	Silver beakers.
A	i13	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 300	c	Silver beakers.
A	c15	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 301	c	Wooden mirror.
A	c15	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 302	c	Wooden trunk.
A	c15	20		Chimu	Arte y Tesoros del Pery	LatCiv	A 303	c	Wooden trunk.
A	h 3	6		8th C. AD	Miller, Mary	LatCiv	A 304	c	View of Mayan murals on the walls of Room 1 at Bonampak, Mexico. The murals depict a young heir being presented to prestigious lords, who then hold a lavish celebration.
A	i 1	6		8th C. AD	Miller, Mary	LatCiv	A 304	c	View of Mayan murals on the walls of Room 1 at Bonampak, Mexico. The murals depict a young heir being presented to prestigious lords, who then hold a lavish celebration.
A	i 1	6		8th C. AD	Miller, Mary	LatCiv	A 305	c	Reconstruction of a section of Mayan mural in Room 1 at Bonampak: musicians play instruments as part of a celebration for a new hier.
A	i 1	6		8th C. AD	Miller, Mary	LatCiv	A 306	c	Reconstruction of a section of Mayan mural in Room 1 at Bonampak: a celebration for a new heir. Figures in fantastic costumes including those of a caiman, flailing crayfish, and a carp.
A	i 1	6		8th C. AD	Miller, Mary	LatCiv	A 307	c	Reconstruction of a section of Mayan mural in Room 1 at Bonampak: wealthy lords await Bonampak's tiny heir. Dressed in elaborate clothing adorned w/ precious spondylus shells, jade pendants around their necks, & fantastic headdresses stop thier heads
A	i 1	6		8th C. AD	Miller, Mary	LatCiv	A 307a	c	Reconstruction of a section of Mayan mural in Room 1 at Bonampak: left half of slide.
A	i 1	6		8th C. AD	Miller, Mary	LatCiv	A 307b	c	Reconstruction of a section of Mayan mural in Room 1 at Bonampak: right half of slide.
A	i 1	6		8th C. AD	Miller, Mary	LatCiv	A 308	c	Reconstruction of a section of Mayan mural in Room 2 at Bonampak: a battle scene. Bonampak's ruler Chaan Muan dominates a chaotic jungle raid--fought to capture victims for sacrifice and servitude. He grips his defeated enemy by the hair.
A	i 1	6		8th C. AD	Miller, Mary	LatCiv	A 309	c	Mayan mural (from Room 2) at Bonampak, Mexico. A computer-aided reconstruction of this section details naked captives with blook dripping from tortured fingers, a corpse draped across the steps, & Maya officials standing above dressed in costumes.
A	p 2	30			Smith D., Bruce	310	A 310	c	Left: seed spike of the wild grass teosinte. When teosinte was domesticated, human selesction transformed the seed spike into the much larger maize ear(right).
H	p 2	30			Smith D., Bruce	310	A 310	c	Left: seed spike of the wild grass teosinte. When teosinte was domesticated, human selesction transformed the seed spike into the much larger maize ear(right).
A	p 2	3			Smith D., Bruce		A 311	c	Reconstruction of an early ear of corn from San Marcos Cave in the Tehuacan Valley.
A	c10	5		1200-600 BC	Magellan, Geographix	Latin	A 312	c	Map of Mesoamerican societies, c. 1200-900 BC
A	c10	30		500-1532 AD	Magellan, Geographix	Latin	A 313	c	Map of South American States, 500-1532 AD
A	h 3	3		300-900 AD	Wilkinson, Philip	Latin	A 314	c	Drawing of the interior and exterior of The Temple of Inscriptions,built by the Maya b/n 3300-900AD in Mayan city of Palenque in S.Mexico. Contained in the temple is a secret crypt containing the tomb of the Maya King,Pacal,1 of Palenques best rulers
A	c11	3		300-900 AD	Wilkinson, Philip	Latin	A 315	c	Drawing of a Maya warrior wearing headdress and carrying a shield and stone and wood weapon.
A	h 4	3		300-900 AD	Wilkinson, Philip	Latin	A 316	c	Modern photograph of the ruins of the Maya city of Palenque, now covered by the trees of the rain forest. Only the central area, with the palace and Temple of the Inscriptions, is still visible.
A	h 3	3		300-900 AD	Wilkinson, Philip	Latin	A 316	c	Modern photograph of the ruins of the Maya city of Palenque, now covered by the trees of the rain forest. Only the central area, with the palace and Temple of the Inscriptions, is still visible.
A	g 4	3		300-900 AD	Wilkinson, Philip	Latin	A 317	c	Drawing of three Maya men offering a Jaguar sacrifice as a gift to their gods. Jaguars played a special part in Maya religion, so to them sacrificeing a jaguar was probably second in importance to human sacrifice.
A	h 3	3		300-900 AD	Wilkinson, Philip	Latin	A 318	c	Plan of the Temple of the Inscriptions, built by the Maya between 3300-900 AD in the Mayan city of Palenque in southern Mexico.
A	h 4	3		300-900 AD	Wilkinson, Philip	Latin	A 318	c	Plan of the Temple of the Inscriptions, built by the Maya between 3300-900 AD in the Mayan city of Palenque in southern Mexico.
A	h 3	3		300-900 AD	Wilkinson, Philip	Latin	A 319	C	Drawing of the interior of the Secret Crupt, contains the tomb of the Maya king, Pacal, one of Palenque's greatest rulers. The first tomb ever found in a Maya pyramid.
A	i1	5	-	AD 600-800	Martin, Simon and Nikolai	L Amer	A 320	c	Ceramic figurine depicting an archetypal Maya king, here wearing the headdress of the Mexican War Serpent. Jaina Island AD 600-800.
A	i3	7	-	AD 736	Martin, Simon and Nikolai	L Amer	A 321	c	Lithograph by Frederick Catherwood of a pictorial stelae and its accompanying zoomorphic alter commissioned by the king Waxaklajuun Ub'aah K'awiil in AD 736, found in the Classic Mayan city of Copan.
A	i3	7	-	c. AD 480	Martin, Simon and Nikolai	L Amer	A 322	c	This Early Classic portraiture depicts the Tikal king Chak Tok Ich'aak I (c. AD 360-378) identified by the hieroglyph painted in his headdress.
A	i3	7	-	c. AD 400-1000	Martin, Simon and Nikolai	L Amer	A 323	c	Carved jade stone, highly prized by the Maya nobility, depicts an enthroned ruler gesturing towards a court dwarf. Found at the Mayan city of Nebaj.
A	i3	7	-	c. AD 250-909	Martin, Simon and Nikolai	L Amer	A 324	b	A pictorial stelae found at the Mayan city of Kaminaljuya shows a ruler wearing the mask of the sky god Itzamnaaj, topped by the leaf-crowned deity Huunal, a royal patron with Olmec origins.
A	h4	3	-	c. 100 BC- AD 400	Martin, Simon and Nikolai	L Amer	A 325	b	Aerial view of the central portion of the city of Teotihuacan. Shows the architectural style known as talud-tablero.'
A	n4	3	-	200 BC - AD 1697	Martin, Simon and Nikolai	L Amer	A 326	c	Map of Central America showing the limits of the Maya area.
A	i11	7	-	c. AD 250-909	Martin, Simon and Nikolai	L Amer	A 327	c	Roll out photograph of a cylinder vase featuring a ruler of Motul de San Jose relaxing in his palace surrounded by courtiers.
A	b5	3	-	c. AD 250-909	Martin, Simon and Nikolai	L Amer	A 328	c	Map displaying two conceptions of Classic Maya political organization. Left: Reconstruction of regional states , Richard Adams. Right: the divided landscape of small polities, Peter Mathews.
A	b5	3	-	c. AD 250-909	Martin, Simon and Nikolai	L Amer	A 329	c	Schematic view of state interactions showing the Classic Maya complex hierarchical and family linkages and shifting patterns of alliance and warfare.
A	h7	7	-	AD 300- 900	Martin, Simon and Nikolai	L Amer	A 330	c	Plan of the Classic Mayan city, Tikal.
A	i3	7	-	c. AD 300- 900	Martin, Simon and Nikolai	L Amer	A 331	b	An unusual scene from a mural at the Classic Mayan city of Uazactun shows a black-painted lord in gesture of greeting or submission to a warrior in full Mexican attire.
A	i3	7	-	c. AD 300- 900	Martin, Simon and Nikolai	L Amer	A 332	b	Fragment of Stela 32 depicting a lord of Teotihuacan wearing the tasseled headdress and goggle-eyes of the Storm God Tlaloc. One of the more famous examples of Mexican style at the Classic Mayan city, Tikal.
A	i11	7	-	c. AD 404	Martin, Simon and Nikolai	L Amer	A 333	c	Lidded vessel from Yax Nuun Ayiin's Burial 10 represents a fusion of Maya form and Mexican decoration. Found in the Classic Mayan city, Tikal.
A	i11	7	-	c. AD 404	Martin, Simon and Nikolai	L Amer	A 334	c	Ceramic censer of an aged deity is one of the more characteristically Maya objects found in Burial 10. Found in the Classic Mayan city, Tikal.
A	h3	7	-	c. AD 450	Martin, Simon and Nikolai	L Amer	A 335	c	Cutaway drawing of Temple 33 (mortuary shrine for King Siyaj Chan K'awiil) showing its earliest phases encased in a massive 7th-century pyramid. Found in the Classic Mayan city, Tikal.
A	i3	7	-	c. AD 450	Martin, Simon and Nikolai	L Amer	A 336	b	One of two large basal masks from the Temple 33 (mortuary shrine for King Siyaj Chan K'awiil) discovered behind a later remodeling. Found in the Classic Mayan city, Tikal.
A	i11	7	-	c. AD 628	Martin, Simon and Nikolai	L Amer	A 337	c	Painted plate, similar to two found in Animal Skull's tomb. Shows Animal Skull holding a W'awiil-topped staff. Found in the Classic Mayan city, Tikal.
A	i11	7	-	c. AD 628	Martin, Simon and Nikolai	L Amer	A 338	c	A painter from the court of Animal Skull created this vase with a list of early Tikal kings decorated with the royal mat pattern rendered in regal red. Found in the Classic Mayan city, Tikal.
A	i3	7	-	c. AD 628	Martin, Simon and Nikolai	L Amer	A 339	c	One of four effigies of the god K'awiil retrieved from Animal Skull's Burial 195. The stucco surfaces are original, surviving the complete decay of the wood they once coated. Found in the North Acropolis in the Classic Mayan city, Tikal.
A	h3	7	-	c. AD 300- 900	Martin, Simon and Nikolai	L Amer	A 340	c	Plan of the North Acropolis and Great Plaza positioned in the heart of the Classic Mayan city of Tikal is one of the most intensively studied of all Maya architecture.
A	h3	7	-	AD 734	Martin, Simon and Nikolai	L Amer	A 341	b	Photograph of Tikal Temple 1, an icon of Classic Maya architecture since cleared from the forest in 1882. Its high roofcomb is decorated with a seated sculpture of Jasaw Chan K'awiil. AD 734.
A	i3	7	-	AD 743	Martin, Simon and Nikolai	L Amer	A 342	c	An example of Classic Maya wood carving, Lintel 3 from Temple 4 in Tikal, was hewn from extremely hard Sapodilla wood. It features Yik'in Chan K'awiil seated on a great litter with a celestial serpent effigy arching over his head. Commissioned to cel
A	h4		-	c. 10th C	Martin, Simon and Nikolai	L Amer	A 343	c	Painting depicting the Maya city of Tikal 50 years after the collapse of royal power.
A	i11	7	-	c. 740	Martin, Simon and Nikolai	L Amer	A 344	c	Painted vase shows K'awiil Chan K'inich, Master of the Ahkul Lord, enthroned in his palace located in the Mayan city of Dos Pilas.
A	h3	7	-	c. 761	Martin Simon and Nikolai	L Amer	A 345	c	Artist reconstruction of the abandoned main plaza of Dos Pilas, ultimately occupied by villagers who tore masonry from surrounding temples and palaces to engineer a double-lined defense of their community.
A	h2	7	-	c. 761	Martin, Simon and Nikolai	L Amer	A 345	c	Artist reconstruction of the abandoned main plaza of Dos Pilas, ultimately occupied by villagers who tore masonry from surrounding temples and palaces to engineer a double-lined defense of their community.
A	i11	7	-	c. 520	Martin, Simon and Nikolai	L Amer	A 346	c	Plate belonging to Naranjo ruler K'inich Tajal Chaak, decorated with the severed head of the Maize God.
A	i11	7	-	late 6th C.	Martin, Simon and Nikolai	L Amer	A 347	c	Polychrome bowl that names Naranjo ruler Aj Wosal in its rim text.
A	i3	7	-	AD 642	Martin, Simon and Nikolai	L Amer	A 348	b	Photograph by Teobert Maler shows four of the blocks that make up the Naranjo Hieroglyphic Stairway discovered in Naranjo with three monstrous skulls. Commissioned by Caracol's K'an II in 642, it records various details of his biography and victory o
A	i11	7	-	c. 720	Martin, Simon and Nikolai	L Amer	A 349	c	Tall cylinder vase excavated from an elite burial at Buenavista, 9 miles east of Naranjo, depicting two aspects of the Maize God identified here as specific patrons of the Tikal and Calakmul kingdoms in the refined pose of Maya dance. Rim text names
A	i4	7	-	c. 317	Martin, Simon and Nikolai	L Amer	A 350	b	The name of K'ak' Tiliw's wife Lady Une' B'alam or Baby Jaguar' (an early queen if Tikal) appears in three different spellings. The bottom example with its reclining jaguar, that provided the key to its meaning.
A	i3	7	-	c. 700	Martin, Simon and Nikolai	L Amer	A 351	c	Detail from Stela 22 shows a 14 year old K'ak' Tiliw Chan Chaak. The complex headdress he wears is composed of elements that spell out his name.
A	h3	9	-	c. 330-860	Martin, Simon and Nikolai	L Amer	A 352	c	Photograph and artist reconstruction of Caana
A	pl		-	late 20th C	Martin, Simon and Nikolai	L Amer	A 353	c	Photograph of the great reservoir at Calakmul, situated 1.2 miles north of the city center.
A	h3	5	-	c. 400 - 910	Martin, Simon and Nikolai	L Amer	A 354	c	Photograph and artist reconstruction of Structure 2, the most massive ot the great temple platforms within the Classic Maya ciyt of Calakmul.
A	i3	5	-	687	Martin, Simon and Nikolai	L Amer	A 355	c	Stone panel of a ballplaying scene featuring Great Turkey, a vassal of Yich'aak K'ak' from La Corona. The caption commemorates the date of AD 687 and the event took place in Calakmul.
A	i3	5	-	726	Martin, Simon and Nikolai	L Amer	A 356	b	Created by one of the great masters of Classic Maya carving, Lintel 26 features a portrait of Itzamnaaj B'alam II. AD 726.
A	i3	5	-	723	Martin, Simon and Nikolai	L Amer	A 357	b	Artist drawing of Stela 18 features a triumphant Itzamnaaj B'alam II standing over his prisoner Aj Popol Chay, lord of Lacanha. Afet AD 723.
A	i3	5	-	731	Martin, Simon and Nikolai	L Amer	A 358	b	Lintel 45 shows the capture and submission of Aj Nik who seems to kiss the cotton shield of his captor Itzamnaaj B'alam. C. AD 731.
A	h3	5	-	c. AD 360-810	Martin, Simon and Nikolai	L Amer	A 359	b	Photograph of Temples 40 (left) and 39, two of three structures perched on a hilltip high above the Mayan city of Yaxchilan. Temple 40 was once decorated with vivid interior murals, now almost completely decayed. c. AD 360-810.
A	i3	5	-	c. 755	Martin, Simon and Nikolai	L Amer	A 360	c	Stone relief sculpture of Bird Jaguar IV pereparing for battle in the company of one of his wives, Lady Wak Jalam Chan Ajaw of the Motul de San Jose kingdom. His headdress includes a crest of the Teotihuacan Butterfly God. The battle found on May 5,
A	i3	5	-	c. 752	Martin, Simon and Nikolai	L Amer	A 361	c	Stone relief sculpture of Bird Jaguar and a captured sajal' from the minor kingdom of Wak'ab biting his fingers in a gesture of submission and fear. AD 752.
A	h3	5	-	c. 747	Martin, Simon and Nikolai	L Amer	A 362	c	Top and left: photograph and artist reconstruction of Temple 33 in the Mayan city of Yaxchilan. Consists of a long three-doored chamber topped by a lofty cres or roofcomb.' Middle: lintel from the central doorway of Temple 33 depicts the infant Itza
A	h3	5	-	AD 677	Martin, Simon and Nikolai	L Amer	A 363	b	Artist reconstruction by Tatiana Proskouriakoff of Temple K-5 in the city Mayan city of Piedras Negras.
A	h4	5	-	c. AD 450-820	Martin, Simon and Nikolai	L Amer	A 364	b	Artist reconstruction of the West Acropolis, home to Piedras Negras' royal court during the Late Classic Maya period.
A	i3	5	-	c. AD 450-820	Martin, Simon and Nikolai	L Amer	A 365	b	The finest monumental seat know from the Mayan Classic period. Throne 1 is adorned with glyphic texts on its back, seat and both the front and sides of its legs. Found in the palace chamber of Structure J-6 in Piedras Negras.
A	h4	6	-	c. 400-850	Martin, Simon and Nikolai	L Amer	A 366	c	Photograph of the ruins of the Palace of Palenque situated in the heart of the Classic Mayan capital city.
A	h4	6	-	c. 400-850	Martin, Simon and Nikolai	L Amer	A 367	b	Plan of the Palace of Palenque situated in the heart of the Classic Mayan capital city.
A	h3	6	-	AD 690	Martin, Simon and Nikolai	L Amer	A 368	c	Janaab' Pakal's burial pyramid, the Temple of Inscriptions, was completed by his son Kan B'alam II around AD 690. Palenque, Chiapas, Mexico. Classic Maya Culture.
A	g4	6	-	AD 683	Martin, Simon and Nikolai	L Amer	A 369	c	Photograph of the elaborate lid and limestone coffin of King Janaab' Pakal found within the Temple of Inscriptions, in the Classic Mayan city of Palenque, Chiapas, Mexico.
A	h3	6	-	AD 690	Martin, Simon and Nikolai	L Amer	A 370	c	Cutaway view of the Temple of Inscriptions that reveals the internal stairway leading from its upper sanctuary to the plaza-level tomb below. Located in the Classic Mayan city of Palenque, Chiapas, Mexico.
A	g4	6	-	AD 690	Martin, Simon and Nikolai	L Amer	A 371	c	Photograph of the elaborate lid from the limestone coffin of King Janaab' Pakal found within the Temple of Inscriptions, in the Classic Mayan city of Palenque, Chiapas, Mexico. Bears an exquisite and complex scene depicting the king's rebirth as the
A	h3	6	-	AD 690	Martin, Simon and Nikolai	L Amer	A 371	c	Photograph of the elaborate lid from the limestone coffin of King Janaab' Pakal found within the Temple of Inscriptions, in the Classic Mayan city of Palenque, Chiapas, Mexico. Bears an exquisite and complex scene depicting the king's rebirth as the
A	i3	6	-	AD 692	Martin, Simon and Nikolai	L Amer	A 372	b	Drawing of a carved panel housed in an enclosed shrine from the Temple of the Cross, located in the Classic Mayan city of Palenque, Chiapas, Mexico. Features a flowering world tree growing from a sacrificial bowl flanked by King Kan B'alm first as a
A	i11	6	-	c. AD 700	Martin, Simon and Nikolai	L Amer	A 373	c	Distinctive to Palenque, ceramic incense-burner modelled into the visages of fire gods made during the reign of Kan B'alam and placed around the tiers of the Temple of the Cross pyramid, located in the Classic Mayan city of Palenque, Chiapas, Mexico.
A	h3	6	-	c. AD 692	Martin, Simon and Nikolai	L Amer	A 374	c	Photograph of the Cross Group, located in the Classic Mayan city of Palenque, Chiapas, Mexico. From left to right: the Temple of the Cross, the Temple of the Foliated Cross, Temple 14 and the Temple of the Sun.
A	h1	6	-	AD 699	Martin, Simon and Nikolai	L Amer	A 375	b	Photograph of the sunken Ballcourt found at the eastern edge of the Great Plaza in the Mayan city of Tonina. Probably dedicated in 699 to celebrate B'aaknal Chaak's successful campaigns in the Usumacinta region. Renovation took place in 776.
A	i3	6	-	c. AD 699	Martin, Simon and Nikolai	L Amer	A 376	b	Drawing of a relief sculpture from panels found at the Ballcourt found at the eastern edge of the Great Plaza in the Mayan city of Tonina. The panel features a captive Yax Ahk Green Turtle' of Anaay Te' dressed as a god in preparation for his sacri
A	h3	6	-	c. AD 510-900	Martin, Simon and Nikolai	L Amer	A 377	b	Photograph the ruins of temples and terraces of the Tonina Acropolis.
A	g4	8	-	c. AD 440	Martin, Simon and Nikolai	L Amer	A 378	c	Photograph of the remains of a woman covered with cinnabar and hematite, probably the wife of the founder of the Classic Mayan city of Copan, K'inch Yax K'uk' Mo' found within the Margarita tomb.
A	i11	8	-	c. AD 437	Martin, Simon and Nikolai	L Amer	A 379	c	Photograph of a ceramic lidded vessel the Dazzler' decorated with images of Yax K'uk' Mo's memorial shrine.
A	g4	8	-	AD 776	Martin, Simon and Nikolai	L Amer	A 380	b	Stone relief panel on the northern side of Alter Q within the Copan Acropolis of the Classic Mayan city of Copan depicts the little known Ruler 3, Ku Ix (Ruler4), Ruler 5 and Ruler 6, AD 776.
A	g4	8	-	AD 776	Martin, Simon and Nikolai	L Amer	A 381	c	Stone relief panel on eastern side of Alter Q within the Copan Acropolis of the Classic Mayan city of Copan depicts from right to left, Waterlily Jaguar, Ruler8, Ruler 9 and Moon Jaguar.
A	h3	8	-	c. AD 570	Martin, Simon and Nikolai	L Amer	A 382	c	Photograph of the full-size replica of Rosalila, on of the most perfectly preserved Early Classic Mayan buildings. It was a dynastic shrine constructed by Moon Jagual over the deeply buried tomb of the founder of the Classic Mayan city of Copan, K'in
A	i11	8	-	c. AD 700	Martin, Simon and Nikolai	L Amer	A 383	c	Photograph of four of 12 royal effigies associated with the Chorcha Tomb located deep beneath Temple 26 within of the Classic Mayan city of Copan. The goggle-eyes identify one of the effigies as Yax K'uk' Mo'.
A	i3	8	-	AD 711-736	Martin, Simon and Nikolai	L Amer	A 384	b	Carved stone relief portraits of Waxaklajuun Ub'aah K'awiil as they appear on Stelae C., A and B found within the city of Copan. The sculptures represent one of the great legacies of the Classic Mayan era.
A	h1	8	-	c. AD 738	Martin, Simon and Nikolai	L Amer	A 385	b	Photograph of the final version of the ballcourt located in the Classic Mayan city of Copan, completed in AD 738.
A	g4	8	-	AD 776	Martin, Simon and Nikolai	L Amer	A 386	c	Stone relief panel on Alter Q within the Copan Acropolis of the Classic Mayan city of Copan depicts K'ak' Yipyaj Chan K'awiil, AD 776.
A	h4	8	-	AD 800	Martin, Simon and Nikolai	L Amer	A 387	c	Artist reconstruction of the final form of the Copan Acropolis looking southwest, c. AD 800.
A	h3	8	-	c. AD 700-755	Martin, Simon and Nikolai	L Amer	A 388	b	Artist reconstruction of Copan's Hieroglyphic Stairway, the longes known Maya inscription filling the entire 69 foot staircase of Temple 26. It contains 2,200 individual glyphs.
A	h3	8	-	c. AD 770	Martin, Simon and Nikolai	L Amer	A 389	b	Photograph of Temple 11 withing the Copan Acropolis embodies a muli-strata universe. The lowest level looks out on the West Court and represents a descent into the watery Underworld.
A	h4	8	-	AD 776	Martin, Simon and Nikolai	L Amer	A 390	b	Photograph of Alter Q found within the Copan Acropolis of the Classic Mayan city of Copan was dedicated by Yax Pasaj in AD 776. A remarkable summary of the Copan dynasty, it shows the first 16 kings each seated on their name glyphs. The top carries a
A	h4	8	-	c. AD 760	Martin, Simon and Nikolai	L Amer	A 391	b	Photograph of the House of the Bakabs, the palace of one of Yax Pasaj's leading vassals, located in the Las Sepultural district, a suburban subcenter of the Classic Mayan city of Copan.
A	i3	7	-	AD 761	Martin, Simon and Nikolai	L Amer	A 392	b	Photograph of Sylvanus Morley posing alongside the sandstone mass of Stela F located within the Classic Mayan city of Quirigua. Erected in AD 761, it depicts K'ak' Tiliw bearing a k'awiil sceptre and small round shield.
A	i3	7	-	c. AD 785	Martin, Simon and Nikolai	L Amer	A 393	b	Photograph of K'ak Tiliw's memorial stone created by his successor Sky Xul, after AD 785. Shows his face emerging from the snarling gape of a giant jaguar. Located within the Classic Mayan city of Quirigua.
A	h4	7	-	AD 810	Martin, Simon and Nikolai	L Amer	A 394	b	Photograph of the restoration of a large palace building with three rooms, each containing an inscribed bench that together form a continuous text recording the scattering rites of Jade Sky and the Copan king Yax Pasaj Chan Yoaat. Located in the Maya
A	h3	5	-	c. 1400	Martin, Simon and Nikolai	L Amer	A 395	b	Photograph of a major temple located in the Postclassic Mayan city of Mayapan.
A	h3	5	-	c. 1200-1400	Martin, Simon and Nikolai	L Amer	A 396	b	Photograph of the ruins of Chichen Itza, the four-stairwayed El Castillo pyramid and the Iglesia shows the northern Maya architectural style of the Puuc.
A	i 1	2		C. 1000 AD	Webster, Donovan	L Amer	A 397	c	One of The Great Mural Paintings, this 500-foot-long mural at Cueva Pintada is dense with depictions of human figures and animals.
A	i 1	2		C. 1000 AD	Webster, Donovan	L Amer	A 398	c	Photograph of the Cueva Pintada rock art site located in the backcountry of Baja California, Mexico.
A	i 1	2		C. 1000 AD	Webster, Donovan	L Amer	A 399	c	Photograph of Harry Crobsy inspecting a rock art site located in northern Baja California, Mexico. The paintings are abstract depicting spirals and sunbursts.
A	i 1	2		c. 1000 AD	Webster, Donovan	L Amer	A 400	c	Rock art site at El Brinco located in Baja California, Mexico depicts gigantic human figures and deer on the canyon walls.
B	b 2	3	a	Unknown	N.L.	LatCiv	B 1	C	Aztec tribute list
B	b 2	3	a	Unknown	N.L.	LatCiv	B 1	C	Aztec tribute list
B	p 1	20	e	Unknown	N.L.	LatCiv	B 2	C	Inca viaduct
B	p 1	20	e	Unknown	N.L.	LatCiv	B 2	C	Inca viaduct
B	p 1	20	e	Unknown	N.L.	LatCiv	B 3	C	Inca masonry at Ollantaytambo (administrative capital)
B	p 1	20	e	Unknown	N.L.	LatCiv	B 3	C	Inca masonry at Ollantaytambo (administrative capital)
B	h 6	20	e	Unknown	N.L.	LatCiv	B 4	C	Machupicchu (from Nuayna Picchu)
B	h 6	20	e	Unknown	N.L.	LatCiv	B 4	C	Machupicchu (from Nuayna Picchu)
B	p 1	20	e	Unknown	N.L.	LatCiv	B 5	C	Inca stonework, Cuzco area
B	p 1	20	e	Unknown	N.L.	LatCiv	B 5	C	Inca stonework, Cuzco area
B	p 2	20	e	Unknown	N.L.	LatCiv	B 6	C	Terraces, Moray
B	p 2	20	e	Unknown	N.L.	LatCiv	B 6	C	Terraces, Moray
B	i 3	5		Unknown	N.L.	LatCiv	B 7	C	Maya expression of date 11 February, AD 526; limestone lintel, Yaxchilan
B	k 7	5		Unknown	N.L.	LatCiv	B 7	C	Maya expression of date 11 February, AD 526; limestone lintel, Yaxchilan
B	i 3	5		Unknown	N.L.	LatCiv	B 7	C	Maya expression of date 11 February, AD 526; limestone lintel, Yaxchilan
B	k 7	5		Unknown	N.L.	LatCiv	B 7	C	Maya expression of date 11 February, AD 526; limestone lintel, Yaxchilan
B	p 1	20	e	Unknown	N.L.	LatCiv	B 8	C	Inca suspension bridge, Apurimac River
B	p 1	20	e	Unknown	N.L.	LatCiv	B 8	C	Inca suspension bridge, Apurimac River
B	p 1	20	e	Unknown	N.L.	LatCiv	B 9	C	Inca wall construction, outside Cuzco
B	p 1	20	e	Unknown	N.L.	LatCiv	B 9	C	Inca wall construction, outside Cuzco
B	h 6	20	e	Unknown	N.L.	LatCiv	B 10	C	Inca masonry, Cuzco street
B	p 1	20	e	Unknown	N.L.	LatCiv	B 10	C	Inca masonry, Cuzco street
B	p 1	20	e	Unknown	N.L.	LatCiv	B 10	C	Inca masonry, Cuzco street
B	h 6	20	e	Unknown	N.L.	LatCiv	B 10	C	Inca masonry, Cuzco street
B	p 1	20	e	Unknown	N.L.	LatCiv	B 11	C	Inca walls, Cuzco
B	p 1	20	e	Unknown	N.L.	LatCiv	B 11	C	Inca walls, Cuzco
B	p 1	20	e	Unknown	N.L.	LatCiv	B 12	C	Steps on Inca road
B	p 5	20	e	Unknown	N.L.	LatCiv	B 12	C	Steps on Inca road
B	p 5	20	e	Unknown	N.L.	LatCiv	B 12	C	Steps on Inca road
B	p 1	20	e	Unknown	N.L.	LatCiv	B 12	C	Steps on Inca road
B	p 1	20	e	Unknown	N.L.	LatCiv	B 13	C	Inca construction, Ollantaytambo
B	h 6	20	e	Unknown	N.L.	LatCiv	B 13	C	Inca construction, Ollantaytambo
B	h 6	20	e	Unknown	N.L.	LatCiv	B 13	C	Inca construction, Ollantaytambo
B	p 1	20	e	Unknown	N.L.	LatCiv	B 13	C	Inca construction, Ollantaytambo
B	p 1	20		Unknown	N.L.	LatCiv	B 14	C	Modern bridge of the Inca type: the Inca bridges were usually wider and stronger
B	p 1	20		Unknown	N.L.	LatCiv	B 14	C	Modern bridge of the Inca type: the Inca bridges were usually wider and stronger
B	h 6	20	b	Unknown	N.L.	LatCiv	B 15	C	Machupicchu
B	h 6	20	b	Unknown	N.L.	LatCiv	B 15	C	Machupicchu
B	i 3	3		Unknown	N.L.	LatCiv	B 16	B	Turkey and vulture locked in combat symbolize tribal warfare: Mayan glyphs
B	g 2	3		Unknown	N.L.	LatCiv	B 16	B	Turkey and vulture locked in combat symbolize tribal warfare: Mayan glyphs
B	i 3	3		Unknown	N.L.	LatCiv	B 16	B	Turkey and vulture locked in combat symbolize tribal warfare: Mayan glyphs
B	g 2	3		Unknown	N.L.	LatCiv	B 16	B	Turkey and vulture locked in combat symbolize tribal warfare: Mayan glyphs
B	m 8	20	e	Unknown	N.L.	LatCiv	B 17	C	Ramparts of the fortress of Sacsahuaman, near Cuzco
B	h 6	20	e	Unknown	N.L.	LatCiv	B 17	C	Ramparts of the fortress of Sacsahuaman, near Cuzco
B	h 6	20	e	Unknown	N.L.	LatCiv	B 17	C	Ramparts of the fortress of Sacsahuaman, near Cuzco
B	m 8	20	e	Unknown	N.L.	LatCiv	B 17	C	Ramparts of the fortress of Sacsahuaman, near Cuzco
B	h 7	5		Unknown	N.L.	LatCiv	B 18	C	Mayan city of Tulum (trading centre)
B	h 7	5		Unknown	N.L.	LatCiv	B 18	C	Mayan city of Tulum (trading centre)
B	h 4	3		Unknown	N.L.	LatCiv	B 19	C	Palace of Palenque
B	h 4	3		Unknown	N.L.	LatCiv	B 19	C	Palace of Palenque
B	h 3	5		Unknown	N.L.	LatCiv	B 20	C	Uxmal, Nunnery Quadrangle, Pyramid of the Magician
B	h 3	5		Unknown	N.L.	LatCiv	B 20	C	Uxmal, Nunnery Quadrangle, Pyramid of the Magician
B	i 3	20	e	Unknown	N.L.	LatCiv	B 21	C	Carved rock of Intihuatana: scene of ceremony, Machupicchu
B	g 4	20	e	Unknown	N.L.	LatCiv	B 21	C	Carved rock of Intihuatana: scene of ceremony, Machupicchu
B	g 4	20	e	Unknown	N.L.	LatCiv	B 21	C	Carved rock of Intihuatana: scene of ceremony, Machupicchu
B	i 3	20	e	Unknown	N.L.	LatCiv	B 21	C	Carved rock of Intihuatana: scene of ceremony, Machupicchu
B	h 3	20	e	Unknown	N.L.	LatCiv	B 22	C	Inca stonemasonry - Temple of the Moon, Ollantaytambo
B	p 1	20	e	Unknown	N.L.	LatCiv	B 22	C	Inca stonemasonry - Temple of the Moon, Ollantaytambo
B	p 1	20	e	Unknown	N.L.	LatCiv	B 22	C	Inca stonemasonry - Temple of the Moon, Ollantaytambo
B	h 3	20	e	Unknown	N.L.	LatCiv	B 22	C	Inca stonemasonry - Temple of the Moon, Ollantaytambo
B	p 5	22	a	Unknown	N.L.	LatCiv	B 23	C	Inca road in the Atacama desert
B	p 1	22	a	Unknown	N.L.	LatCiv	B 23	C	Inca road in the Atacama desert
B	p 5	22	a	Unknown	N.L.	LatCiv	B 23	C	Inca road in the Atacama desert
B	p 1	22	a	Unknown	N.L.	LatCiv	B 23	C	Inca road in the Atacama desert
B	h 6	20	e	Unknown	N.L.	LatCiv	B 24	C	Machupicchu
B	h 6	20	e	Unknown	N.L.	LatCiv	B 24	C	Machupicchu
B	h 6	20	e	Unknown	N.L.	LatCiv	B 25	C	Machupicchu
B	h 6	20	e	Unknown	N.L.	LatCiv	B 25	C	Machupicchu
B	h 6	20	e	Unknown	N.L.	LatCiv	B 26	C	Machupicchu
B	h 6	20	e	Unknown	N.L.	LatCiv	B 26	C	Machupicchu
B	h 6	20	e	Unknown	N.L.	LatCiv	B 27	C	Machupicchu
B	h 6	20	e	Unknown	N.L.	LatCiv	B 27	C	Machupicchu
B	n 1	20	d	Unknown	N.L.	LatCiv	B 28	C	Present site of Puna, between Huarochiri and Escomarca
B	n 1	20	d	Unknown	N.L.	LatCiv	B 28	C	Present site of Puna, between Huarochiri and Escomarca
B	p 1	20	c	Unknown	N.L.	LatCiv	B 29	C	Inca bridge: Causeway over river draining Lake Lauricocha
B	p 1	20	c	Unknown	N.L.	LatCiv	B 29	C	Inca bridge: Causeway over river draining Lake Lauricocha
B	h 6	20	d	Unknown	N.L.	LatCiv	B 30	C	Puruchuco
B	h 6	20	d	Unknown	N.L.	LatCiv	B 30	C	Puruchuco
B	h 6	3		1400s	Intro to Latin America	LatCiv	B 31	C	Zapotec site ruins of buildings- Monte Alban, Oaxaca.
B	h 3	3		1400s	Intro to Latin America	LatCiv	B 32	C	Monte Alban, Zapotec site-ruins of temples, etc.
B	h 6	3		1400s	Intro to Latin America	LatCiv	B 32	C	Monte Alban, Zapotec site-ruins of temples, etc.
B	h 3	3		1400s	Intro to Latin America	LatCiv	B 33	C	Monte Alban, ruins of temples and other buildings.
B	h 6	3		1400s	Intro to Latin America	LatCiv	B 33	C	Monte Alban, ruins of temples and other buildings.
B	h 6	3		1400s	Intro to Latin America	LatCiv	B 34	C	Monte Alban, hieroglyphs.
B	i 3	3		1400s	Intro to Latin America	LatCiv	B 34	C	Monte Alban, hieroglyphs.
B	h 6	3		1400s	Intro to Latin America	LatCiv	B 35	C	Aztec site, ruin of unknown building- Xochimilco, Morelos.
B	i 3	3		1400s	Intro to Latin America	LatCiv	B 36	C	Carved bas relief figure, Aztec site- Xochimilco, Morelos.
B	h 6	3		1400s	Intro to Latin America	LatCiv	B 36	C	Carved bas relief figure, Aztec site- Xochimilco, Morelos.
B	i	3		15th C	Burland, C.A.	LatCiv	B 37	C	Mosaic mask based on a human skull. Probably represents Tezcatlipoca in his form as Itzocliuhqui, Lord of Darkness. It was presented to Cortes by Montezuma.
B	g 3	3		15th C	Burland, C.A.	LatCiv	B 37	C	Mosaic mask based on a human skull. Probably represents Tezcatlipoca in his form as Itzocliuhqui, Lord of Darkness. It was presented to Cortes by Montezuma.
B	g 3	3			Burland, C.A.	LatCiv	B 38	C	Santa Cecilia, the only Aztec temple to survive the Spanish conquest.
B	i 2	4		c. 1500 AD	Smith, Bradley	LatCiv	B 39	C	Quetzalcoatl, dancing in a painting from a Mixtec codes. From Codex Borbonicus (copy). Mixtec: circa 1500.
B	g 4	4		c. 1500 AD	Smith, Bradley	LatCiv	B 39	C	Quetzalcoatl, dancing in a painting from a Mixtec codes. From Codex Borbonicus (copy). Mixtec: circa 1500.
B	i 2	4		c. 1450 AD	Smith, Bradley	LatCiv	B 40	C	Eight Deer skinning an animal (detail). From Codex Nuttall (copy). Mixtec: circa 1450 AD. Eight Deer, as a youth, is on the left (with identifying deerhead and eight circles) skinning an animal he has just killed.
B	a	4		c. 1450 AD	Smith, Bradley	LatCiv	B 40	C	Eight Deer skinning an animal (detail). From Codex Nuttall (copy). Mixtec: circa 1450 AD. Eight Deer, as a youth, is on the left (with identifying deerhead and eight circles) skinning an animal he has just killed.
B	i 2	4		c. 1450 AD	Smith, Bradley	LatCiv	B 41	C	Eight Deer invested with nose jewel (detail). From Codex Nuttall (copy). Mixtec: circa 1450 AD. Eight Deer has an operation performed by the high priest allowing him to wear the jeweled nose plug of a king.
B	a	4		c. 1450 AD	Smith, Bradley	LatCiv	B 41	C	Eight Deer invested with nose jewel (detail). From Codex Nuttall (copy). Mixtec: circa 1450 AD. Eight Deer has an operation performed by the high priest allowing him to wear the jeweled nose plug of a king.
B	i 2	4		c. 1450 AD	Smith, Bradley	LatCiv	B 42	C	Three canoe-borne warriors cross a lake to attack an island; grotesque sea monsters seem to inhabit the lake. From Codex Nuttall (copy). Mixtec: circa 1450 AD.
B	g 4	3		1389-1399	Smith, Bradley	LatCiv	B 43	C	Burning of temple (which indicates the end of a 52-year cycle). From Codex Telleriano-Remensis (copy). 1389-1399.
B	i 2	3		1389-1399	Smith, Bradley	LatCiv	B 43	C	Burning of temple (which indicates the end of a 52-year cycle). From Codex Telleriano-Remensis (copy). 1389-1399.
B	i11	4		15th C.	Fernandez, Justino	LatCiv	B 44	C	Vessel with a bird. Painted clay. Mixtec culture. From Zaachila, Oaxaca state. 15th century. Has elements of Mixtecan design and coloring which may have been taken over by the Aztecs.
B	i11	4		15th C	Fernandez, Justino	LatCiv	B 45	C	Vessel with a skeleton. Clay. Mixtec culture. From Oaxaca. 15th century. The skeleton is shown as if it were alive.
B	i13	4		15th C	Fernandez, Justino	LatCiv	B 46	C	Necklace of gold, coral, turquoise, and pearls. Mixtec culture. From Tomb 7, Monte Alban, Oaxaca state. 15th century.
B	i13	4		15th C	Fernandez, Justino	LatCiv	B 47	C	Gold pendant. Mixtec culture. From Tomb 7, Monte Alban, Oaxaca. 15th century. Breast pendant cast by the 'cire perdu' method, with additions soldered on. Presents 'the Lord of Death' (Mictlantecuhtli), recognizable by the fleshless jaws.
B	g 4	4		15th C	Fernandez, Justino	LatCiv	B 47	C	Gold pendant. Mixtec culture. From Tomb 7, Monte Alban, Oaxaca. 15th century. Breast pendant cast by the 'cire perdu' method, with additions soldered on. Presents 'the Lord of Death' (Mictlantecuhtli), recognizable by the fleshless jaws.
B	h	4		14th C	Fernandez, Justino	LatCiv	B 48	C	Decorated walls. Mitla, Oaxaca state. Late Zapotec, about the 14th century.
B	i 1	4		14th C	Fernandez, Justino	LatCiv	B 48	C	Decorated walls. Mitla, Oaxaca state. Late Zapotec, about the 14th century.
B	k 7	3	a	15th C.	Fernandez, Justino	LatCiv	B 49	C	'The Stone of the Sun,' or Aztec calendar. Olivine basalt. Aztec culture, from the Plaza of Mexico City. 15th C. Face of the sun god Tonatiuh is shown in the center, the 4 rectangles around him contain the symbols of the 4 previous suns.
B	i 3	3	a	15th C.	Fernandez, Justino	LatCiv	B 49	C	'The Stone of the Sun,' or Aztec calendar. Olivine basalt. Aztec culture, from the Plaza of Mexico City. 15th C. Face of the sun god Tonatiuh is shown in the center, the 4 rectangles around him contain the symbols of the 4 previous suns.
B	i 3	3	a	15th C.	Fernandez, Justino	LatCiv	B 50	C	Coatlicue. Olivine basalt. Aztec culture, from the Plaza of Mexico City. 15th c. 'Goddess of the earth,' and one of the greatest monoliths to have survived the Spanish conquest.
B	i 3	3	a	15th C.	Fernandez, Justino	LatCiv	B 51	C	Stone of Tizoc. Detail of the rim of a circular block of olivine basalt. Aztec culture, from the Plaza of Mexico City. 15th c. Inscribed with the name & conquests of the great Aztec chieftain Tizoc (1483-6). See source sheet for additional details.
B	h 5	3	a	15th C.	Fernandez, Justino	LatCiv	B 51	C	Stone of Tizoc. Detail of the rim of a circular block of olivine basalt. Aztec culture, from the Plaza of Mexico City. 15th c. Inscribed with the name & conquests of the great Aztec chieftain Tizoc (1483-6). See source sheet for additional details.
B	i 3	3		15th C.	Fernandez, Justino	LatCiv	B 52	C	Plumed coyote, Olivine basalt. Aztec culture. 15th c. From the Valley of Mexico. The image of a coyote covered w/ feathers is a symbolic combo which indicates that this represents a deity (possibly Quetzal-coyote or Hueline-coyote) wearing a disguise
B	g 4	3		15th C.	Fernandez, Justino	LatCiv	B 52	C	Plumed coyote, Olivine basalt. Aztec culture. 15th c. From the Valley of Mexico. The image of a coyote covered w/ feathers is a symbolic combo which indicates that this represents a deity (possibly Quetzal-coyote or Hueline-coyote) wearing a disguise
B	i 3	3		c. 1370-1521	Anton, Ferdinand et al.	LatCiv	B 53	c	Standing figure of the god Xoltotl. Nephritoid stone wiht inlays of fragments of shell. Aztec Culture, c. 1370-1521. Provenance unknown.
B	g 4	3		c. 1370-1521	Anton, Ferdinand et al.	LatCiv	B 53	c	Standing figure of the god Xoltotl. Nephritoid stone wiht inlays of fragments of shell. Aztec Culture, c. 1370-1521. Provenance unknown.
B	g 4	18		c. 1200-1500	Anton, Ferdinand et al.	LatCiv	B 54	c	Ornamental pendant depicting two mythological beings. Gold cast by the lost-wax method. Darien style, c. 1200-1500. From Northwest Colombia.
B	i10	18		c. 1200-1500	Anton, Ferdinand et al.	LatCiv	B 54	c	Ornamental pendant depicting two mythological beings. Gold cast by the lost-wax method. Darien style, c. 1200-1500. From Northwest Colombia.
B	g 4	18		c. 11-15th C.	Anton, Ferdinand et al.	LatCiv	B 55	c	Ornamental pendant. 'Tumbaga' (copper-gold alloy) cast by the lost-wax method with separate pieces in hammered gold soldered on. Quimbaya style, c. 11-15th centuries. From Central Cauca Valley, Colombia.
B	i10	18		c. 11-15th C.	Anton, Ferdinand et al.	LatCiv	B 55	c	Ornamental pendant. 'Tumbaga' (copper-gold alloy) cast by the lost-wax method with separate pieces in hammered gold soldered on. Quimbaya style, c. 11-15th centuries. From Central Cauca Valley, Colombia.
B	i 5	20	d	c. 1350 - 1532	Anton, Ferdinand et al.	LatCiv	B 56	c	Poncho with design of pumas in red. Featherwork. Inca Culture, c. 1350-1532. Probably from central highlands or southern coast of Peru.
B	i 5	20	b	c. 1350 - 1532	Anton, Ferdinand et al.	LatCiv	B 56	c	Poncho with design of pumas in red. Featherwork. Inca Culture, c. 1350-1532. Probably from central highlands or southern coast of Peru.
B	h 1	20	e	c. 1450	Anton, Ferdinand et al.	LatCiv	B 57	c	Cyclopean walls of the Fortress of Sacsayhuaman. Inca Culture, c. 1450. Southern highlands of Peru, of Cuzco.
B	h 1	20	e	15th C.	Anton, Ferdinand et al.	LatCiv	B 58	c	Trapezoid gateway at head of staircase. Inca Culture, 15th century. Sacsayhuaman, southern highlands of Peru, above Cuzco.
B	h 1	20	e		Anton, Ferdinand et al.	LatCiv	B 59	c	Aerial view of the ruins of Machu Picchu.
B	n 2	20	e		Anton, Ferdinand et al.	LatCiv	B 59	c	Aerial view of the ruins of Machu Picchu.
C	b 4	12		Unknown	N.L.	LatCiv	C 1	B	Spanish galleons
C	i 4	12		Unknown	N.L.	LatCiv	C 1	B	Spanish galleons
C	b 4	12		Unknown	N.L.	LatCiv	C 1	B	Spanish galleons
C	i 4	12		Unknown	N.L.	LatCiv	C 1	B	Spanish galleons
C	b 4	30		Unknown	N.L.	LatCiv	C 2	B	Conquest of the Americas
C	b 4	30		Unknown	N.L.	LatCiv	C 2	B	Conquest of the Americas
C	c 1	30		Unknown	N.L.	LatCiv	C 3	B	Peoples in America, 1492
C	c 1	30		Unknown	N.L.	LatCiv	C 3	B	Peoples in America, 1492
C	a	20	b	Unknown	N.L.	LatCiv	C 4	C	Doorway of Cajamarca cathedral, built on the foundation of the Inca Temple to the Sun. Here Atahualpa, the last Inca was executed by Spanish conquistadores, 1533
C	h 3	20	b	Unknown	N.L.	LatCiv	C 4	C	Doorway of Cajamarca cathedral, built on the foundation of the Inca Temple to the Sun. Here Atahualpa, the last Inca was executed by Spanish conquistadores, 1533
C	b 4	20	b	Unknown	N.L.	LatCiv	C 4	C	Doorway of Cajamarca cathedral, built on the foundation of the Inca Temple to the Sun. Here Atahualpa, the last Inca was executed by Spanish conquistadores, 1533
C	b 4	20	b	Unknown	N.L.	LatCiv	C 4	C	Doorway of Cajamarca cathedral, built on the foundation of the Inca Temple to the Sun. Here Atahualpa, the last Inca was executed by Spanish conquistadores, 1533
C	a	20	b	Unknown	N.L.	LatCiv	C 4	C	Doorway of Cajamarca cathedral, built on the foundation of the Inca Temple to the Sun. Here Atahualpa, the last Inca was executed by Spanish conquistadores, 1533
C	h 3	20	b	Unknown	N.L.	LatCiv	C 4	C	Doorway of Cajamarca cathedral, built on the foundation of the Inca Temple to the Sun. Here Atahualpa, the last Inca was executed by Spanish conquistadores, 1533
C	b 4	30		c.1534	American History	LatCiv	C 5	C	Possibly the earliest depiction of the conquistadors in the Americas, made for the Kohler Codex of Nuremburg.
C	b 4	30		c.1534	American History	LatCiv	C 5	C	Possibly the earliest depiction of the conquistadors in the Americas, made for the Kohler Codex of Nuremberg
C	b 4	30		c.1534	American History	LatCiv	C 5	C	Possibly the earliest depiction of the conquistadors in the Americas, made for the Kohler Codex of Nuremberg
C	b 6	3		early 16th C.	This Great Nation	LatCiv	C 6	C	Montezuma's coronation: plume of green quetzal feathers are symbolic of Aztec god of learning.
C	g 4	3		early 16th C.	This Great Nation	LatCiv	C 6	C	Montezuma's coronation: plume of green quetzal feathers are symbolic of Aztec god of learning.
C	b 6	3		early 16th C.	This Great Nation	LatCiv	C 6	C	Montezuma's coronation: plume of green quetzal feathers are symbolic of Aztec god of learning.
C	g 4	3		early 16th C.	This Great Nation	LatCiv	C 6	C	Montezuma's coronation: plume of green quetzal feathers are symbolic of Aztec god of learning.
C	g 4	3		early 16th C.	This Great Nation	LatCiv	C 6	C	Montezuma's coronation: plume of green quetzal feathers are symbolic of Aztec god of learning.
C	b 6	3		early 16th C.	This Great Nation	LatCiv	C 6	C	Montezuma's coronation: plume of green quetzal feathers are symbolic of Aztec god of learning.
C	b 4	3		early 16th C.	Two Centuries of Progress	LatCiv	C 7	C	Indian drawing showing Spanish conquest of Mexico
C	b 4	3		early 16th C.	Two Centuries of Progress	LatCiv	C 7	C	Indian drawing showing Spanish conquest of Mexico
C	b 4	3		early 16th C.	Two Centuries of Progess	LatCiv	C 7	C	Indian drawing showing Spanish conquest of Mexico.
C	b 4	3		early 16th C.	Two Centuries of Progress	LatCiv	C 8	C	Indian drawing showing Spanish conquest of Mexico, different view
C	b 4	3		early 16th C.	Two Centuries of Progess	LatCiv	C 8	C	Indian drawing showing Spanish conquest of Mexico.
C	b 4	3		early 16th C.	Two Centuries of Progress	LatCiv	C 8	C	Indian drawing showing Spanish conquest of Mexico, different view
C	b 4	3		early 16th C.	America Is	LatCiv	C 9	C	An Aztec rendering of the Spanish conquest of Mexico
C	b 4	3		early 16th C.	America Is	LatCiv	C 9	C	An Aztec rendering of the Spanish conquest of Mexico
C	b 4	3		early 16th C.	America Is	LatCiv	C 9	C	An Aztec rendering of the Spanish conquest of Mexico.
C	h 3	3		1500s	Intro to Latin America	LatCiv	C 10	C	Patio of colonial monastery.
C	i 4	20		1805	Ades, Dawn	LatCiv	C 11	c	Color plate from 'The Present State of Peru' by Joseph Skinner. A female warrior of the Yurimagua tribe.
C	c11	20		1805	Ades, Dawn	LatCiv	C 11	c	Color plate from 'The Present State of Peru' by Joseph Skinner. A female warrior of the Yurimagua tribe.
C	c11	20		1805	Ades, Dawn	LatCiv	C 12	c	Color plate from 'The Present State of Peru' by Joseph Skinner. A female Indian habited as the Minerva of Peru.
C	i 4	20		1805	Ades, Dawn	LatCiv	C 12	c	Color plate from 'The Present State of Peru' by Joseph Skinner. A female Indian habited as the Minerva of Peru.
C	b 1	3		c. 1535	Ross, Kurt	LatCiv	C 13	C	Illustration from the 'Codex Mendoza'. The foundation of Tenochtitlan (1325) and its history until 1375, when Tenochtli died after a reign of 51 years.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 14	C	Illustration from the 'Codex Mendoza'. The suicide of Moquihuix, lord of Tlatelolco, in 1473.
C	a	3		c. 1535	Ross, Kurt	LatCiv	C 14	C	Illustration from the 'Codex Mendoza'. The suicide of Moquihuix, lord of Tlatelolco, in 1473.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 15	C	Illustration from the 'Codex Mendoza'. The war-dresses and shields, along with bins of grain and beans, were to be delivered to the lords of Tenochtitlan once a year, by the towns in the margin and those on another page.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 16	C	Illustration from the 'Codex Mendoza'. These 26 towns were required to pay tribute in the form of clothing, war-dresses, shields and bins of grain.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 17	C	Illustration from the 'Codex Mendoza'. These 26 towns were required to pay tribute in the form of clothing, war-dresses, shields and bins of grain.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 18	C	Illustration from the 'Codex Mendoza'. The 16 towns listed here had to contribute large amounts of clothing, including mantles, loincloths, tunics, and skirts, twice a year. The shields and war-dresses were payable once a year.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 19	C	Illustration from the 'Codex Mendoza'. War-dresses, shields, bins of grain, 2,000 bowls (the feather symbol, 400, five times) and 8,000 bundles of paper, all payable to the lords of Tenochtitlan by the 16 towns listed in slide C18.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 20	C	Illustration from the 'Codex Mendoza'. The 26 towns shown had to pay tribute in the form of civilian garments, war-dresses, shields, bins of grain, bowls, and paper. Each of the blank rectangles represents 400 large manltes, for a total of 2400.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 21	C	Illustration from the 'Codex Mendoza'. The 26 twons shown had to pay tibute in the form of civilian garments, war-dressed, shilds, bins of grain, bowls, and paper. Each of the blank rectangles represents 400 large mantles, for a total of 2400.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 22	C	Illustration from the 'Codex Mendoza'. In addition to the usual tribute of clothes, war-dresses, shields and bins of grain, the 7 towns listed in the margin of the page paid 4000 rush mats and 4000 rush seats with backs.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 23	C	Illustrat. from 'Codex Mendoza'. Tribute list includes 2 lg. strings of jadeite beads, 2400 handfuls of colored feathers, 2 lots of 80 whole skins of birds, 1600 handfuls of rich feathers, 40 tiger skings, 200 loads of cacao beans, 800 cups & amber.
C	c11	3		c. 1535	Ross, Kurt	LatCiv	C 24	C	Illustration from 'Codex Mendoza'. Part of tribute list in form of garments payable by several towns. 1st 2 figures represent loads of 400 mantles, 3rd symbol is a 'maxtlatl' (loin cloth). See source sheet for additional information.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 24	C	Illustration from 'Codex Mendoza'. Part of tribute list in form of garments payable by several towns. 1st 2 figures represent loads of 400 mantles, 3rd symbol is a 'maxtlatl' (loin cloth). See source sheet for additional information.
C	c15	3		c. 1535	Ross, Kurt	LatCiv	C 25	C	Illustration from 'Codex Mendoza'. Shows the progress an Aztec child makes from age 3 & 6, including the increase in their daily food ration & their responsibilities in the family. See source sheet for additional information.
C	c13	3		c. 1535	Ross, Kurt	LatCiv	C 25	C	Illustration from 'Codex Mendoza'. Shows the progress an Aztec child makes from age 3 & 6, including the increase in their daily food ration & their responsibilities in the family. See source sheet for additional information.
C	c13	3		c. 1535	Ross, Kurt	LatCiv	C 26	C	Illustration from 'Codex Mendoza'. Top: punishment meted out to 9-year-old boy and girl (the boy is treated more harshly). Bottom: Lzy or disobedient 10-year-old children are beaten with a stick.
C	c13	3		c. 1535	Ross, Kurt	LatCiv	C 27	C	Illustration from 'Codex Mendoza'. Top: a 13-year-old girl being taught to grind corn, make tortillas and cook. Bottom a 14-year-old girl weaving.
C	c13	3		c. 1535	Ross, Kurt	LatCiv	C 28	C	Illustration from 'Codex Mendoza'. A 13-year-old boy going out in his canoe to cut reeds for domestic use.
C	g 4	3		c. 1535	Ross, Kurt	LatCiv	C 29	C	Illustration from 'Codex Mendoza'. An Aztec wedding.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 30	C	Illustration from 'Codex Mendoza'. Crime & punishment. Top: the man in the red mantle is a constable; a rope has been placed around the neck of a doomed rebel leader. Bottom: rebel is about to be executed. See source sheet for additional description
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 31	C	Illustration from 'Codex Mendoza'. Top: vasals of a rebellious lord plead for mercy & promise to pay tribute as in the past. Bottom: 4 captains in the Mexican army, carrying obsidian-tipped lances and wearing full military regalia.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 32	C	Illustration from 'Codex Mendoza'. Four dead bodies, three executed for drunkenness and one for theft.
C	b 2	3		c. 1535	Ross, Kurt	LatCiv	C 33	C	Illustration from 'Codex Mendoza'. A couple under the same sheet symbolize the death penalty for adultery, by stoning.
C	c	3		c. 1535	Ross, Kurt	LatCiv	C 34	C	Illustration from 'Codex Mendoza'. An old man is enjoying his liquor, one of the privileges reserved by Aztec society for its senior citizens.
C	c	3		c. 1535	Ross, Kurt	LatCiv	C 35	C	Illustration from 'Codex Mendoza'. An aged merry-maker closing in on the pulque (liquor) pot.
C	c 3	3		1565-69	Harvey, Herbert R.	LatCiv	C 36	C	Illustration from the 'Florentine Codex.' Full page with column of text on the left.
C	g 3	3		1565-69	Harvey, Herbert R.	LatCiv	C 37	C	Illustration from the 'Florentine Codex.' Festival of Tezcatlipoca: the god's chosen impersonator offers himself for sacrifice at the temple.
C	g 2	3		1565-69	Harvey, Herbert R.	LatCiv	C 38	C	Illustration from the 'Florentine Codex.' A mother consults with a reader of day signs.
C	g 2	3		1565-69	Harvey, Herbert R.	LatCiv	C 39	C	Illustration from the 'Florentine Codex.' Seven Serpent was particualarly favorable day for bathing a newborn child.
C	g 4	3		1565-69	Harvey, Herbert R.	LatCiv	C 40	C	Illustration from the 'Florentine Codex.' After the children's ear-piercing ceremony, all exchanged wine and the babies were given food and dipped in wine.
C	g 4	3		1565-69	Harvey, Herbert R.	LatCiv	C 41	C	Illustration from the 'Florentine Codex.' After the children's ear-piercing ceremony, all exchanged wine and the babies were given food and dipped in wine.un.
C	g 4	3		1565-69	Harvey, Herbert R.	LatCiv	C 42	C	Illustration from the 'Florentine Codex.' For human sacrifice, the victim was held by priests, his chest opened with a flint knife, and the throbbing heart ripped out and offered to the sun.
C	c13	3		1565-69	Harvey, Herbert R.	LatCiv	C 43	C	Illustration from the 'Florentine Codex.' Small boys lived together in the young men's house.
C	g 4	3		1565-69	Harvey, Herbert R.	LatCiv	C 44	C	Illustration from the 'Florentine Codex.' After the bathing of a newborn, the parents gave a great feast.
C	j 1	3		1565-69	Harvey, Herbert R.	LatCiv	C 45	C	Illustration from the 'Florentine Codex.' Musicians with characteristic instruments, rattles and drums.
C	g 4	3		1565-69	Harvey, Herbert R.	LatCiv	C 46	C	Illustration from the 'Florentine Codex.' Ceremony to the god Xipe Totec: a dancer wearing his victim's flayed skin stands by as Montezuma receives a foreign delegation.
C	p 3	3		1565-69	Harvey, Herbert R.	LatCiv	C 47	C	Illustration from the 'Florentine Codex.' Casting gold objects: after the firing the object was burnished and refired; after refiring the object was rubbed with a mineral to make it more yellow; the gold object was polished until it glistened.
C	p 2	3		1565-69	Harvey, Herbert R.	LatCiv	C 48	C	Illustration from the 'Florentine Codex.' Food production: planting fruit trees: spodilla, an edible fruit; planting, cultivating, and harvesting corn; harvesting, threshing, and storing amaranth.
C	k 4	3		1565-69	Harvey, Herbert R.	LatCiv	C 49	C	Illustration from the 'Florentine Codex.' Various animals including a wolf or fox, butterfly, falcon with rabbit, falcon, frogs and a turtle.
C	k 4	3		1565-69	Harvey, Herbert R.	LatCiv	C 50	C	Illustration from the 'Florentine Codex.' Various animals including a falcon, varieties of sea fish, varieties of native turkey, rattlesnake, ocelot, lizard, shrimp and larva of dragonfly.
C	g 4	3		c. 1540	Smith, Bradley	LatCiv	C 51	C	Sacrifice to the sun. From Codex Florentino. Circa 1540.
C	i 2	3		c. 1540	Smith, Bradley	LatCiv	C 51	C	Sacrifice to the sun. From Codex Florentino. Circa 1540.
C	g 4	3	a	c. 1540	Smith, Bradley	LatCiv	C 52	C	Quetzalcoatl, sculpted as a coiled feather serpent. Stone relief from Mexico City. Aztec: circa 1540.
C	i 3	3	a	c. 1540	Smith, Bradley	LatCiv	C 52	C	Quetzalcoatl, sculpted as a coiled feather serpent. Stone relief from Mexico City. Aztec: circa 1540.
C	i 2	3		c. 1540	Smith, Bradley	LatCiv	C 53	C	Symbolic abstract painting of snakes made by a pre-conquest artist. From 'Historia de las Cosas De Nueva Espana', Vol. IV. Aztec: circa 1540.
C	i 2	3		c. 1550	Smith, Bradley	LatCiv	C 54	C	Landing of Spaniards; Cortes soldiers wade a shore in a fanciful drawing that shows armored conquistadors battling an Aztec warrior. From Codex Azcatitlan. Circa 1550.
C	b 4	3		c. 1550	Smith, Bradley	LatCiv	C 54	C	Landing of Spaniards; Cortes soldiers wade a shore in a fanciful drawing that shows armored conquistadors battling an Aztec warrior. From Codex Azcatitlan. Circa 1550.
C	m	3	a	unknown	Smith, Bradley	LatCiv	C 55	C	Banner of Cortes. Chapultepec Castle, Mexico City.
C	a	3	a	unknown	Smith, Bradley	LatCiv	C 55	C	Banner of Cortes. Chapultepec Castle, Mexico City.
C	i 2	3		c. 1540	Smith, Bradley	LatCiv	C 56	B	Dona Marina; Spanish words reach the ear of Dona Marina (Cortes's mistress-translator) then go out from her mouth to the Indians. From Codex Forentino (copy). Circa 1540.
C	b 4	3		c. 1540	Smith, Bradley	LatCiv	C 56	B	Dona Marina; Spanish words reach the ear of Dona Marina (Cortes's mistress-translator) then go out from her mouth to the Indians. From Codex Forentino (copy). Circa 1540.
C	a	3		c. 1540	Smith, Bradley	LatCiv	C 57	C	Cortes, carrying lance, rides through the dead after battle at Cholula; the loyal Dona Marina walks by his side. From 'El Lienzo de Tlaxacala' (from 18th century copy of original). Circa 1540.
C	b 4	3		c. 1540	Smith, Bradley	LatCiv	C 57	C	Cortes, carrying lance, rides through the dead after battle at Cholula; the loyal Dona Marina walks by his side. From 'El Lienzo de Tlaxacala' (from 18th century copy of original). Circa 1540.
C	b 4	3		c. 1540	Smith, Bradley	LatCiv	C 58	C	Spaniards and Aztecs fight as the temple burns: Spaniards objected to human sacrifice but often killed prisoners. From codex fragment (original). Circa 1540.
C	b 4	3		c. 1540	Smith, Bradley	LatCiv	C 59	C	Painting by European-influenced Indain artist shows Aztec defending an island, while a priest baptizes an infant. From Codex Telleriano-Remensis (copy). circa 1540.
C	a	3		c. 16th C	Smith, Bradley	LatCiv	C 60	C	Portrait of Hernan Cortes. Oil. Anonymous. Circa 16th century. This portrait hangs in a room at the Hospital de Jesus, which he founded and where he was buried.
C	i 2	3		c. 16th C	Smith, Bradley	LatCiv	C 60	C	Portrait of Hernan Cortes. Oil. Anonymous. Circa 16th century. This portrait hangs in a room at the Hospital de Jesus, which he founded and where he was buried.
C	i 2	3		c. 1540	Smith, Bradley	LatCiv	C 61	C	Scenes from the Conquest: Aztecs and a priest are hanged, Indians and Spaniards drowned. From Codex Telleriano-Reminsis (copy). Circa 1540.
C	b 4	3		c. 1540	Smith, Bradley	LatCiv	C 61	C	Scenes from the Conquest: Aztecs and a priest are hanged, Indians and Spaniards drowned. From Codex Telleriano-Reminsis (copy). Circa 1540.
C	i 1	3		16th C	Smith, Bradley	LatCiv	C 62	C	Twelve Franciscans who arrived in 1524. Mural painting. 16th Century. Convent of Huejotzingo, Puebla. Probably the oldest European mural in Mexico.
C	b 4	3		16th C	Smith, Bradley	LatCiv	C 62	C	Twelve Franciscans who arrived in 1524. Mural painting. 16th Century. Convent of Huejotzingo, Puebla. Probably the oldest European mural in Mexico.
C	i 1	3		c. 1550	Smith, Bradley	LatCiv	C 63	C	Ixmiquilpan, Hidalgo. Polychrome frescoes. Circa 1550. Church of Ixmiquilpan. This mural blends European realism with the native sence of color and abstract design.
C	b 4	3		c. 1550	Smith, Bradley	LatCiv	C 63	C	Ixmiquilpan, Hidalgo. Polychrome frescoes. Circa 1550. Church of Ixmiquilpan. This mural blends European realism with the native sence of color and abstract design.
C	i 1	3		c. 1550	Smith, Bradley	LatCiv	C 64	C	Ixmiquilpan, Hidalgo. Polychrome frescoes. Circa 1550. Church of Ixmiquilpan. The Indian artist showed the horse with a man's head, hands holding weapons, and sandaled feet.
C	b 4	3		c. 1550	Smith, Bradley	LatCiv	C 64	C	Ixmiquilpan, Hidalgo. Polychrome frescoes. Circa 1550. Church of Ixmiquilpan. The Indian artist showed the horse with a man's head, hands holding weapons, and sandaled feet.
C	g 4	3		c. 16th C	Smith, Bradley	LatCiv	C 65	C	Christ in Majesty. Made of feathers. Circa 16th century. Colegios de Tepotzotlan (Convent).
C	h 3	3		1560	Fernandez, Justino	LatCiv	C 66	C	Facade of the church at Acolman. 1560. The church was part of a convent founded by the Augustinian friars in 1539. The facade is the best example in Mexico of the Spanish form of Renaissance architecture known as Plateresque.
C	h 3	3		1550-60	Fernandez, Justino	LatCiv	C 67	C	Cloister of the Church at Acolman. 1550-60. Like the facade of the church (see Lat Am C66), the cloister is regarded as one of the finest examples of its kind.
C	h 3	3		mid 16th C	Fernandez, Justino	LatCiv	C 68	C	Wall painting in the Conventual Church of Ixmiquilpan. Fresco. Mid-16th century. Unique polychrome painting for its time; most religious houses established in Mexico were originally decorated with monochrome frescoes.
C	i 1	3		mid 16th C	Fernandez, Justino	LatCiv	C 68	C	Wall painting in the Conventual Church of Ixmiquilpan. Fresco. Mid-16th century. Unique polychrome painting for its time; most religious houses established in Mexico were originally decorated with monochrome frescoes.
C	h 3	3		about 1570	Fernandez, Justino	LatCiv	C 69	C	Detail of the reredos of the high altar in Church of Zochimilco. c. 1570. 1 of the few reredos in L. Renaissance style to survive. Of carved wood, partly gilt & painted. Central image of the Virgin is prob. the finest exmp. of Ren. sculp in col. Mex.
	n 1	3	a	15th Century	Viola, Herman&C. Margolis	LatCiv	C 70	c	View of Tenochtitlan when it was the capital of the Aztec empire.
C	n 4	2		1513-43	Webber, David J.	LatCiv	C 71	b	Map showing Routes of Spanish explorers, 1513-1543. Ponce de Leon, Alvarez de Pineda, Estevao Gomes, Pedro de Quejo, Cabeza de Vaca, DeSoto, Corinado and Alarion, Cabrillo-Ferrer.
C	n 4	1		1513-43	Webber, David J.	LatCiv	C 71	b	Map showing Routes of Spanish explorers, 1513-1543. Ponce de Leon, Alvarez de Pineda, Estevao Gomes, Pedro de Quejo, Cabeza de Vaca, DeSoto, Corinado and Alarion, Cabrillo-Ferrer.
C	n 4	2		1550-1600	Webber, David J.	LatCiv	C 72	b	Map showing the Spanish Frontier, circa 1550-1600.
C	n 4	1		1550-1600	Webber, David J.	LatCiv	C 72	b	Map showing the Spanish Frontier, circa 1550-1600.
C	i 4	30		c 1500	Milanich, Jerald, Milbret	LatCiv	C 73	c	Engraving by Theodore de Bry depicts first encounter between Columbus and the people of the New Wold.
C	i 4	12		c 1500	Milanich, Jerald, Milbret	LatCiv	C 74	b	Engraving by Theodore de Bry reconting the arrest of Columbus in Hispaniola on his third voyage.
C	i 4	12		16th C	Milanich, Jerald, Milbret	LatCiv	C 75	c	Oil painting of Christopher Columbus in the early 16th century.
C	a	12		16th C	Milanich, Jerald, Milbret	LatCiv	C 75	c	Oil painting of Christopher Columbus in the early 16th century.
C	n 4	1		16th C	Milanich, Jerald, Milbret	LatCiv	C 76	b	Map showing the reconstruction of the de Soto expedition by John Swanton in 1939. Also shows the reconstruction by Charles Hudson. Shows location of native groups in the 16th century.
C	c 7	1		16th C	Milanich, Jerald, Milbret	LatCiv	C 77	c	John White's 16th century drawing of a male Florida native holding a bow and arrows.
C	c 7	1		16th C	Milanich, Jerald, Milbret	LatCiv	C 78	c	John White's 16th century drawing of a female Florida native holding a clay bowl in one hand and corn cobs in another.
C	n 4	1		late 16th C	Milanich, Jerald, Milbret	LatCiv	C 79	b	Map of Florida showing location of St. Augustine, Santa Elena and the coastal outposts established by Menedez.
C	i 3	12		1493	Milanich, Jerald, Milbret	LatCiv	C 80	b	Woodcut published in Giuliano Dati's edition of Columbus's 1493 letter showing Columbus meeting the Taino on Hispaniola. Used to portray native dress.
C	i 3	12		1493	Milanich, Jerald, Milbret	LatCiv	C 81	b	1493 woodcut depicting Christopher Columbus landing on the island of Hispaniola.
C	i 3	30		1509	Milanich, Jerald, Milbret	LatCiv	C 82	b	Woodcut from the 1509 Strassburg ed. of La Lettera attributed to Amerigo Vespucci. Left: Tupinamba Indians showing cannibalism and other scenes from daily life. Right: The murder of 1 of Vespucci's men facing a group of Tupinamba women.`3 Graces'
C	i 2	3		15th-16th C	Davidson, James W. Et al	LatCiv	C 83	c	Photo of an Aztec merchant (Pochtecas) carrying a cane and a sack of trade goods.
C	c 2	3		15th-16th C	Davidson, James W. Et al	LatCiv	C 83	c	Photo of an Aztec merchant (Pochtecas) carrying a cane and a sack of trade goods.
D	b 5	26		Unknown	N.L.	LatCiv	D 1	B	Brazilian territorial expansion
D	b 5	26		Unknown	N.L.	LatCiv	D 1	B	Brazilian territorial expansion
D	c 9	30		c.1620	N.L.	LatCiv	D 2	B	Colonial economy in the Americas, c. 1620
D	c 9	30		c.1620	N.L.	LatCiv	D 2	B	Colonial economy in the Americas, c. 1620
D	c10	30		1500-1950	N.L.	LatCiv	D 3	B	Chart: Comparative demography, Latin American populations and the world
D	c10	30		1500-1950	N.L.	LatCiv	D 3	B	Chart: Comparative demography, Latin American populations and the world
D	c10	30		1500-1960	N.L.	LatCiv	D 4	B	Immigration to Americas, 1500 - 1960
D	c10	30		1500-1960	N.L.	LatCiv	D 4	B	Immigration to Americas, 1500 - 1960
D	b 4	30		Unknown	N.L.	LatCiv	D 5	B	Atlantic routes to and from the Americas, 17th century
D	b 4	30		Unknown	N.L.	LatCiv	D 5	B	Atlantic routes to and from the Americas, 17th century
D	b 7	3	a	Unknown	N.L.	LatCiv	D 6	C	Procession of the Viceroy (18th century): merchants hawk their wares as Indians, mestizos, creoles, and peninsulares watch the viceregal procession
D	c 2	3	a	Unknown	N.L.	LatCiv	D 6	C	Procession of the Viceroy (18th century): merchants hawk their wares as Indians, mestizos, creoles, and peninsulares watch the viceregal procession
D	c 2	3	a	Unknown	N.L.	LatCiv	D 6	C	Procession of the Viceroy (18th century): merchants hawk their wares as Indians, mestizos, creoles, and peninsulares watch the viceregal procession
D	b 7	3	a	Unknown	N.L.	LatCiv	D 6	C	Procession of the Viceroy (18th century): merchants hawk their wares as Indians, mestizos, creoles, and peninsulares watch the viceregal procession
D	n 1	3	a	1628	National Geographic	LatCiv	D 7	C	Plan of the city of Mexico
D	n 1	3	a	1628	National Geographic	LatCiv	D 7	C	Plan of the city of Mexico
D	n 1	3	a	1628	National Geog., Dec. 1980	LatCiv	D 7	B	Plan of a city of Mexico which became Mexico City.
D	n 3	3		17th C.	Intro to Latin America	LatCiv	D 8	C	Church on pyramid- Cholula.
D	h 3	3		17th C.	Intro to Latin America	LatCiv	D 9	C	One of Cholula's 90 churches.
D	h 3	3		17th C.	Intro to Latin America	LatCiv	D 10	C	One of Cholula's 90 churches.
D	h 2	7		1600s	Intro to Latin America	LatCiv	D 11	C	Colonial patio, Antigua, Guatemala.
D	h 2	7		1600s	Intro to Latin America	LatCiv	D 12	C	Colonial patio, Antigua, Guatemala.
D	g 4	7		1600s	Intro to Latin America	LatCiv	D 13	C	Torture chamber of Inquisition, Antigua, Guatemala.
D	a	3		1746	Cali, Francois	LatCiv	D 20	B	Dona Marie Josepha de Aldaco y Fagoaga, daughter of Don Manuel de Aldaco and Dona Juana de Fagoaga, born Feb. 27, 1739. Painted by the Augustinian Brother Miguel de Herrera in 1746. See sourse sheet for more information.
D	i 2	3		1746	Cali, Francois	LatCiv	D 20	b	Dona Maria Josepha de Aldaco y Fagoaga, daughter of Don Manuel de Aldaco & Dona Juana de Fagoaga, born Feb. 27, 1739. Painted by Augustinian Brother Miguel de Herrera in 1746. See source sheet for more information.
D	a	3		1794	Cali, Francois	LatCiv	D 21	B	Portrait of Dona Marie Romera, wife of Don Jose Manuel Garcie Aurioles de Leon, at the age of 34 in 1794. Painted by Ignacio Maria Barreda.
D	i 2	3		1794	Cali, Francois	LatCiv	D 21	B	Portrait of Dona Marie Romera, wife of Don Jose Manuel Garcie Aurioles de Leon, at the age of 34 in 1794. Painted by Ignacio Maria Barreda.
D	a	3		17th c.	Cali, Francois	LatCiv	D 22	B	Portrait of Don Juan el Castillo de Arrue, camp master, 'alferez major' of Merida and 'regidor de encomendero dos Indios'.
D	i 2	3		17th c.	Cali, Francois	LatCiv	D 22	B	Portrait of Don Juan el Castillo de Arrue, camp master, 'alferez major' of Merida and 'regidor de encomendero dos Indios'.
D	i 2	3		1763	Cali, Francois	LatCiv	D 23	B	Portrait of Don Manuel Bolio y la Helguera, 'el capitan de Corazas' and 'alcalde hordinario de la Santa Hernandad' (the Inquisition), 'regidor perpetual dos Indios'.
D	a	3		1763	Cali, Francois	LatCiv	D 23	B	Portrait of Don Manuel Bolio y la Helguera, 'el capitan de Corazas' and 'alcalde hordinario de la Santa Hernandad' (the Inquisition), 'regidor perpetual dos Indios'.
D	a	3		1777	Cali, Francois	LatCiv	D 24	B	Sister Maria Ignacia of the Blood of Christ, daughter of Don Manuel de Oribe Y Sandoval. Painted on May 1, 1777 at the age of 22-on the day when she took her vows in the order of St. Clare in Mexico. See source sheet for more information.
D	i 2	3		1777	Cali, Francois	LatCiv	D 24	B	Sister Maria Ignacia of the Blood of Christ, daughter of Don Manuel de Oribe Y Sandoval. Painted on May 1, 1777 at the age of 22-on the day when she took her vows in the order of St. Clare in Mexico. See source sheet for more information.
D	g 4	20	c	17th-18th c.	Cali, Francois	LatCiv	D 25	B	A painting of the Madonna. An example of popular art of the 17th and 18th centuries.
D	i 2	20	c	17th-18th c.	Cali, Francois	LatCiv	D 25	B	A painting of the Madonna. An example of popular art of the 17th and 18th centuries.
D	g 4	20	c	17th-18th c.	Cali, Francois	LatCiv	D 26	B	A painting of the Madonna. An example of popular art of the 17th and 18th centuries.
D	i 2	20	c	17th-18th c.	Cali, Francois	LatCiv	D 26	B	A painting of the Madonna. An example of popular art of the 17th and 18th centuries.
D	a	3		1651-1695	Cali, Francois	LatCiv	D 27	B	Portrait of Sister Juana Ines del la Cruz in the convent of San Jeronimo de Mexico painted by Miguel Cabrera.
D	i 2	3		1651-1695	Cali, Francois	LatCiv	D 27	B	Portrait of Sister Juana Ines del la Cruz in the convent of San Jeronimo de Mexico painted by Miguel Cabrera.
D	c	3			Cali, Francois	LatCiv	D 28	B	A cell in the Franciscan convent in Calpan. An example of naive Baroque decoration in the severe setting of manasic life.
D	g	3			Cali, Francois	LatCiv	D 28	B	A cell in the Franciscan convent in Calpan. An example of naive Baroque decoration in the severe setting of manasic life.
D	g 4	20	c	17th c.	Cali, Francois	LatCiv	D 29	B	A painting of the Virgin of Mercy.
D	i 2	20	c	17th c.	Cali, Francois	LatCiv	D 29	B	A painting of the Virgin of Mercy.
D	g 4	3		early 17th c.	Cali, Francois	LatCiv	D 30	B	The Virgin of Guadeloupe, also called 'la Morena' (the Dark). This picture is one of many copies of the painting made by Brother Diego de Ocana at Sucre, early in the 17th C. See source sheet for more information.
D	i 2	3		early 17th c.	Cali, Francois	LatCiv	D 30	B	The Virgin of Guadeloupe, also called 'la Morena' (the Dark). This picture is one of many copies of the painting made by Brother Diego de Ocana at Sucre, early in the 17th C. See source sheet for more information.
D	a	20	f	17th c.	Cali, Francois	LatCiv	D 31	B	Painting of the conversion of an Inca, probably Saire Tupac the XV, crowned bye Spaniards at Vilcapampa in 1591 with the 'masca paycha ' taken from Atahallpa.
D	i 2	20	f	17th c.	Cali, Francois	LatCiv	D 31	B	Painting of the conversion of an Inca, probably Saire Tupac the XV, crowned bye Spaniards at Vilcapampa in 1591 with the 'masca paycha ' taken from Atahallpa.
D	i 2	20	f	17th c.	Cali, Francois	LatCiv	D 32	B	Painting of an Inca noble with his hand laid on the imperial crown. On his coat of arms registered at Madrid, the eagle of the Inca 'aylu'.
D	i 2	20	f	17th c.	Cali, Francois	LatCiv	D 33	B	Portrait of an Inca princess holding in her right hand sacred flowers, red bells called 'nukchu'; in her left hand the weaving spindle which according to legend was Mama Ollu's gift to her people.
D	g 4	20	f	18th c.	Cali, Francois	LatCiv	D 34	B	Painting of the Virgin Mary of the Spindle, seen as an Inca princess. The curl on the brow is considered characteristic of India art and is a sign of fertility.
D	i 2	20	f	18th c.	Cali, Francois	LatCiv	D 34	B	Painting of the Virgin Mary of the Spindle, seen as an Inca princess. The curl on the brow is considered characteristic of India art and is a sign of fertility.
D	g 4	21		17th c.	Cali, Francois	LatCiv	D 35	B	Virgin of the Rosary. Being worshipped by the Dominicans, she wears the emblem of that order. Tomas de San Juan brought her to New Spain in the 16th C. She is said to have appeared 2x in America, most notably at Pomata in Peru in the mid. of 16th C.
D	i 2	21		17th c.	Cali, Francois	LatCiv	D 35	B	Virgin of the Rosary. Being worshipped by the Dominicans, she wears the emblem of that order. Tomas de San Juan brought her to New Spain in the 16th C. She is said to have appeared 2x in America, most notably at Pomata in Peru in the mid. of 16th C.
D	g 4	21		late 16th or early 17th c	Cali, Francois	LatCiv	D 36	B	Virgin of Mercy of Corro, the silver mountain. Popular art from the late 16th-early 17th C. She is trad. represented with open arms, gathering sinners into her wide mantle, with the pope & emperor at her feet. See source sheet for more information.
D	i 2	21		late 16th or early 17th c	Cali, Francois	LatCiv	D 36	B	Virgin of Mercy of Corro, the silver mountain. Popular art from the late 16th-early 17th C. She is trad. represented with open arms, gathering sinners into her wide mantle, with the pope & emperor at her feet. See source sheet for more information.
D	i 2	20		late 17th c.	Ades, Dawn	LatCiv	D 37	C	'Archangel With Gun,' oil painting which depicts an archangel, dressed in flamboyant secular attire of the 17th-c dignatary, carrying a musket, their poses based on military handbooks of the period. Circle of Master of Calamarca, Lake Titicaca school
D	g 4	30		1742	Ades, Dawn	LatCiv	D 38	C	Anonymous, ex-voto (votive offering), 'El dia lunes 23 de abril ano de 1742,' 1742 oil on canvas.
D	i 2	30		1742	Ades, Dawn	LatCiv	D 38	c	Anonymous, ex-voto (votive offering), 'El dia lunes 23 de abril ano de 1742,' 1742 oil on canvas.
D	g	3		c. 18th C	Smith, Bradley	LatCiv	D 39	C	'Martyred children of Tlaxcala' (detail). Oil on canvas. Circa 18th century. Atlihuetzian, Tlaxcala.
D	i 2	3		c. 18th C	Smith, Bradley	LatCiv	D 39	C	'Martyred children of Tlaxcala' (detail). Oil on canvas. Circa 18th century. Atlihuetzian, Tlaxcala.
D	g	3		c. 18th C	Smith, Bradley	LatCiv	D 40	C	'Christian child killed by his father' (detail); shows the 12-year-old son of the cacique Acxotecatl being slain by his own father. Oil on canvas. Circa 18th century. Atlihuetzian, Tlaxcala.
D	i 2	3		c. 18th C	Smith, Bradley	LatCiv	D 40	C	'Christian child killed by his father' (detail); shows the 12-year-old son of the cacique Acxotecatl being slain by his own father. Oil on canvas. Circa 18th century. Atlihuetzian, Tlaxcala.
D	g 4	3		1756	Smith, Bradley	LatCiv	D 41	C	'Apparition of the Virgin of Guadalupe to Juan Diego' (detail); only recently converted to Christianity, Jan Diego flees in fright as the Virgin appears before him. Fresco. Cabrera. 1756. Church of San Fransciso Javier, Tepotzotlan.
D	i 2	3		1756	Smith, Bradley	LatCiv	D 41	C	'Apparition of the Virgin of Guadalupe to Juan Diego' (detail); only recently converted to Christianity, Jan Diego flees in fright as the Virgin appears before him. Fresco. Cabrera. 1756. Church of San Fransciso Javier, Tepotzotlan.
D	g 4	3		1756	Smith, Bradley	LatCiv	D 42	C	'Apparition of the Virgin of Guadalupe to Juan Diego' (detail); as Juan kneels, the Virgin speaks and causes roses to grow on the rocky hillside. Fresco. Cabrera. 1756. Church of San Fransciso Javier, Tepotzotlan.
D	i 2	3		1756	Smith, Bradley	LatCiv	D 42	C	'Apparition of the Virgin of Guadalupe to Juan Diego' (detail); as Juan kneels, the Virgin speaks and causes roses to grow on the rocky hillside. Fresco. Cabrera. 1756. Church of San Fransciso Javier, Tepotzotlan.
D	b 6	3		18th C	Smith, Bradley	LatCiv	D 43	C	'Procession of the Viceroy.' Oil on wood. 18th century. Merchants hawk their wares as Indians, mestizos, creoles, and peninsulares watch the viceregal procession.
D	i 2	3		18th C	Smith, Bradley	LatCiv	D 43	C	'Procession of the Viceroy.' Oil on wood. 18th century. Merchants hawk their wares as Indians, mestizos, creoles, and peninsulares watch the viceregal procession.
D	a	3		c. 1800	Smith, Bradley	LatCiv	D 44	C	'Don Matias de Galvez.' Oil; anonymous. Circa 1800.
D	i 2	3		c. 1800	Smith, Bradley	LatCiv	D 44	C	'Don Matias de Galvez.' Oil; anonymous. Circa 1800.
D	a	3		1651	Smith, Bradley	LatCiv	D 45	C	'Sor Juana Ines de la Cruz (Sister Juana of the Cross).' Oil; Miranda. 1651
D	i 2	3		1651	Smith, Bradley	LatCiv	D 45	C	'Sor Juana Ines de la Cruz (Sister Juana of the Cross).' Oil; Miranda. 1651
D	a	3		1651	Smith, Bradley	LatCiv	D 45	C	'Sor Juana Ines de la Cruz (Sister Juana of the Cross).' Oil; Miranda. 1651
D	i 2	3		c. 1775	Smith, Bradley	LatCiv	D 46	C	'The castes.' Oil on cloth; anonymous. Circa 1775. In New Spain, the Spanish born were at the top of the caste system; their native-born children were creoles.
D	c 6	3		c. 1775	Smith, Bradley	LatCiv	D 46	C	'The castes.' Oil on cloth; anonymous. Circa 1775. In New Spain, the Spanish born were at the top of the caste system; their native-born children were creoles.
D	i 2	3		c. 1775	Smith, Bradley	LatCiv	D 47	C	'The castes.' Oil on cloth; anonymous. Circa 1775. An example of a lower-caste child would be one born of an Indian father and a Spanish-Indian mother.
D	i 2	3		c. 1775	Smith, Bradley	LatCiv	D 47	C	'The castes.' Oil on cloth; anonymous. Circa 1775. The little girl of mixed Spanish and Spanish-Indian parentage would have become a member of a middle caste.
D	c 6	3		c. 1775	Smith, Bradley	LatCiv	D 47	C	'The castes.' Oil on cloth; anonymous. Circa 1775. The little girl of mixed Spanish and Spanish-Indian parentage would have become a member of a middle caste.
D	c 6	3		c. 1775	Smith, Bradley	LatCiv	D 47	C	'The castes.' Oil on cloth; anonymous. Circa 1775. An example of a lower-caste child would be one born of an Indian father and a Spanish-Indian mother.
D	i 2	3	a	1643	Fernandez, Justino	LatCiv	D 49	C	'The Incredulity of St. Thomas,' by Sebastian Lopez de Arteaga. Oil on canvas. 1643.
D	i 2	3	a	1655	Fernandez, Justino	LatCiv	D 50	C
D	h 3	3		about 1690	Fernandez, Justino	LatCiv	D 51	C	Detail of the Chapel of the Rosary in the Church of Santo Domingo. Gilt and polychrome stucco. About 1690. Puebla, Puebla state. Superb example of the work of the Puebla school of fine craftsmen who worked in gilt and painted stucco.
D	h 3	3		1st half of 18th C	Fernandez, Justino	LatCiv	D 52	C	Facade of the Cathedral of Zacatecas. The church was originally built in 1579, but was later elevated to the rank of cathedral. The facade was completed in 1752, but retained the Baroque forms which had flourished in the previous century.
D	h 3	3	a	1st half of 18th C	Fernandez, Justino	LatCiv	D 53	C	Altar in the Chapel of the Kings, Mexico Cathedral, Mexico City. 1st half of 18th c. Altar and reredos, built betw. 1718-37 by Jeronimo de Balbas, & gilded in 1743, was 1st struct. in New Spain in the late Baroque style called 'Churrigueresque.'
D	h 3	3		18th C	Fernandez, Justino	LatCiv	D 54	C	The Church of San Francisco at Acatepec. 18th C. Buebla state. Excellent example of the 'poblano' ('of Puebla') style, which is based on the use of polychrome tiles manufactured in Puebla. The tiles completely encase the baroque form of the facade.
D	h 3	3		18th C	Fernandez, Justino	LatCiv	D 55	C	The Church of San Francisco at Acatepec (detail). 18th C. See Lat Am D54.
D	h 3	3		18th C	Fernandez, Justino	LatCiv	D 56	C	Interior of the Church of Santa Marie at Tonantzintla. 18th C. Puebla state. The architectural form is classical, but the ornamentation which encrusts every square inch of the interior is in the popular taste; see source sheet for additional info.
D	h 3	3		18th C	Fernandez, Justino	LatCiv	D 57	C	Interior of the Church of Santa Marie at Tonantzintla (detail). 18th C. Puebla state. See Lat Am D56: a detail of the heads, masks, and floral motifs.
D	h 3	3		18th C	Fernandez, Justino	LatCiv	D 58	C	The Sanctuary of the Virgin at Ocotlan. Tlaxcala state. 18th C. Architecture of this region developed in a parallel fashion to that in Puebla. Here red tiles are set off in contrast by the blinding white of painted stucco.
D	i 3	3		18th C	Fernandez, Justino	LatCiv	D 58	C	The Sanctuary of the Virgin at Ocotlan. Tlaxcala state. 18th C. Architecture of this region developed in a parallel fashion to that in Puebla. Here red tiles are set off in contrast by the blinding white of painted stucco.
D	h 2	3		18th C	Fernandez, Justino	LatCiv	D 59	C	'Casa de Alfenque' (Sugar-candy house). 18th C. The glazed colored tiles alternating with matt red ones produce an interesting effect that is typical of the Puebla style.
D	h 2	3	a	1774-79	Fernandez, Justino	LatCiv	D 60	C	Museum of Mexico City (Casa de los condes de Santiago de Calimaya). Mex. City. 1774-79. 1 of best surviving examp. of colonial arch. in priv. house. Origin. built in 1528 for cousin of Cortes, it was rebuilt in the 18th C in restrained Baroque style.
H	i 3	3		20th C.	Fernandez, Justino	LatCiv	D 61	C	Mask. Carved and painted wood. 17th c. Probably a colonial example of a mask for the 'Moor's Dance,' introduced into Mexico by the friars early in the 16th C. Baroque design, with dark features and rudimentary helmet.
H	g 4	3		20th C.	Fernandez, Justino	LatCiv	D 61	C	Mask. Carved and painted wood. 17th c. Probably a colonial example of a mask for the 'Moor's Dance,' introduced into Mexico by the friars early in the 16th C. Baroque design, with dark features and rudimentary helmet.
D	i 2	20		17-18th C.	Barocco Latino Americano	LatCiv	D 62	c	Archangel with Arquebus.
D	i 3	20		17th C.	Barocco Latino Americano	LatCiv	D 63	c	Archangel.
D	i 2	20		1752	Barocco Latino Americano	LatCiv	D 64	c	Difesa di tesi do Harale.
D	i 2	20		18th C.	Barocco Latino Americano	LatCiv	D 65	c	Our Lady of the Rosary.
D	i 2	20		18th C.	Barocco Latino Americano	LatCiv	D 66	c	Vision of Saint Nicholas of Tolentino.
D	i 2	19		18th C.	Barocco Latino Americano	LatCiv	D 67	c	Archangel Saint Michael.
D	g 4	11		18th C.	Barocco Latino Americano	LatCiv	D 68	c	Tabernacle.
D	g 4	21		18th C.	Barocco Latino Americano	LatCiv	D 69	c	Tabernacle.
D	g 4	21		18th C.	Barocco Latino Americano	LatCiv	D 70	c	Tabernacle.
D	g 4	21		18th C.	Barocco Latino Americano	LatCiv	D 71	c	Ornament.
D	i 3	19		18th C.	Barocco Latino Americano	LatCiv	D 72	c	Archangel San Gabriel.
D	i 3	3		18th C.	Barocco Latino Americano	LatCiv	D 73	c	Archangel San Gabriel.
D	i 3	18		18th C.	Barocco Latino Americano	LatCiv	D 74	c	Infant Jesus.
D	i 3	19		18th C.	Barocco Latino Americano	LatCiv	D 75	c	Fruit carrier.
D	i 3	19		18th C.	Barocco Latino Americano	LatCiv	D 76	c	Immaculate Conception.
D	i 3	3		17th C.	Barocco Latino Americano	LatCiv	D 77	c	Saint Rosalie.
D	i 3	19		18th C.	Barocco Latino Americano	LatCiv	D 78	c	Archangel Saint Rafael.
D	i 3	3		18th C.	Barocco Latino Americano	LatCiv	D 79	c	Archangel Saint Rafael.
D	i 3	26			Barocco Latino Americano	LatCiv	D 80	c	Saint Jerome.
D	i 3	26			Barocco Latino Americano	LatCiv	D 81	c	Altar crown.
D	i 3	19		18th C.	Barocco Latino Americano	LatCiv	D 82	c	Pomona.
D	p 2	30		17th Century	Viola, Herman&C. Margolis		D 83	B	Engraving of slaves working with cattle in the production of sugar in the New World.
D	p 2	30		1804	Viola, Herman&C. Margolis		D 84	b	Engraving of the ship Ceres, a vessel loaded with sugar and cofee, sailing for Liverpool in 1804.
D	c 2	30		1804	Viola, Herman&C. Margolis		D 84	b	Engraving of the ship Ceres, a vessel loaded with sugar and cofee, sailing for Liverpool in 1804.
D	p 2	30		1722	Viola, Herman&C. Margolis		D 85	b	Illustration of sugar production, 1722: the sugar cane is being ground by three vertically mounted rollers, which are powered by two teams of horses.
E	c10	30		c.1820	N.L.	LatCiv	E 1	B	Race mixture in the Americas (chart)
E	c10	30		c.1820	N.L.	LatCiv	E 1	B	Race mixture in the Americas (chart)
E	b 8	20	c	Unknown	N.L.	LatCiv	E 2	B	Political cartoon of Peru-Chile Civil War: San Martin drives the Chilean people, while Bernardo O'Higgins receives aid from England
E	b 8	20	c	Unknown	N.L.	LatCiv	E 2	B	Political cartoon of Peru-Chile Civil War: San Martin drives the Chilean people, while Bernardo O'Higgins receives aid from England
E	i 2	20		1825	Ades, Dawn	LatCiv	E 3	C	'Portrait of Simon Bolivar in Lima,' by Jose Gil de Castr. Full-lenght oil portrait.
E	a	20		1825	Ades, Dawn	LatCiv	E 3	C	'Portrait of Simon Bolivar in Lima,' by Jose Gil de Castr. Full-lenght oil portrait.
E	a	3		19th c.	Ades, Dawn	LatCiv	E 4	C	'Portrait of Miguel Hidalgo,' by Juan O'Gorman. Charcoal study for the mural in Chapultepec Castle.
E	i 2	3		19th c.	Ades, Dawn	LatCiv	E 4	C	'Portrait of Miguel Hidalgo,' by Juan O'Gorman. Charcoal study for the mural in Chapultepec Castle.
E	a	3		1822	Ades, Dawn	LatCiv	E 5	C	'Portrait of the Liberator Agustin de Itubide.' Portrait by an anonymous artist, painted in 1822. Iturbide is dressed as a citizen-liberator, with conflicting imperial connotations in the elaborate throne and draped column behind him.
E	i 2	3		1822	Ades, Dawn	LatCiv	E 5	C	'Portrait of the Liberator Agustin de Itubide.' Portrait by an anonymous artist, painted in 1822. Iturbide is dressed as a citizen-liberator, with conflicting imperial connotations in the elaborate throne and draped column behind him.
E	a	3		1828	Ades, Dawn	LatCiv	E 6	C	'Manuel Hidalgo,' illustration by Claudio Linati in 'Custumes deivils, militaires et religiux du Mexique.' Hidalgo is shown as a vigorous, ruddy-faced, middle-aged man, a warrior-priest with a cross in one hand... see source sheet for more info.
E	i 2	3		1828	Ades, Dawn	LatCiv	E 6	C	'Manuel Hidalgo,' illustration by Claudio Linati in 'Custumes deivils, militaires et religiux du Mexique.' Hidalgo is shown as a vigorous, ruddy-faced, middle-aged man, a warrior-priest with a cross in one hand... see source sheet for more info.
E	n 2	19		1810	Ades, Dawn	LatCiv	E 7	C	Alexander von Humboldt, 'Chimborazo seen from the Tapia Plateau,' color ill. from 'Voyage de Humboldt et de Bonpland, Premiere Partie; Relation Historique: Atlas pittoresque: 'Vues de Cordilleres... published in Paris 1810. see source sheet for more
E	i 2	19		1810	Ades, Dawn	LatCiv	E 7	C	Alexander von Humboldt, 'Chimborazo seen from the Tapia Plateau,' color ill. from 'Voyage de Humboldt et de Bonpland, Premiere Partie; Relation Historique: Atlas pittoresque: 'Vues de Cordilleres... published in Paris 1810. see source sheet for more
E	i 2	3		1810	Ades, Dawn	LatCiv	E 8	c	Alexander von Humboldt, 'Costumes drawn by Mexican Painters from the time of Montezuma,' color illustration from 'Voyage de Humboldt et de Bonpland, Premiere Partie; Relation Historique... pub. in Paris in 1810. see source sheet for more info
C	c11	3		1810	Ades, Dawn	LatCiv	E 8	c	Alexander von Humboldt, 'Costumes drawn by Mexican Painters from the time of Montezuma,' color illustration from 'Voyage de Humboldt et de Bonpland, Premiere Partie; Relation Historique... pub. in Paris in 1810. see source sheet for more info
E	c11	3		1810	Ades, Dawn	LatCiv	E 9	c	Alexander von Humboldt, 'Costumes of the Indians of Michaocan,' color ill. from 'Voyage de Humboldt et de Bonpland, Premiere Partie; Relation Historique: Atlas pittoresque... pub. in Paris in 1810. see source sheet for more information.
E	i 2	3		1810	Ades, Dawn	LatCiv	E 9	c	Alexander von Humboldt, 'Costumes of the Indians of Michaocan,' color ill. from 'Voyage de Humboldt et de Bonpland, Premiere Partie; Relation Historique: Atlas pittoresque... pub. in Paris in 1810. see source sheet for more information.
E	i 6	26		1826	Ades, Dawn	LatCiv	E 10	c	Jean-Baptiste Debret, 'Garlic and Onion Seller,' watercolor on paper.
E	c 2	26		1826	Ades, Dawn	LatCiv	E 10	c	Jean-Baptiste Debret, 'Garlic and Onion Seller,' watercolor on paper.
E	i 2	3		c. 1810	Smith, Bradley	LatCiv	E 11	C	'Portrait of Father Miguel Hidalgo y Costilla.' Oil on tin; anonymous. Circa 1810.
E	a	3		c. 1810	Smith, Bradley	LatCiv	E 11	C	'Portrait of Father Miguel Hidalgo y Costilla.' Oil on tin; anonymous. Circa 1810.
E	i 2	3		1812	Smith, Bradley	LatCiv	E 12	C	'Father Jose Maria Morelos y Pavon.' Oil on canvas; anonymous. 1812.
E	a	3		1812	Smith, Bradley	LatCiv	E 12	C	'Father Jose Maria Morelos y Pavon.' Oil on canvas; anonymous. 1812.
E	i 2	3		1815	Smith, Bradley	LatCiv	E 13	C	'Don Felix Maria Calleja del Rey.' Oil on canvas. Jose Perovani. 1815.
E	a	3		1815	Smith, Bradley	LatCiv	E 13	C	'Don Felix Maria Calleja del Rey.' Oil on canvas. Jose Perovani. 1815.
E	i 2	3		1821	Smith, Bradley	LatCiv	E 14	C	'Entrance of the Army of the Three Guarantees.' Oil on canvas; anonymous. Sept. 27, 1821.
E	m	3		1821	Smith, Bradley	LatCiv	E 14	C	'Entrance of the Army of the Three Guarantees.' Oil on canvas; anonymous. Sept. 27, 1821.
E	i 2	3		c. 1822	Smith, Bradley	LatCiv	E 15	C	'Iturbide on balcony.' Oil; anonymous. Circa 1822.
E	a	3		c. 1822	Smith, Bradley	LatCiv	E 15	C	'Iturbide on balcony.' Oil; anonymous. Circa 1822.
E	i 2	3	a	c. 1822	Smith, Bradley	LatCiv	E 16	C	'Coronation of Iturbide in the Cathedral of Mexico City.' Oil on canvas; anonymous. Circa 1822.
E	a	3	a	c. 1822	Smith, Bradley	LatCiv	E 16	C	'Coronation of Iturbide in the Cathedral of Mexico City.' Oil on canvas; anonymous. Circa 1822.
E	i 2	3		c. 1829	Smith, Bradley	LatCiv	E 17	C	'Invasion at Tampico.' Oil on canvas; anonymous. Circa 1829.
E	m	3		c. 1829	Smith, Bradley	LatCiv	E 17	C	'Invasion at Tampico.' Oil on canvas; anonymous. Circa 1829.
F	c14	30		19th C.	Viola, Herman&C. Margolis		E 18	c	19th-century ad for sugar bowls sold by the East India Company. The ad emphaizes that their sugar was not made by slaves.
E	p 2	30		19th C.	Viola, Herman&C. Margolis		E 18	c	19th-century ad for sugar bowls sold by the East India Company. The ad emphaizes that their sugar was not made by slaves.
F	p 2	30		19th C.	Viola, Herman&C. Margolis		E 18	c	19th-century ad for sugar bowls sold by the East India Company. The ad emphaizes that their sugar was not made by slaves.
F	p 2	30		19th C.	Viola, Herman&C. Margolis		E 18	c	19th-century ad for sugar bowls sold by the East India Company. The ad emphaizes that their sugar was not made by slaves.
F	p 3	3		Unknown	N.L.	LatCiv	F 1	B	Sugar mill, Veracruz
F	p 3	3		Unknown	N.L.	LatCiv	F 1	B	Sugar mill, Veracruz
F	c10	30		1790-1975	N.L.	LatCiv	F 2	C	Chart comparing population growth of Us and Mexico
F	c10	30		1790-1975	N.L.	LatCiv	F 2	C	Chart comparing population growth of Us and Mexico
F	b 8	11		1904	N.L.	LatCiv	F 3	B	Political cartoon (American): Now Watch the Dirt Fly! : T. Roosevelt and his Big Stick approach Panama to begin the Canal
F	b 8	11		1904	N.L.	LatCiv	F 3	B	Political cartoon (American): Now Watch the Dirt Fly! : T. Roosevelt and his Big Stick approach Panama to begin the Canal
F	b 8	3		1900	N.L.	LatCiv	F 4	B	Political cartoon: 3 June 1900, Unwise Constitution for the Tuxtepec Monarchy
F	b 8	3		1900	N.L.	LatCiv	F 4	B	Political cartoon: 3 June 1900, Unwise Constitution for the Tuxtepec Monarchy
F	b 8	3		Unknown	N.L.	LatCiv	F 5	B	Political cartoon: 31 March 1901, The Agony of the Virgin Constitution
F	b 8	3		Unknown	N.L.	LatCiv	F 5	B	Political cartoon: 31 March 1901, The Agony of the Virgin Constitution
F	b 8	3		Unknown	N.L.	LatCiv	F 6	B	Political cartoon: 3 June 1906, It is useless... the problem of a hungry people seeking liberty
F	b 8	3		Unknown	N.L.	LatCiv	F 6	B	Political cartoon: 3 June 1906, It is useless... the problem of a hungry people seeking liberty
F	h 2	20	c	Unknown	N.L.	LatCiv	F 7	C	Lima miradores
F	h 2	20	c	Unknown	N.L.	LatCiv	F 7	C	Lima miradores
F	n 4	19		1875	Ecuador (Equador)	LatCiv	F 8	B	Quito, 1875, (map).
F	i 6	19		late 1800s	Ecuador (Equador)	LatCiv	F 9	B	19th century drawing of Ecuador- camp scene in jungle.
F	b 4	19		late 1800s	Ecuador (Equador)	LatCiv	F 9	B	19th century drawing of Ecuador- camp scene in jungle.
F	i 6	19		late 1800s	Ecuador (Equador)	LatCiv	F 10	B	19th century drawing of Ecuador- explorers(?) relaxing in camp.
F	b 4	19		late 1800s	Ecuador (Equador)	LatCiv	F 10	B	19th century drawing of Ecuador- explorers(?) relaxing in camp.
F	c 4	19		late 1800s	Ecuador (Equador)	LatCiv	F 11	B	19th century drawing of Ecuador- man serenading woman on balcony: woman pouring pot of water on him.
F	h 2	19		late 1800s	Ecuador (Equador)	LatCiv	F 12	B	19th century drawing of house- hut with thatched roof.
F	h 2	19		1800s	Ecuador (Equador)	LatCiv	F 13	B	19th century drawing of coastal house- thatched house raised on poles.
F	i 2	25		c. 1880	Ades, Dawn	LatCiv	F 14	C	'Paraguay: Image of Your Desolate Country,' by Juan Manuel Blanes. Represents the desolation suffered by the country during the war of the Triple Alliance in the 1860s.
F	c 5	25		c. 1880	Ades, Dawn	LatCiv	F 14	C	'Paraguay: Image of Your Desolate Country,' by Juan Manuel Blanes. Represents the desolation suffered by the country during the war of the Triple Alliance in the 1860s.
F	i 2	26		1899	Ades, Dawn	LatCiv	F 15	C	'The Violinist,' by Jose Ferraz de Almeida Junior. Good example of the genre scenes which were becoming more popular in academic art in Brazil at the time.
F	c 5	26		1899	Ades, Dawn	LatCiv	F 15	C	'The Violinist,' by Jose Ferraz de Almeida Junior. Good example of the genre scenes which were becoming more popular in academic art in Brazil at the time.
F	c 5	20		1855	Ades, Dawn	LatCiv	F 16	C	'The Indian Potter (or Dweller in the Cordillera),' by Francisco Laso.
F	i 2	20		1855	Ades, Dawn	LatCiv	F 16	C	'The Indian Potter (or Dweller in the Cordillera),' by Francisco Laso.
F	i 2	3		1837	Ades, Dawn	LatCiv	F 17	C	'View of the Valley of Mexico,' by Daniel Thomas Egerton.
F	n 2	3		1837	Ades, Dawn	LatCiv	F 17	C	'View of the Valley of Mexico,' by Daniel Thomas Egerton.
F	n 2	3		c. 1831-3	Ades, Dawn	LatCiv	F 18	C	'Study of Palm Trees,' by Johann Moritz Rugendas.
F	i 2	3		c. 1831-3	Ades, Dawn	LatCiv	F 18	C	'Study of Palm Trees,' by Johann Moritz Rugendas.
F	i 2	20	c	1843	Ades, Dawn	LatCiv	F 19	C	'View in the Environs of Lima,' by Johann Moritz Rugendas.
F	n 2	20	c	1843	Ades, Dawn	LatCiv	F 19	C	'View in the Environs of Lima,' by Johann Moritz Rugendas.
F	i 2	18		1850-59	Ades, Dawn	LatCiv	F 20	C	'Mestizo Farmers of Anis, Ocana Province, Colombia,' watercolor drawing by Carmelo Fernandez.
F	c 5	18		1850-59	Ades, Dawn	LatCiv	F 20	C	'Mestizo Farmers of Anis, Ocana Province, Colombia,' watercolor drawing by Carmelo Fernandez.
F	i 2	18		1850-59	Ades, Dawn	LatCiv	F 21	C	'Notables of the Capital, Santander Province, Colombia,' watercolor drawing by Carmelo Fernandez.
F	c 5	18		1850-59	Ades, Dawn	LatCiv	F 21	C	'Notables of the Capital, Santander Province, Colombia,' watercolor drawing by Carmelo Fernandez.
F	i 4	13		19th c.	Ades, Dawn	LatCiv	F 22	c	Ramon de la Sagra, color plate from 'Atlas physique, politique et natureele de Cuba: Atlas'. Shows a bird sitting on a branch.
F	k 4	13		19th c.	Ades, Dawn	LatCiv	F 22	c	Ramon de la Sagra, color plate from 'Atlas physique, politique et natureele de Cuba: Atlas'. Shows a bird sitting on a branch.
F	i 2	24		19th c.	Ades, Dawn	LatCiv	F 23	c	'Dawn,' oil painting by Juan Manuel Blanes showing a guacho on the pampas.
F	i 2	24		19th c.	Ades, Dawn	LatCiv	F 24	c	'Dusk,' oil painting by Juan Manuel Blanes showing a guacho on the pampas.
F	i 2	24		19th c.	Ades, Dawn	LatCiv	F 25	c	'Early Morning,' oil painting by Juan Manuel Blanes depicting a guacho on horseback.
F	i 2	24		19th c.	Ades, Dawn	LatCiv	F 26	c	'Evening,' oil painting by Juan Manuel Blanes of a guacho.
F	i 2	19		1907	Ades, Dawn	LatCiv	F 27	c	'workers on the Railway at Chiguacan,' oil painting by Jose Grijalva.
F	c 1	19		1907	Ades, Dawn	LatCiv	F 27	c	'workers on the Railway at Chiguacan,' oil painting by Jose Grijalva.
F	i 2	3		19th c.	Ades, Dawn	LatCiv	F 28	c	'Gust Wind at the Summit, Iztaccihuatl,' oil painting by Daniel Thomas Egerton.
F	n 2	3		19th c.	Ades, Dawn	LatCiv	F 28	c	'Gust Wind at the Summit, Iztaccihuatl,' oil painting by Daniel Thomas Egerton.
F	i 2	3		19th c.	Ades, Dawn	LatCiv	F 29	c	'The Colima Volcano,' oil painting by Johann Moritz Rugendas.
F	n 2	3		19th c.	Ades, Dawn	LatCiv	F 29	c	'The Colima Volcano,' oil painting by Johann Moritz Rugendas.
F	n 2	26		1850	Ades, Dawn	LatCiv	F 30	c	'Paulo Afonso Waterfall,' oil painting by E.F. Schute.
F	i 2	26		1850	Ades, Dawn	LatCiv	F 30	c	'Paulo Afonso Waterfall,' oil painting by E.F. Schute.
F	i 2	26		1876	Ades, Dawn	LatCiv	F 31	c	'Sao Tome das Letras,' oil painting by Nicolau Antonio Facchinetti.
F	n 2	26		1876	Ades, Dawn	LatCiv	F 31	c	'Sao Tome das Letras,' oil painting by Nicolau Antonio Facchinetti.
F	i 2	19		1874	Ades, Dawn	LatCiv	F 32	c	'Cotopaxi,' oil painting by Rafeal Troya.
F	n 2	19		1874	Ades, Dawn	LatCiv	F 32	c	'Cotopaxi,' oil painting by Rafeal Troya.
F	i 2	18		1895	Ades, Dawn	LatCiv	F 33	c	'The Cleaners,' oil painting by Andres de Santa Maria.
F	c 1	18		1895	Ades, Dawn	LatCiv	F 33	c	'The Cleaners,' oil painting by Andres de Santa Maria.
F	i 4	5		1844	Ades, Dawn	LatCiv	F 34	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan'.
B	h	5		1844	Ades, Dawn	LatCiv	F 34	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan'.
F	i 4	5		1844	Ades, Dawn	LatCiv	F 35	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan,' (Royal Institute of Architects, London, 1844).
B	h	5		1844	Ades, Dawn	LatCiv	F 35	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan,' (Royal Institute of Architects, London, 1844).
B	h	5		1844	Ades, Dawn	LatCiv	F 36	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan,' (Royal Institute of Architects, London, 1844).
F	i 4	5		1844	Ades, Dawn	LatCiv	F 36	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan,' (Royal Institute of Architects, London, 1844).
F	i 4	5		1844	Ades, Dawn	LatCiv	F 37	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan,' (Royal Institute of Architects, London, 1844).
B	h	5		1844	Ades, Dawn	LatCiv	F 37	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan,' (Royal Institute of Architects, London, 1844).
B	h	5		1844	Ades, Dawn	LatCiv	F 38	c	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan' (Royal Institute of Architects, London, 1844).
F	i 4	5		1844	Ades, Dawn	LatCiv	F 38	C	Frederick Catherwood, plate from 'Views of Ancient Monuments in Central America, Chiapas, and Yucatan' (Royal Institute of Architects, London, 1844).
F	i 4	3		1836	Ades, Dawn	LatCiv	F 39	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	h	3		1836	Ades, Dawn	LatCiv	F 39	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	h	3		1836	Ades, Dawn	LatCiv	F 40	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	i 4	3		1836	Ades, Dawn	LatCiv	F 40	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	i 4	3		1836	Ades, Dawn	LatCiv	F 41	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	h	3		1836	Ades, Dawn	LatCiv	F 41	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	h	3		1836	Ades, Dawn	LatCiv	F 41	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	h	3		1836	Ades, Dawn	LatCiv	F 42	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	i 4	3		1836	Ades, Dawn	LatCiv	F 42	c	C. Nebel, plate from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	i 4	3		1836	Ades, Dawn	LatCiv	F 43	c	C. Nebel, color plate 'Indian charcoal-makers' from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	c11	3		1836	Ades, Dawn	LatCiv	F 43	c	C. Nebel, color plate 'Indian charcoal-makers' from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	i 4	3		1836	Ades, Dawn	LatCiv	F 44	c	C. Nebel, color plate 'Poblanas' from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	c11	3		1836	Ades, Dawn	LatCiv	F 44	c	C. Nebel, color plate 'Poblanas' from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	i 4	3		1836	Ades, Dawn	LatCiv	F 45	c	C. Nebel, color plate 'Ranchers' from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	c11	3		1836	Ades, Dawn	LatCiv	F 45	c	C. Nebel, color plate 'Ranchers' from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	i 4	3		1836	Ades, Dawn	LatCiv	F 46	c	C. Nebel, color plate 'Indians of the Sierra' from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	c11	3		1836	Ades, Dawn	LatCiv	F 46	c	C. Nebel, color plate 'Indians of the Sierra' from 'Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique' (Paris, 1836).
F	i 2	3		19th c.	Ades, Dawn	LatCiv	F 47	c	'El chinaco y la china,' oil painting by Jose Agustin Arrieta.
F	c	3		19th c.	Ades, Dawn	LatCiv	F 47	c	'El chinaco y la china,' oil painting by Jose Agustin Arrieta.
F	i 2	3		19th c.	Ades, Dawn	LatCiv	F 48	c	'El consteno,' oil painting by Jose Agustin Arrieta.
F	c	3		19th c.	Ades, Dawn	LatCiv	F 48	c	'El consteno,' oil painting by Jose Agustin Arrieta.
F	g 4	17		1885	Ades, Dawn	LatCiv	F 49	c	Anonymous, ex-voto (votive offering), 1885, oil on brass. A group of men gathered around a dead child.
F	i 2	17		1885	Ades, Dawn	LatCiv	F 49	c	Anonymous, ex-voto (votive offering), 1885, oil on brass. A group of men gathered around a dead child.
F	g 4	3		19th c.	Ades, Dawn	LatCiv	F 50	c	Anonymous, ex-voto (votive offering), 'Maria Jacoba Gomez...' n.d., oil on enamel.
F	i 2	3		19th c.	Ades, Dawn	LatCiv	F 50	c	Anonymous, ex-voto (votive offering), 'Maria Jacoba Gomez...' n.d., oil on enamel.
F	g 4	3		19th c.	Ades, Dawn	LatCiv	F 51	c	Anonymous, ex-voto (votive offering), 'Hallandose Ma. Gregoria Lozano mu grave...': 'Finding M. Gregoria Lozan very ill...', n.d., oil on enamel.
F	i 2	3		19th c.	Ades, Dawn	LatCiv	F 51	c	Anonymous, ex-voto (votive offering), 'Hallandose Ma. Gregoria Lozano mu grave...': 'Finding M. Gregoria Lozan very ill...', n.d., oil on enamel.
F	g 4	3		19th c.	Ades, Dawn	LatCiv	F 52	c	Anonymous, 'Esta es la Vida' (This is Life), n.d., oil on canvas.
F	i 2	3		19th c.	Ades, Dawn	LatCiv	F 52	c	Anonymous, 'Esta es la Vida' (This is Life), n.d., oil on canvas.
F	g 4	30		1834	Ades, Dawn	LatCiv	F 53	c	Anonymous, ex-voto (votive offering), 'Pueblo de Taxeria 30 de noviembre 1834,' 1834, oil on canvas.
F	i 2	30		1834	Ades, Dawn	LatCiv	F 53	c	Anonymous, ex-voto (votive offering), 'Pueblo de Taxeria 30 de noviembre 1834,' 1834, oil on canvas.
F	i 7	22		1865	Ades, Dawn	LatCiv	F 54	b	Benito Panunzi, 'Aruacanian Chief, Patagonia,' 1865, albumen print.
F	c	22		1865	Ades, Dawn	LatCiv	F 54	b	Benito Panunzi, 'Aruacanian Chief, Patagonia,' 1865, albumen print.
F	i 7	22		c. 1880	Ades, Dawn	LatCiv	F 55	b	Heffer, 'Aruacanian Indian Burial Ground, Chile,' 1880, albumen print.
F	c	22		c. 1880	Ades, Dawn	LatCiv	F 55	b	Heffer, 'Aruacanian Indian Burial Ground, Chile,' 1880, albumen print.
F	i 7	22		1865	Ades, Dawn	LatCiv	F 56	b	Benito Panunzi, 'Family of the Araucanian Chief,' 1865, albumen print.
F	c	22		1865	Ades, Dawn	LatCiv	F 56	b	Benito Panunzi, 'Family of the Araucanian Chief,' 1865, albumen print.
F	i 7	26		c. 1874	Ades, Dawn	LatCiv	F 57	b	Marc Ferrez, 'Botocudo Indians,' c. 1874, albumen print.
F	c	26		c. 1874	Ades, Dawn	LatCiv	F 57	b	Marc Ferrez, 'Botocudo Indians,' c. 1874, albumen print.
F	i 7	26		1879	Ades, Dawn	LatCiv	F 58	b	Marc Ferrez, 'Viaduct over the Sao Joao River,' c. 1879, albumen print.
F	p 1	26		1879	Ades, Dawn	LatCiv	F 58	b	Marc Ferrez, 'Viaduct over the Sao Joao River,' c. 1879, albumen print.
F	i 7	26		1875	Ades, Dawn	LatCiv	F 59	b	Marc Ferrez, 'Bridge over the Laguna River,' c. 1875, albumen print.
F	p 1	26		1875	Ades, Dawn	LatCiv	F 59	b	Marc Ferrez, 'Bridge over the Laguna River,' c. 1875, albumen print.
F	i 7	26		1879	Ades, Dawn	LatCiv	F 60	b	Marc Ferrez, 'Emperor Dom Pedro II Dedicating Reservoir Naved in His Honour,' 1879, albumen print.
F	p 1	26		1879	Ades, Dawn	LatCiv	F 60	b	Marc Ferrez, 'Emperor Dom Pedro II Dedicating Reservoir Naved in His Honour,' 1879, albumen print.
F	i 7	26		1895	Ades, Dawn	LatCiv	F 61	b	Anonymous, 'Indeain Prisoner,' 1895, albumen print.
F	c	26		1895	Ades, Dawn	LatCiv	F 61	b	Anonymous, 'Indeain Prisoner,' 1895, albumen print.
F	i 2	3		1876	Ades, Dawn	LatCiv	F 62	c	Jose Maria Velasco, 'Mexican Landscape, Pico de Orizaba,' 1876, oil on canvas.
F	n 2	3		1876	Ades, Dawn	LatCiv	F 62	c	Jose Maria Velasco, 'Mexican Landscape, Pico de Orizaba,' 1876, oil on canvas.
F	i 2	3		1894	Ades, Dawn	LatCiv	F 63	c	Jose Maria Velasco, 'The Valley of Mexico from the Heights of Tacubaya,' 1894, oil on canvas.
F	n 2	3		1894	Ades, Dawn	LatCiv	F 63	c	Jose Maria Velasco, 'The Valley of Mexico from the Heights of Tacubaya,' 1894, oil on canvas.
F	i 2	3		1893	Ades, Dawn	LatCiv	F 64	c	Jose Maria Velasco, 'Hacienda of Chimalpa,' 1893, oil on canvas.
F	n 2	3		1893	Ades, Dawn	LatCiv	F 64	c	Jose Maria Velasco, 'Hacienda of Chimalpa,' 1893, oil on canvas.
F	f 1	3		1889-95	Ades, Dawn	LatCiv	F 65	b	Jose Guadalupe Posada, 'Calavera of the Cyclists,' detail of a reprint of a type-metal engraving first published 1889-95.
F	i 4	3		1889-95	Ades, Dawn	LatCiv	F 65	b	Jose Guadalupe Posada, 'Calavera of the Cyclists,' detail of a reprint of a type-metal engraving first published 1889-95.
F	f 1	3		1889-95	Ades, Dawn	LatCiv	F 66	b	Jose Guadalupe Posada, 'A Mishandled Death--Collision of a Trolley Car with a Hearse,' reprint of a relief etching first published in 1889-95.
F	i 4	3		1889-95	Ades, Dawn	LatCiv	F 66	b	Jose Guadalupe Posada, 'A Mishandled Death--Collision of a Trolley Car with a Hearse,' reprint of a relief etching first published in 1889-95.
F	f 1	3		1889-95	Ades, Dawn	LatCiv	F 67	b	Jose Guadalupe Posada, 'Ballad of Macario Romero,' reprint of a relief etching first published in 1889-95.
F	i 4	3		1889-95	Ades, Dawn	LatCiv	F 67	b	Jose Guadalupe Posada, 'Ballad of Macario Romero,' reprint of a relief etching first published in 1889-95.
F	f 1	3		1893	Ades, Dawn	LatCiv	F 68	b	Jose Guadalupe Posada, 'The Arrival of the Body of Citizen General Manuel Gonzalez to his Capital,' reprint of a relief etching first published in 1893.
F	i 4	3		1893	Ades, Dawn	LatCiv	F 68	b	Jose Guadalupe Posada, 'The Arrival of the Body of Citizen General Manuel Gonzalez to his Capital,' reprint of a relief etching first published in 1893.
F	f l	3		1890s	Ades, Dawn	LatCiv	F 69	b	Jose Guadalupe Posada, 'Calvera of the Popular Editor Antonio Vanegas Arroyo,'
F	i 4	3		1890s	Ades, Dawn	LatCiv	F 69	b	Jose Guadalupe Posada, 'Calvera of the Popular Editor Antonio Vanegas Arroyo,'
F	f 1	3		1890s	Ades, Dawn	LatCiv	F 70	b	Jose Guadalupe Posada, 'The Purgatory of the Arts...' from 'La Gaceta Callerjera'.
F	i 4	3		1890s	Ades, Dawn	LatCiv	F 70	b	Jose Guadalupe Posada, 'The Purgatory of the Arts...' from 'La Gaceta Callerjera'.
F	a	3		c. 1864	Smith, Gene	LatCiv	F 72	c	Oil portraits of Maximilian and carlota by Alfred Graefle.
F	h 4	30		20th c.	Smith, Gene	LatCiv	F 73	b	Schoenbrunn Palace, the summer residence of the Austrian Imperial family.
F	h 4	3		20th c.	Smith, Gene	LatCiv	F 73	b	Schoenbrunn Palace, the summer residence of the Austrian Imperial family.
F	a	3		19th c.	Smith, Gene	LatCiv	F 74	b	Young Archduke Maximilian, the future Mexican Emperor.
F	a	3		19th c.	Smith, Gene	LatCiv	F 75	b	The Belgian Princess Charlotte, who was to become the Mexican Empress Carlota.
F	a	3		19th c.	Smith, Gene	LatCiv	F 76	b	Photograph of Maximilian in the uniform of an Austrian admiral.
F	a	3		19th c.	Smith, Gene	LatCiv	F 77	b	Photograph of the Archduchess Charlotte.
F	a	3		19th c.	Smith, Gene	LatCiv	F 78	b	Maximilian is offered the crown of Mexico in Miramar.
F	a	3		19th c.	Smith, Gene	LatCiv	F 79	b	The departure of Maximilian and Carlota for Mexico.
F	a	3		19th c.	Smith, Gene	LatCiv	F 80	b	The entrance of Maximilian and Carlota into Mexico City.
F	a	3		c. 1860	Smith, Gene	LatCiv	F 81	b	Photograph of Benito Juarez.
F	a	3		c. 1864	Smith, Gene	LatCiv	F 82	b	Photograph of His Imperial Majesty the Emperor of Mexico.
F	a	3		c. 1864	Smith, Gene	LatCiv	F 83	b	Photograph of Her Imperial Majesty the Emperor of Mexico.
F	h 4	3		19th c.	Smith, Gene	LatCiv	F 84	b	Chapultepec Castle, Emperor Maximilian's principal residence in Mexico.
F	h 4	3		19th c.	Smith, Gene	LatCiv	F 85	b	The National Palace, Mexico City, as it appeared in Maximilian's time.
F	m 4	3		19th c.	Smith, Gene	LatCiv	F 86	b	Illustration of a French artillery train moving against Mexican guerillas.
F	m 4	3		19th c.	Smith, Gene	LatCiv	F 87	b	Illustration of French cavalrymen clashing with Juaristas.
F	a	3		19th c.	Smith, Gene	LatCiv	F 88	b	Photograph of Porfirio Diaz, Juarez's best general.
F	a	3		19th c.	Smith, Gene	LatCiv	F 89	b	Photograph of the Princess Salm-Salm.
F	a	3		c. 1867	Smith, Gene	LatCiv	F 90	b	Painting of Maximilian preparing to leave his cell for the last time before his exectuion.
F	b	3		c. 1867	Smith, Gene	LatCiv	F 91	b	Engraving of the execution of Maximilian, Miramon, and Mejia.
F	a	3		c. 1867	Smith, Gene	LatCiv	F 91	b	Engraving of the execution of Maximilian, Miramon, and Mejia.
F	b 2	3		1867	Smith, Gene	LatCiv	F 92	b	Photograph of the place of execution of Maximilian, Maramon and Mejia, taken several days later. Three crosses mark where the men stood.
F	a	3		1867	Smith, Gene	LatCiv	F 93	b	Engraving of Maximilian's casket being taken to the 'Novara'.
F	a	3		1867	Smith, Gene	LatCiv	F 94	b	Engraving of Maximilian's casket in Vienna.
F	a	30		1867	Smith, Gene	LatCiv	F 94	b	Engraving of Maximilian's casket in Vienna.
F	h 5	3		1901	Smith, Gene	LatCiv	F 95	b	Photograph of the dedication in 1901 of the shrine atop the exact location where the execution of Maximilian took place.
F	a	3		1901	Smith, Gene	LatCiv	F 95	b	Photograph of the dedication in 1901 of the shrine atop the exact location where the execution of Maximilian took place.
F	h 4	30		19th c.	Smith, Gene	LatCiv	F 96	b	The Castle of Bouchout outside Brussels where Carlota lived out her life in madness.
F	h 4	3		19th c.	Smith, Gene	LatCiv	F 96	b	The Castle of Bouchout outside Brussels where Carlota lived out her life in madness.
F	a	3		1925	Smith, Gene	LatCiv	F 97	b	Carlota in 1925, at 85 years of age (two years before her death).
F	a	30		1925	Smith, Gene	LatCiv	F 97	b	Carlota in 1925, at 85 years of age (two years before her death).
F	i 2	3		1855	Smith, Bradley	LatCiv	F 98	C	'Dolores Tosta de Santa Anna, Santa Anna's wife.' Oil on canvas. Juan Codero. 1855.
F	a	3		1855	Smith, Bradley	LatCiv	F 98	C	'Dolores Tosta de Santa Anna, Santa Anna's wife.' Oil on canvas. Juan Codero. 1855.
F	c 5	3		c. 1834	Smith, Bradley	LatCiv	F 99	C	'Charcoal-making Indians and farmers in the vicinity of Mexico City.' From the book 'Archaeological and Picturesque Trip' by Don Carlos Nebel. Published Paris and Mexico, c. 1834.
F	c 6	3		c. 1834	Smith, Bradley	LatCiv	F 100	C	'Poblanas.' From the book 'Archaeological and Picturesque Trip' by Don Carlos Nebel. Published Paris and Mexico, c. 1834.
F	c 6	3		c. 1834	Smith, Bradley	LatCiv	F 101	C	'The hacienda owner and his majordomo.' From the book 'Archaeological and Picturesque Trip' by Don Carlos Nebel. Published Paris and Mexico, c. 1834.
F	c15	3		c. 1834	Smith, Bradley	LatCiv	F 102	C	'The tortilla makers.' From the book 'Archaeological and Picturesque Trip' by Don Carlos Nebel. Published Paris and Mexico, c. 1834.
F	i 2	3		c. 1850	Smith, Bradley	LatCiv	F 103	C	'Battle at Molino del Rey.' Oil on canvas. C. Escalante. Circa 1850.
F	m 4	3		c. 1850	Smith, Bradley	LatCiv	F 103	C	'Battle at Molino del Rey.' Oil on canvas. C. Escalante. Circa 1850.
F	i 2	3		1844	Smith, Bradley	LatCiv	F 104	C	'Banquet for General Antonio Leon.' Oil on cnavas; anonymous. 1844.
F	a	3		1844	Smith, Bradley	LatCiv	F 104	C	'Banquet for General Antonio Leon.' Oil on cnavas; anonymous. 1844.
F	i 2	3	a	c. 1825	Smith, Bradley	LatCiv	F 105	C	'Santo Domingo Church' (Mexico City). Oil on cnavas. Pedro Gualdi. Circa 1825.
F	h 3	3	a	c. 1825	Smith, Bradley	LatCiv	F 105	C	'Santo Domingo Church' (Mexico City). Oil on cnavas. Pedro Gualdi. Circa 1825.
F	i 2	3		c. 1850	Smith, Bradley	LatCiv	F 106	C	'This Is the Life.' Oil on canvas; anonymous. Circa 1850. Pictures drunkards, murderers, and prostitutes in a satire of the decandence of some parts of Mexico.
F	c 3	3		c. 1850	Smith, Bradley	LatCiv	F 106	C	'This Is the Life.' Oil on canvas; anonymous. Circa 1850. Pictures drunkards, murderers, and prostitutes in a satire of the decandence of some parts of Mexico.
F	i 2	3		1852	Smith, Bradley	LatCiv	F 107	C	'The Agony.' Oil on wood. Jose Maria Estrada. 1852. Depicts a family surrounding their dying mother.
F	c15	3		1852	Smith, Bradley	LatCiv	F 107	C	'The Agony.' Oil on wood. Jose Maria Estrada. 1852. Depicts a family surrounding their dying mother.
F	i 2	3		1902	Smith, Bradley	LatCiv	F 108	C	'Taking of Puebla.' Oil on canvas. Prieto. 1902.
F	m 4	3		1902	Smith, Bradley	LatCiv	F 108	C	'Taking of Puebla.' Oil on canvas. Prieto. 1902.
F	i 2	3		c. 1867	Smith, Bradley	LatCiv	F 109	C	'The Execution of Maximilian, Miranon, and Mejia.' Oil; anonymous. Circa 1867.
F	b 2	3		c. 1867	Smith, Bradley	LatCiv	F 109	C	'The Execution of Maximilian, Miranon, and Mejia.' Oil; anonymous. Circa 1867.
F	n 2	3		1897	Fernandez, Justino	LatCiv	F 110	C	'The Train.' Oil on canvas. Jose Maria Velasco. 1897.
F	i 2	3		1897	Fernandez, Justino	LatCiv	F 110	C	'The Train.' Oil on canvas. Jose Maria Velasco. 1897.
F	b 7	3		c. 1910	Fernandez, Justino	LatCiv	F 111	C	'Terrible Crimes of the Hacienda Owners.' Zinc engraving. Jose Guadalupe Posada. Circal 1910. Illustration of one of the causes of the Revolution.
F	i 2	3		1877	Fernandez, Justino	LatCiv	F 112	C	'Mexico,' by Jose Maria Velasco. Oil on canvas. 1877. The views looks down from the north, with the city in the background. Lake Texcoco and the volcanoes lie to the left.
F	k 4	30		19th C.	Viola, Herman&C. Margolis		F 113	c	Illustration of the sugar cane plant from a 19th-century botanical guide (Flore pittorsque et medicale des Antilles, by M.E. Descourtilz).
F	p 2	30		19th C.	Viola, Herman&C. Margolis		F 113	c	Illustration of the sugar cane plant from a 19th-century botanical guide (Flore pittorsque et medicale des Antilles, by M.E. Descourtilz).
F	p 2	13	a	1860	Viola, Herman&C. Margolis		F 114	b	'Sugar plantation of Don Eusebion Alfonso, Havana, Cuba, 1860.'
F	p 2	15		1823	Viola, Herman&C. Margolis		F 115	c	Illustration of work on an early 19th-century sugar plantation, from 'Ten Views of the Island of Antigua,' by William Clark (1823).
F	b 5	0		19th C	Magellan Geographix	Latin	F 116	c	Map showing Latin American independence, 19th Century
G	b 4	11		Unknown	N.L.	LatCiv	G 1	B	Construction of the Panama Canal (1907 - 13): Continental divide, Culebra cut
G	p 1	11		Unknown	N.L.	LatCiv	G 1	B	Construction of the Panama Canal (1907 - 13): Continental divide, Culebra cut
G	b 4	11		Unknown	N.L.	LatCiv	G 1	B	Construction of the Panama Canal (1907 - 13): Continental divide, Culebra cut
G	p 1	11		Unknown	N.L.	LatCiv	G 1	B	Construction of the Panama Canal (1907 - 13): Continental divide, Culebra cut
G	b 4	30		Unknown	N.L.	LatCiv	G 2	B	US intervention in the Caribbean
G	b 4	30		Unknown	N.L.	LatCiv	G 2	B	US intervention in the Caribbean
G	b 8	3		Unknown	N.L.	LatCiv	G 3	B	Political cartoon: Excelsior, 25 February 1920, The country dreams of a President
G	b 8	3		Unknown	N.L.	LatCiv	G 3	B	Political cartoon: Excelsior, 25 February 1920, The country dreams of a President
G	b 8	3		Unknown	N.L.	LatCiv	G 4	B	Political cartoon: El Democrata, 19 February 1920, The relationship between the Church and the people
G	b 8	3		Unknown	N.L.	LatCiv	G 4	B	Political cartoon: El Democrata, 19 February 1920, The relationship between the Church and the people
G	b 8	3		Unknown	N.L.	LatCiv	G 5	B	Political cartoon: 20 January 1912, Political rivals divide the country
G	b 8	3		Unknown	N.L.	LatCiv	G 5	B	Political cartoon: 20 January 1912, Political rivals divide the country
G	b 8	3		Unknown	N.L.	LatCiv	G 6	B	Political cartoon: Excelsior, 24 March 1920, Revolution awakens the people
G	b 8	3		Unknown	N.L.	LatCiv	G 6	B	Political cartoon: Excelsior, 24 March 1920, Revolution awakens the people
G	b 8	3		Unknown	N.L.	LatCiv	G 7	B	Political cartoon: Undated, The Country as a Pinata
G	b 8	3		Unknown	N.L.	LatCiv	G 7	B	Political cartoon: Undated, The Country as a Pinata
G	b 8	3		Unknown	N.L.	LatCiv	G 8	B	Political cartoon: 20 July 1911, Nightmare
G	b 8	3		Unknown	N.L.	LatCiv	G 8	B	Political cartoon: 20 July 1911, Nightmare
G	b 8	3		Unknown	N.L.	LatCiv	G 9	B	Political cartoon: Undated, From Yankeeland
G	b 8	3		Unknown	N.L.	LatCiv	G 9	B	Political cartoon: Undated, From Yankeeland
G	b 8	3		Unknown	N.L.	LatCiv	G 10	B	Political cartoon: 8 June 1913, Revenge against the enemies of the people - the clergy, the military and the bourgeois
G	b 8	3		Unknown	N.L.	LatCiv	G 10	B	Political cartoon: 8 June 1913, Revenge against the enemies of the people - the clergy, the military and the bourgeois
G	b 8	3		Unknown	N.L.	LatCiv	G 11	B	Political cartoon: David (Mexico) and Goliath (Woodrow Wilson)
G	b 8	3		Unknown	N.L.	LatCiv	G 11	B	Political cartoon: David (Mexico) and Goliath (Woodrow Wilson)
G	b 8	3		Unknown	N.L.	LatCiv	G 12	B	Political cartoon: Undated, A visit to the collection (of weapons)
G	b 8	3		Unknown	N.L.	LatCiv	G 12	B	Political cartoon: Undated, A visit to the collection (of weapons)
G	b 8	3		Unknown	N.L.	LatCiv	G 13	B	Political cartoon: 26 July 1914, The Future of the Country (marriage of the country to Venustiano Carranza, with Wilson as the best man)
G	b 8	3		Unknown	N.L.	LatCiv	G 13	B	Political cartoon: 26 July 1914, The Future of the Country (marriage of the country to Venustiano Carranza, with Wilson as the best man)
G	b 8	3		Unknown	N.L.	LatCiv	G 14	B	Political cartoon: Undated, the cost of liberty
G	b 8	3		Unknown	N.L.	LatCiv	G 14	B	Political cartoon: Undated, the cost of liberty
G	b 8	3		Unknown	N.L.	LatCiv	G 15	B	Political cartoon: 10 May 1914, History of Yankee Intervention in Latin America
G	b 8	3		Unknown	N.L.	LatCiv	G 15	B	Political cartoon: 10 May 1914, History of Yankee Intervention in Latin America
G	b 8	3		Unknown	N.L.	LatCiv	G 16	B	Political cartoon: 31 December 1911, A conversation between 1911 and 1912
G	b 8	3		Unknown	N.L.	LatCiv	G 16	B	Political cartoon: 31 December 1911, A conversation between 1911 and 1912
G	b 8	3		Unknown	N.L.	LatCiv	G 17	B	Political cartoon: 17 January 1915, A Hunger to Destroy the Revolution
G	b 8	3		Unknown	N.L.	LatCiv	G 17	B	Political cartoon: 17 January 1915, A Hunger to Destroy the Revolution
G	b 8	3		Unknown	N.L.	LatCiv	G 18	B	Political cartoon: 23 July 1914, The Nation in Misery
G	b 8	3		Unknown	N.L.	LatCiv	G 18	B	Political cartoon: 23 July 1914, The Nation in Misery
G	b 8	5		Unknown	N.L.	LatCiv	G 19	B	Political cartoon: Undated, `Free Suffrage' for Yucatan
G	b 8	5		Unknown	N.L.	LatCiv	G 19	B	Political cartoon: Undated, `Free Suffrage' for Yucatan
G	b 8	3		Unknown	N.L.	LatCiv	G 20	B	Political cartoon: 6 April 1913, US Intervention
G	b 8	3		Unknown	N.L.	LatCiv	G 20	B	Political cartoon: 6 April 1913, US Intervention
G	b 8	3		Unknown	N.L.	LatCiv	G 21	B	Political cartoon: 17 July 1913, Revolutionaries and counter-revolutionaries
G	b 8	3		Unknown	N.L.	LatCiv	G 21	B	Political cartoon: 17 July 1913, Revolutionaries and counter-revolutionaries
G	b 8	3		Unknown	N.L.	LatCiv	G 22	B	Political cartoon: 14 August 1913, Venustiano Carranzo aspires, with the help of Uncle Sam, to the Presidency
G	b 8	3		Unknown	N.L.	LatCiv	G 22	B	Political cartoon: 14 August 1913, Venustiano Carranzo aspires, with the help of Uncle Sam, to the Presidency
G	b 8	3		Unknown	N.L.	LatCiv	G 23	B	Political cartoon: 26 February 1914, Wilson cultivates flowers in the soil of intervention
G	b 8	3		Unknown	N.L.	LatCiv	G 23	B	Political cartoon: 26 February 1914, Wilson cultivates flowers in the soil of intervention
G	b 8	3		Unknown	N.L.	LatCiv	G 24	B	Political cartoon: 20 September 1913, Europe and Mexico speak about Wilson
G	b 8	3		Unknown	N.L.	LatCiv	G 24	B	Political cartoon: 20 September 1913, Europe and Mexico speak about Wilson
G	b 8	3		Unknown	N.L.	LatCiv	G 25	B	Political cartoon: Undated, Uncle Sam as an octopus (Imperialism)
G	b 8	3		Unknown	N.L.	LatCiv	G 25	B	Political cartoon: Undated, Uncle Sam as an octopus (Imperialism)
G	b 8	3		Unknown	N.L.	LatCiv	G 26	B	Political cartoon: 6 November 1913, Mexico welcomes Wilson's special representative, John Lind
G	b 8	3		Unknown	N.L.	LatCiv	G 26	B	Political cartoon: 6 November 1913, Mexico welcomes Wilson's special representative, John Lind
G	b 8	3		Unknown	N.L.	LatCiv	G 27	B	Political cartoon: 24 May 1914, Uncle Sam with his two 'bastards'
G	b 8	3		Unknown	N.L.	LatCiv	G 27	B	Political cartoon: 24 May 1914, Uncle Sam with his two 'bastards'
G	b 8	3		Unknown	N.L.	LatCiv	G 28	B	Political cartoon: 27 January 1920, The flight of Mexican money to the US
G	b 8	3		Unknown	N.L.	LatCiv	G 28	B	Political cartoon: 27 January 1920, The flight of Mexican money to the US
G	b 8	3		Unknown	N.L.	LatCiv	G 29	B	Political cartoon: 1 January 1914, 1913 passes its problems to 1914
G	b 8	3		Unknown	N.L.	LatCiv	G 29	B	Political cartoon: 1 January 1914, 1913 passes its problems to 1914
G	b 8	3		Unknown	N.L.	LatCiv	G 30	B	Political cartoon: 22 January 1914, The Destitute Children
G	b 8	3		Unknown	N.L.	LatCiv	G 30	B	Political cartoon: 22 January 1914, The Destitute Children
G	b 8	3		Unknown	N.L.	LatCiv	G 31	B	Political cartoon: 15 May 1913, Huerta calls for elections for October 1913
G	b 8	3		Unknown	N.L.	LatCiv	G 31	B	Political cartoon: 15 May 1913, Huerta calls for elections for October 1913
G	b 8	3		Unknown	N.L.	LatCiv	G 32	B	Political cartoon: 16 January 1920, Public opinion rejects General Obregon's presidency
G	b 8	3		Unknown	N.L.	LatCiv	G 32	B	Political cartoon: 16 January 1920, Public opinion rejects General Obregon's presidency
G	b 8	3		Unknown	N.L.	LatCiv	G 33	B	Political cartoon: Felix Diaz is guided by Vergil (Benito Juarez)
G	b 8	3		Unknown	N.L.	LatCiv	G 33	B	Political cartoon: Felix Diaz is guided by Vergil (Benito Juarez)
G	b 8	3		Unknown	N.L.	LatCiv	G 34	B	Political cartoon: 27 March 1913, The crimes of Madero and Pino Suarez
G	b 8	3		Unknown	N.L.	LatCiv	G 34	B	Political cartoon: 27 March 1913, The crimes of Madero and Pino Suarez
G	b 8	3		Unknown	N.L.	LatCiv	G 35	B	Political cartoon: 1 June 1912, Madero and his fiancee, the Presidency are observed by Orozco
G	b 8	3		Unknown	N.L.	LatCiv	G 35	B	Political cartoon: 1 June 1912, Madero and his fiancee, the Presidency are observed by Orozco
G	b 8	3		Unknown	N.L.	LatCiv	G 36	B	Political cartoon: 11 November 1911, The country vomits out Madero
G	b 8	3		Unknown	N.L.	LatCiv	G 36	B	Political cartoon: 11 November 1911, The country vomits out Madero
G	b 8	3		Unknown	N.L.	LatCiv	G 37	B	Political cartoon: 23 December 1911, History of the Mexican leadership
G	b 8	3		Unknown	N.L.	LatCiv	G 37	B	Political cartoon: 23 December 1911, History of the Mexican leadership
G	b 8	3		Unknown	N.L.	LatCiv	G 38	B	Political cartoon: 17 September 1911, The Three Graces (Liberty, Democracy, and Tyranny)
G	b 8	3		Unknown	N.L.	LatCiv	G 38	B	Political cartoon: 17 September 1911, The Three Graces (Liberty, Democracy, and Tyranny)
G	b 8	3		Unknown	N.L.	LatCiv	G 39	B	Political cartoon: 4 July 1912, The marriage of Madero
G	b 8	3		Unknown	N.L.	LatCiv	G 39	B	Political cartoon: 4 July 1912, The marriage of Madero
G	i 2	26		c. 1913	Ades, Dawn	LatCiv	G 40	c	'After the Flood,' oil painting by Pedro Weingartner.
G	n 2	26		c. 1913	Ades, Dawn	LatCiv	G 40	c	'After the Flood,' oil painting by Pedro Weingartner.
G	i 2	3		c. 1924	Fernandez, Justino	LatCiv	G 41	C	'Proletarian Mother and Child.' Oil on canvas. David Alfaro Siqueiros. Circa 1924.
G	b 2	3		c. 1913	Fernandez, Justino	LatCiv	G 42	C	'Shooting of Madero and Pino Suarez.' Oil on cardboard; anonymous. Circa 1913.
G	i 2	3		c. 1913	Fernandez, Justino	LatCiv	G 42	C	'Shooting of Madero and Pino Suarez.' Oil on cardboard; anonymous. Circa 1913.
G	i 1	3		1929	Fernandez, Justino	LatCiv	G 43	C	'Emiliano Zapata.' Mural (detail). Diego Rivera. Cortes's Palace, Cuernavaca. 1929.
G	a	3		1929	Fernandez, Justino	LatCiv	G 43	C	'Emiliano Zapata.' Mural (detail). Diego Rivera. Cortes's Palace, Cuernavaca. 1929.
G	i 7	3		1914	Fernandez, Justino	LatCiv	G 44	C	'Villa in the Presidential Chair.' Photograph. December 6, 1914.
G	a	3		1914	Fernandez, Justino	LatCiv	G 44	C	'Villa in the Presidential Chair.' Photograph. December 6, 1914.
G	i 2	3		1922	Fernandez, Justino	LatCiv	G 45	C	'Campamento Zapitista' (detail). Oil on canvas. Fernando Leal. 1922.
G	i 1	3		c. 1933	Fernandez, Justino	LatCiv	G 46	C	'Revolutionists.' Oil on canvas. Jose Colemente Orozco. Circa 1930.
G	i 1	3		1926	Fernandez, Justino	LatCiv	G 47	C	'The Trench.' Mural. Jose Clemente Orozco. Prepatoria Nacional de Mexico. 1926.
G	i 1	3		1926-27	Fernandez, Justino	LatCiv	G 48	C	'Revolution: Florescense.' Mural. Diego Rivera. National School of Agriculture, Chapingo. 1926-27.
G	i 1	3	a	1926	Fernandez, Justino	LatCiv	G 49	C	'Completion of the Agrarian Revolution.' Mural. Diego Rivera. Ministry of Education, Mexico City. 1926
G	i 1	3	a	1926	Fernandez, Justino	LatCiv	G 50	C	'Blessed Fruit of Knowledge.' Mural. Diego Rivera. Ministry of Education, Mexico City. 1926
G	i 2	3		1913	Fernandez, Justino	LatCiv	G 51	C	'The Offering (la ofredna),' by Saturnino Herran. Oil on canvas. 1913. Shows a canoe on a canl at Xochimilco, bearing a family with their offerings of yellow zempasuchil flowers for the dead.
G	i 2	3		1927	Fernandez, Justino	LatCiv	G 52	C	'Man Masters the Elements,' by Diego Rivera. Fresco. 1927. Salon de Actos (Auditorium) of the National Agricultural School at Chapingo.
G	i 2	3		1929	Fernandez, Justino	LatCiv	G 53	C	'Mother Earth Asleep (la tierra dormida),' by Diego Rivera. Fresco. 1929. Salon de Actos (Auditorium) of the National Agricultural School at Chapingo.
H	n 2	20	b	c.1970	N.L.	LatCiv	H 1	C	Huascaran, after earthquake.
H	n 2	20	b	c.1970	N.L.	LatCiv	H 1	C	Huascaran, after earthquake.
H	n 1	26	d	Unknown	N.L.	LatCiv	H 2	C	Sao Paulo, street scene.
H	n 1	26	d	Unknown	N.L.	LatCiv	H 2	C	Sao Paulo, street scene.
H	p 5	20	h	Unknown	N.L.	LatCiv	H 3	C	Woman in reed boat, Titicaca (Totera).
H	p 5	20	h	Unknown	N.L.	LatCiv	H 3	C	Woman in reed boat, Titicaca (Totera).
H	p 2	20	c	Unknown	N.L.	LatCiv	H 4	B	Village cultivation.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 4	B	Village cultivation.
H	c 2	13		Unknown	N.L.	LatCiv	H 5	B	Celebration of the expropriation of US companies (the coffins symbolize the death of American influence in Cuba).
H	b 4	13		Unknown	N.L.	LatCiv	H 5	B	Celebration of the expropriation of US companies (the coffins symbolize the death of American influence in Cuba).
H	b 4	13		Unknown	N.L.	LatCiv	H 5	B	Celebration of the expropriation of US companies (the coffins symbolize the death of American influence in Cuba).
H	c 2	13		Unknown	N.L.	LatCiv	H 5	B	Celebration of the expropriation of US companies (the coffins symbolize the death of American influence in Cuba).
H	i 3	26	d	Unknown	N.L.	LatCiv	H 6	C	Statue of Christ overlooking Rio de Janeiro.
H	g 4	26	d	Unknown	N.L.	LatCiv	H 6	C	Statue of Christ overlooking Rio de Janeiro.
H	i 3	26	d	Unknown	N.L.	LatCiv	H 6	C	Statue of Christ overlooking Rio de Janeiro.
H	g 4	26	d	Unknown	N.L.	LatCiv	H 6	C	Statue of Christ overlooking Rio de Janeiro.
H	j 1	20	c	Unknown	N.L.	LatCiv	H 7	C	Peruvian festival - Musician.
H	g 4	20	c	Unknown	N.L.	LatCiv	H 7	C	Peruvian festival - Musician.
H	j 1	20	c	Unknown	N.L.	LatCiv	H 7	C	Peruvian festival - Musician.
H	g 4	20	c	Unknown	N.L.	LatCiv	H 7	C	Peruvian festival - Musician.
H	c11	20		Unknown	N.L.	LatCiv	H 8	C	Selection of hats from various parts of Peru.
H	c11	20		Unknown	N.L.	LatCiv	H 8	C	Selection of hats from various parts of Peru.
H	p 5	20	h	Unknown	N.L.	LatCiv	H 9	C	Reed boats at Oruro.
H	p 5	20	h	Unknown	N.L.	LatCiv	H 9	C	Reed boats at Oruro.
H	p 2	20	b	Unknown	N.L.	LatCiv	H 10	C	Peasant carrying taella (farming tools).
H	p 2	20	b	Unknown	N.L.	LatCiv	H 10	C	Peasant carrying taella (farming tools).
H	p 2	20	c	Unknown	N.L.	LatCiv	H 11	C	Harvesting wheat, Puno.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 11	C	Harvesting wheat, Puno.
H	p 1	20	c	Unknown	N.L.	LatCiv	H 12	C	Irrigation canal, near Cuzco.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 12	C	Irrigation canal, near Cuzco.
H	p 1	20	c	Unknown	N.L.	LatCiv	H 12	C	Irrigation canal, near Cuzco.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 12	C	Irrigation canal, near Cuzco.
H	p 5	20	c	Unknown	N.L.	LatCiv	H 13	C	Woman weaving in field, near Cuzco.
H	p 3	20	c	Unknown	N.L.	LatCiv	H 13	C	Woman weaving in field, near Cuzco.
H	p 5	20	c	Unknown	N.L.	LatCiv	H 13	C	Woman weaving in field, near Cuzco.
H	p 3	20	c	Unknown	N.L.	LatCiv	H 13	C	Woman weaving in field, near Cuzco.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 14	C	Ceremony of the Earth, Apurimas.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 14	C	Ceremony of the Earth, Apurimas.
H	n 2	22	a	Unknown	N.L.	LatCiv	H 15	C	Atacama Desert.
H	n 2	22	a	Unknown	N.L.	LatCiv	H 15	C	Atacama Desert.
H	n 4	26	a	Unknown	N.L.	LatCiv	H 16	C	Northeastern Brazil.
H	n 4	26	a	Unknown	N.L.	LatCiv	H 16	C	Northeastern Brazil.
H	n 1	20	b	Unknown	N.L.	LatCiv	H 17	C	Callegin de Huaylas, below Huascaran.
H	n 1	20	b	Unknown	N.L.	LatCiv	H 17	C	Callegin de Huaylas, below Huascaran.
H	g 3	20		Unknown	N.L.	LatCiv	H 18	C	Peruvian festival, pan-piper.
H	g 3	20		Unknown	N.L.	LatCiv	H 18	C	Peruvian festival, pan-piper.
H	g 3	20		Unknown	N.L.	LatCiv	H 19	C	Peruvian festival, Charango.
H	g 3	20		Unknown	N.L.	LatCiv	H 19	C	Peruvian festival, Charango.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 20	C	Musician playing small guitar at festival in Charango.
H	j 1	20	e	Unknown	N.L.	LatCiv	H 20	C	Musician playing small guitar at festival in Charango.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 20	C	Musician playing small guitar at festival in Charango.
H	j 1	20	e	Unknown	N.L.	LatCiv	H 20	C	Musician playing small guitar at festival in Charango.
H	n 5	20	b	1962	N.L.	LatCiv	H 21	C	Recovery of the dead after avalanche, Callejon de Huaylas.
H	n 5	20	b	1962	N.L.	LatCiv	H 21	C	Recovery of the dead after avalanche, Callejon de Huaylas.
H	p 6	26	d	Unknown	N.L.	LatCiv	H 22	C	Fishing boats, Rio de Janeiro.
H	p 6	26	d	Unknown	N.L.	LatCiv	H 22	C	Fishing boats, Rio de Janeiro.
H	p 5	11		Unknown	N.L.	LatCiv	H 23	C	Why aircraft carriers can't use the Panama Canal; superimposed carrier outline on locks
H	p 1	11		Unknown	N.L.	LatCiv	H 23	C	Why aircraft carriers can't use the Panama Canal; superimposed carrier outline on locks
H	p 1	11		Unknown	N.L.	LatCiv	H 23	C	Why aircraft carriers can't use the Panama Canal; superimposed carrier outline on locks
H	p 5	11		Unknown	N.L.	LatCiv	H 23	C	Why aircraft carriers can't use the Panama Canal; superimposed carrier outline on locks
H	b 6	13		1960	N.L.	LatCiv	H 24	B	Dr. Blanca Gomez, as member of revolutionary militia
H	b 6	13		1960	N.L.	LatCiv	H 24	B	Dr. Blanca Gomez, as member of revolutionary militia
H	c 2	16	a	Unknown	N.L.	LatCiv	H 25	C	Haitian vendor.
H	c 2	16	a	Unknown	N.L.	LatCiv	H 25	C	Haitian vendor.
H	c 1	26	a	Unknown	N.L.	LatCiv	H 26	C	Make-work for unemployed, Sertao.
H	c 1	26	a	Unknown	N.L.	LatCiv	H 26	C	Make-work for unemployed, Sertao.
H	p 2	26	a	Unknown	N.L.	LatCiv	H 27	C	Family in Sertao.
H	c15	26	a	Unknown	N.L.	LatCiv	H 27	C	Family in Sertao.
H	c15	26	a	Unknown	N.L.	LatCiv	H 27	C	Family in Sertao.
H	p 2	26	a	Unknown	N.L.	LatCiv	H 27	C	Family in Sertao.
H	b 7	16	a	Unknown	N.L.	LatCiv	H 28	C	Motorcyclist with jacket bearing the words, `Vive Jean Claude Duvalier'.
H	b 7	16	a	Unknown	N.L.	LatCiv	H 28	C	Motorcyclist with jacket bearing the words, `Vive Jean Claude Duvalier'.
H	g 3	26	a	Unknown	N.L.	LatCiv	H 29	C	Miracle worker, disciple of Father Cicero.
H	g 3	26	a	Unknown	N.L.	LatCiv	H 29	C	Miracle worker, disciple of Father Cicero.
H	h 2	16	a	Unknown	N.L.	LatCiv	H 30	C	Tropical housing.
H	h 2	16	a	Unknown	N.L.	LatCiv	H 30	C	Tropical housing.
H	c 2	16	a	Unknown	N.L.	LatCiv	H 31	C	Street market.
H	c 2	16	a	Unknown	N.L.	LatCiv	H 31	C	Street market.
H	p 1	26	a	Unknown	N.L.	LatCiv	H 32	C	Digging for water, Sertao.
H	p 2	26	a	Unknown	N.L.	LatCiv	H 32	C	Digging for water, Sertao.
H	p 1	26	a	Unknown	N.L.	LatCiv	H 32	C	Digging for water, Sertao.
H	p 2	26	a	Unknown	N.L.	LatCiv	H 32	C	Digging for water, Sertao.
H	c 6	20		Unknown	N.L.	LatCiv	H 33	C	Beggar's child, Lima.
H	c 5	20		Unknown	N.L.	LatCiv	H 33	C	Beggar's child, Lima.
H	c13	20		Unknown	N.L.	LatCiv	H 33	C	Beggar's child, Lima.
H	c13	20		Unknown	N.L.	LatCiv	H 33	C	Beggar's child, Lima.
H	c 6	20		Unknown	N.L.	LatCiv	H 33	C	Beggar's child, Lima.
H	c 5	20		Unknown	N.L.	LatCiv	H 33	C	Beggar's child, Lima.
H	h 2	26	d	Unknown	N.L.	LatCiv	H 34	C	Middle - class housing, Porto Velho.
H	h 2	26	d	Unknown	N.L.	LatCiv	H 34	C	Middle - class housing, Porto Velho.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 35	C	Potato cultivation (high-altitude planting).
H	p 2	20	c	Unknown	N.L.	LatCiv	H 35	C	Potato cultivation (high-altitude planting).
H	n 2	16	a	Unknown	N.L.	LatCiv	H 36	C	Rural Haiti.
H	n 2	16	a	Unknown	N.L.	LatCiv	H 36	C	Rural Haiti.
H	g 3	20	b	Unknown	N.L.	LatCiv	H 37	C	Village festival, near Huancayo.
H	g 3	20	b	Unknown	N.L.	LatCiv	H 37	C	Village festival, near Huancayo.
H	p 5	20	c	Unknown	N.L.	LatCiv	H 38	C	Llamas in Sacsehuamen.
H	p 5	20	c	Unknown	N.L.	LatCiv	H 38	C	Llamas in Sacsehuamen.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 39	C	Terraces, Pisac.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 39	C	Terraces, Pisac.
H	j 3	20	e	Unknown	N.L.	LatCiv	H 40	C	Festival dancer.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 40	C	Festival dancer.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 40	C	Festival dancer.
H	j 3	20	e	Unknown	N.L.	LatCiv	H 40	C	Festival dancer.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 41	C	Festival musicians.
H	j 1	20	e	Unknown	N.L.	LatCiv	H 41	C	Festival musicians.
H	j 1	20	e	Unknown	N.L.	LatCiv	H 41	C	Festival musicians.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 41	C	Festival musicians.
H	c 2	21		Unknown	N.L.	LatCiv	H 42	C	Market activity, La Paz.
H	c 2	21		Unknown	N.L.	LatCiv	H 42	C	Market activity, La Paz.
H	g 3	20		Unknown	N.L.	LatCiv	H 43	C	Festival, Quenas.
H	g 3	20		Unknown	N.L.	LatCiv	H 43	C	Festival, Quenas.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 44	C	Terraces, Pisac.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 44	C	Terraces, Pisac.
H	b 3	13	a	1960	N.L.	LatCiv	H 45	C	Soviet freighter dock in front of statue of Christ
H	c 2	13	a	1960	N.L.	LatCiv	H 45	C	Soviet freighter dock in front of statue of Christ
H	c 2	13	a	1960	N.L.	LatCiv	H 45	C	Soviet freighter dock in front of statue of Christ
H	b 3	13	a	1960	N.L.	LatCiv	H 45	C	Soviet freighter dock in front of statue of Christ
H	b 3	13		1961	N.L.	LatCiv	H 46	B	Anti-Castro agent - working for the US-backed Cuban Liberation movement - sits in cafe opposite Cuban embassy and uses copies of identity cards to keep track of arriving Castro agents.
H	b 3	13		1961	N.L.	LatCiv	H 46	B	Anti-Castro agent - working for the US-backed Cuban Liberation movement - sits in cafe opposite Cuban embassy and uses copies of identity cards to keep track of arriving Castro agents.
H	b 2	17		1961	N.L.	LatCiv	H 47	B	Fabricio Ojeda, congressmen, ranking member of the military Affairs Committee, revolutionary.
H	a	17		1961	N.L.	LatCiv	H 47	B	Fabricio Ojeda, congressmen, ranking member of the military Affairs Committee, revolutionary.
H	a	17		1961	N.L.	LatCiv	H 47	B	Fabricio Ojeda, congressmen, ranking member of the military Affairs Committee, revolutionary.
H	b 2	17		1961	N.L.	LatCiv	H 47	B	Fabricio Ojeda, congressmen, ranking member of the military Affairs Committee, revolutionary.
H	a	17		1961	N.L.	LatCiv	H 48	B	Fabricio Ojeda, with his sons and daughters.
H	a	17		1961	N.L.	LatCiv	H 48	B	Fabricio Ojeda, with his sons and daughters.
H	b 2	17		1960	N.L.	LatCiv	H 49	B	Fabricio Ojeda, as honorary captain in Cuba's army, with Celia Sanchez, who fought with Castro in the Sierra Maestra.
H	a	17		1960	N.L.	LatCiv	H 49	B	Fabricio Ojeda, as honorary captain in Cuba's army, with Celia Sanchez, who fought with Castro in the Sierra Maestra.
H	b 2	17		1960	N.L.	LatCiv	H 49	B	Fabricio Ojeda, as honorary captain in Cuba's army, with Celia Sanchez, who fought with Castro in the Sierra Maestra.
H	a	17		1960	N.L.	LatCiv	H 49	B	Fabricio Ojeda, as honorary captain in Cuba's army, with Celia Sanchez, who fought with Castro in the Sierra Maestra.
H	c 2	13	a	1963	N.L.	LatCiv	H 50	B	Russian shoppers examine inexpensive cotton shirts in a Havana store.
H	c 2	13	a	1963	N.L.	LatCiv	H 50	B	Russian shoppers examine inexpensive cotton shirts in a Havana store.
H	a	13	a	1962	N.L.	LatCiv	H 51	B	Che Guevara.
H	a	13	a	1962	N.L.	LatCiv	H 51	B	Che Guevara.
H	a	13	a	1962	N.L.	LatCiv	H 52	B	Che Guevara.
H	a	13	a	1962	N.L.	LatCiv	H 52	B	Che Guevara.
H	b 6	13		1959	N.L.	LatCiv	H 53	B	Burning Cuban Army truck shed during guerrilla raid on El Cobre.
H	b 6	13		1959	N.L.	LatCiv	H 53	B	Burning Cuban Army truck shed during guerrilla raid on El Cobre.
H	b 6	13		Unknown	N.L.	LatCiv	H 54	B	Rene do los Santos, field commander of guerrilla forces.
H	b 6	13		Unknown	N.L.	LatCiv	H 54	B	Rene do los Santos, field commander of guerrilla forces.
H	c 7	7		Unknown	N.L.	LatCiv	H 55	C	Guatemalan elder, of San Juan Atitan: representative of Mayan heritage
H	c 7	7		Unknown	N.L.	LatCiv	H 55	C	Guatemalan elder, of San Juan Atitan: representative of Mayan heritage
H	g 3	20	h	Unknown	N.L.	LatCiv	H 56	C	Village festival on the shores of Lake Titicaca.
H	g 3	20	h	Unknown	N.L.	LatCiv	H 56	C	Village festival on the shores of Lake Titicaca.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 57	C	Indian hacks at glacier on Cordillera Blanca: the glacier as an ice machine.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 57	C	Indian hacks at glacier on Cordillera Blanca: the glacier as an ice machine.
H	c 2	16	a	Unknown	N.L.	LatCiv	H 58	C	Burros are used to transport gasoline to distant villages.
H	p 5	16	a	Unknown	N.L.	LatCiv	H 58	C	Burros are used to transport gasoline to distant villages.
H	p 5	16	a	Unknown	N.L.	LatCiv	H 58	C	Burros are used to transport gasoline to distant villages.
H	c 2	16	a	Unknown	N.L.	LatCiv	H 58	C	Burros are used to transport gasoline to distant villages.
H	p 5	16	a	Unknown	N.L.	LatCiv	H 59	C	Worker pulling load of grain.
H	c 2	16	a	Unknown	N.L.	LatCiv	H 59	C	Worker pulling load of grain.
H	c 2	16	a	Unknown	N.L.	LatCiv	H 59	C	Worker pulling load of grain.
H	p 5	16	a	Unknown	N.L.	LatCiv	H 59	C	Worker pulling load of grain.
H	c 2	20	e	Unknown	N.L.	LatCiv	H 60	C	Market-woman from Cuzco sells oranges at Chinchero.
H	c 2	20	e	Unknown	N.L.	LatCiv	H 60	C	Market-woman from Cuzco sells oranges at Chinchero.
H	c 2	20	f	Unknown	N.L.	LatCiv	H 61	C	Market-woman of Cuzco
H	c 2	20	f	Unknown	N.L.	LatCiv	H 61	C	Market-woman of Cuzco
H	c 2	19		Unknown	N.L.	LatCiv	H 62	C	Market scene, Otavalo.
H	c 2	19		Unknown	N.L.	LatCiv	H 62	C	Market scene, Otavalo.
H	n 1	26	d	Unknown	N.L.	LatCiv	H 63	C	Sao Paulo.
H	n 1	26	d	Unknown	N.L.	LatCiv	H 63	C	Sao Paulo.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 64	C	Avalanche at Huascaron of 1962 (artist's depiction of it minute by minute.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 64	C	Avalanche at Huascaron of 1962 (artist's depiction of it minute by minute.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 64	C	Avalanche at Huascaron of 1962 (artist's depiction of it minute by minute.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 64	C	Avalanche at Huascaron of 1962 (artist's depiction of it minute by minute.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 65	C	Mourners awaiting the dead to be found, weeks after Huascaran's 1962 avalanche.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 65	C	Mourners awaiting the dead to be found, weeks after Huascaran's 1962 avalanche.
H	p 2	20	b	Unknown	N.L.	LatCiv	H 66	C	Threshing and winnowing grain, accompanied by drums and flutes.
H	p 2	20	b	Unknown	N.L.	LatCiv	H 66	C	Threshing and winnowing grain, accompanied by drums and flutes.
H	m 6	20		Unknown	N.L.	LatCiv	H 67	C	Peruvian army passes in review.
H	m 6	20		Unknown	N.L.	LatCiv	H 67	C	Peruvian army passes in review.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 68	C	Landscape following Huascaran avalanche of 1962.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 68	C	Landscape following Huascaran avalanche of 1962.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 68	C	Landscape following Huascaran avalanche of 1962.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 68	C	Landscape following Huascaran avalanche of 1962.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 69	C	Stretcher-bearers carry out the dead after Huascaran avalanche of 1962.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 69	C	Stretcher-bearers carry out the dead after Huascaran avalanche of 1962.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 69	C	Stretcher-bearers carry out the dead after Huascaran avalanche of 1962.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 69	C	Stretcher-bearers carry out the dead after Huascaran avalanche of 1962.
H	p 2	22	b	Unknown	N.L.	LatCiv	H 70	C	Chile's principal wheat - and wine-producing Central Valley.
H	n 2	22	b	Unknown	N.L.	LatCiv	H 70	C	Chile's principal wheat - and wine-producing Central Valley.
H	n 2	22	b	Unknown	N.L.	LatCiv	H 70	C	Chile's principal wheat - and wine-producing Central Valley.
H	p 2	22	b	Unknown	N.L.	LatCiv	H 70	C	Chile's principal wheat - and wine-producing Central Valley.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 71	C	North summit of Huascaran towers over Callejon de Huailas.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 71	C	North summit of Huascaran towers over Callejon de Huailas.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 72	C	Andean festival, scene.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 72	C	Andean festival, scene.
H	p 6	26	a	Unknown	N.L.	LatCiv	H 73	C	Brazil's sertao - a family fishes and fills gourds during drought.
H	c15	26	a	Unknown	N.L.	LatCiv	H 73	C	Brazil's sertao - a family fishes and fills gourds during drought.
H	p 6	26	a	Unknown	N.L.	LatCiv	H 73	C	Brazil's sertao - a family fishes and fills gourds during drought.
H	c15	26	a	Unknown	N.L.	LatCiv	H 73	C	Brazil's sertao - a family fishes and fills gourds during drought.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 74	C	Peak of Huascaran
H	n 2	20	b	Unknown	N.L.	LatCiv	H 74	C	Peak of Huascaran
H	n 1	20	f	Unknown	N.L.	LatCiv	H 75	C	Narrow street in Cuzco.
H	n 1	20	f	Unknown	N.L.	LatCiv	H 75	C	Narrow street in Cuzco.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 76	C	A child's funeral procession near Cajamarca.
H	g 3	20	e	Unknown	N.L.	LatCiv	H 76	C	A child's funeral procession near Cajamarca.
H	g 3	20	d	Unknown	N.L.	LatCiv	H 77	C	Mass at Chinchero - The walls of churches constructed by the Spanish were frequently the same walls as enclosed Inca temples.
H	h 3	20	d	Unknown	N.L.	LatCiv	H 77	C	Mass at Chinchero - The walls of churches constructed by the Spanish were frequently the same walls as enclosed Inca temples.
H	h 3	20	d	Unknown	N.L.	LatCiv	H 77	C	Mass at Chinchero - The walls of churches constructed by the Spanish were frequently the same walls as enclosed Inca temples.
H	g 3	20	d	Unknown	N.L.	LatCiv	H 77	C	Mass at Chinchero - The walls of churches constructed by the Spanish were frequently the same walls as enclosed Inca temples.
H	b 7	24		Unknown	N.L.	LatCiv	H 78	B	Political demonstration by trade-unionists, who march in Montevideo, carrying Cuban flags.
H	b 7	24		Unknown	N.L.	LatCiv	H 78	B	Political demonstration by trade-unionists, who march in Montevideo, carrying Cuban flags.
H	p 2	20	b	Unknown	N.L.	LatCiv	H 79	C	Huascaran looms over grazing sheep.
H	p 2	20	b	Unknown	N.L.	LatCiv	H 79	C	Huascaran looms over grazing sheep.
H	g 3	26	a	Unknown	N.L.	LatCiv	H 80	C	Torrential downpour briefly alleviates drought in Sertao, and ends a village festival marking the beginning of the wet season.
H	n 5	26	a	Unknown	N.L.	LatCiv	H 80	C	Torrential downpour briefly alleviates drought in Sertao, and ends a village festival marking the beginning of the wet season.
H	g 3	26	a	Unknown	N.L.	LatCiv	H 80	C	Torrential downpour briefly alleviates drought in Sertao, and ends a village festival marking the beginning of the wet season.
H	n 5	26	a	Unknown	N.L.	LatCiv	H 80	C	Torrential downpour briefly alleviates drought in Sertao, and ends a village festival marking the beginning of the wet season.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 81	C	Site of Yanamachico, where Huascaran's avalanche carried bodies to the Santa River, which carried them even further - to the sea, 100 miles away.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 81	C	Site of Yanamachico, where Huascaran's avalanche carried bodies to the Santa River, which carried them even further - to the sea, 100 miles away.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 81	C	Site of Yanamachico, where Huascaran's avalanche carried bodies to the Santa River, which carried them even further - to the sea, 100 miles away.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 81	C	Site of Yanamachico, where Huascaran's avalanche carried bodies to the Santa River, which carried them even further - to the sea, 100 miles away.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 82	C	Survivors of the Huascaran avalanche, Yungay.
H	n 5	20	b	Unknown	N.L.	LatCiv	H 82	C	Survivors of the Huascaran avalanche, Yungay.
H	j 1	20		Unknown	N.L.	LatCiv	H 83	C	Musician at Andean Village festival: Guena player.
H	g 3	20		Unknown	N.L.	LatCiv	H 83	C	Musician at Andean Village festival: Guena player.
H	g 3	20		Unknown	N.L.	LatCiv	H 83	C	Musician at Andean Village festival: Guena player.
H	j 1	20		Unknown	N.L.	LatCiv	H 83	C	Musician at Andean Village festival: Guena player.
H	g 3	20		Unknown	N.L.	LatCiv	H 84	C	Musicians at Andean Village festival: and Spanish instruments.
H	j 1	20		Unknown	N.L.	LatCiv	H 84	C	Musicians at Andean Village festival: and Spanish instruments.
H	g 3	20		Unknown	N.L.	LatCiv	H 84	C	Musicians at Andean Village festival: and Spanish instruments.
H	j 1	20		Unknown	N.L.	LatCiv	H 84	C	Musicians at Andean Village festival: and Spanish instruments.
H	j 1	20		Unknown	N.L.	LatCiv	H 85	C	Musicians at Andean Village festival: Indian instruments.
H	g 3	20		Unknown	N.L.	LatCiv	H 85	C	Musicians at Andean Village festival: Indian instruments.
H	j 1	20		Unknown	N.L.	LatCiv	H 85	C	Musicians at Andean Village festival: Indian instruments.
H	g 3	20		Unknown	N.L.	LatCiv	H 85	C	Musicians at Andean Village festival: Indian instruments.
H	g 3	20		Unknown	N.L.	LatCiv	H 86	C	Musicians at Andean Village festival: Indian instruments.
H	j 1	20		Unknown	N.L.	LatCiv	H 86	C	Musicians at Andean Village festival: Indian instruments.
H	j 1	20		Unknown	N.L.	LatCiv	H 86	C	Musicians at Andean Village festival: Indian instruments.
H	g 3	20		Unknown	N.L.	LatCiv	H 86	C	Musicians at Andean Village festival: Indian instruments.
H	c11	20		Unknown	N.L.	LatCiv	H 87	C	Andean Village festival: Traditional Indian costume.
H	g 3	20		Unknown	N.L.	LatCiv	H 87	C	Andean Village festival: Traditional Indian costume.
H	g 3	20		Unknown	N.L.	LatCiv	H 87	C	Andean Village festival: Traditional Indian costume.
H	c11	20		Unknown	N.L.	LatCiv	H 87	C	Andean Village festival: Traditional Indian costume.
H	g 3	20		Unknown	N.L.	LatCiv	H 88	C	Andean Village festival: Traditional Indian costume.
H	c11	20		Unknown	N.L.	LatCiv	H 88	C	Andean Village festival: Traditional Indian costume.
H	g 3	20		Unknown	N.L.	LatCiv	H 88	C	Andean Village festival: Traditional Indian costume.
H	c11	20		Unknown	N.L.	LatCiv	H 88	C	Andean Village festival: Traditional Indian costume.
H	j 1	20		Unknown	N.L.	LatCiv	H 89	C	Musicians at Andean Village festival: Spanish guitars.
H	g 3	20		Unknown	N.L.	LatCiv	H 89	C	Musicians at Andean Village festival: Spanish guitars.
H	j 1	20		Unknown	N.L.	LatCiv	H 89	C	Musicians at Andean Village festival: Spanish guitars.
H	g 3	20		Unknown	N.L.	LatCiv	H 89	C	Musicians at Andean Village festival: Spanish guitars.
H	p 3	22	a	Unknown	N.L.	LatCiv	H 90	C	Woman weaving, Atacama desert.
H	p 3	22	a	Unknown	N.L.	LatCiv	H 90	C	Woman weaving, Atacama desert.
H	b 6	13	a	1959	N.L.	LatCiv	H 91	B	Crowd of Castro supporters in battle with private army of Batista backers.
H	b 6	13	a	1959	N.L.	LatCiv	H 91	B	Crowd of Castro supporters in battle with private army of Batista backers.
H	b 6	13		1959	N.L.	LatCiv	H 92	B	Execution of a Batista spy.
H	b 6	13		1959	N.L.	LatCiv	H 92	B	Execution of a Batista spy.
H	b 6	13		1958	N.L.	LatCiv	H 93	B	Rebels show US prisoners Batista's savagery: the ruins of metal-roofed sheds
H	b 6	13		1958	N.L.	LatCiv	H 93	B	Rebels show US prisoners Batista's savagery: the ruins of metal-roofed sheds
H	b 6	13		1959	N.L.	LatCiv	H 94	B	Rebel school at Oriente.
H	b 6	13		1959	N.L.	LatCiv	H 94	B	Rebel school at Oriente.
H	b 6	13		1959	N.L.	LatCiv	H 95	B	Field hospital near Santiago.
H	b 6	13		1959	N.L.	LatCiv	H 95	B	Field hospital near Santiago.
H	b 6	13		1959	N.L.	LatCiv	H 96	B	Negotiations for prisoner release: Raul Castro and `Deborah' (Vilma Espin), his political advisor; US Consul and Vice-Consul.
H	b 6	13		1959	N.L.	LatCiv	H 96	B	Negotiations for prisoner release: Raul Castro and `Deborah' (Vilma Espin), his political advisor; US Consul and Vice-Consul.
H	b 6	13		1958	N.L.	LatCiv	H 97	B	Raul Castro and `Deborah' (Vilma Espin), his political advisor.
H	b 6	13		1958	N.L.	LatCiv	H 97	B	Raul Castro and `Deborah' (Vilma Espin), his political advisor.
H	b 6	13		1958	N.L.	LatCiv	H 98	B	Raul Castro
H	b 6	13		1958	N.L.	LatCiv	H 98	B	Raul Castro
H	b 6	13		1958	N.L.	LatCiv	H 99	B	LIFE photographer George Skadding and reporter Lee Hall visit a Castroite compound.
H	b 6	13		1958	N.L.	LatCiv	H 99	B	LIFE photographer George Skadding and reporter Lee Hall visit a Castroite compound.
H	b 6	13		1958	N.L.	LatCiv	H 100	B	`Deborah' (Vilma Espin), Raul Castro's political advisor.
H	b 6	13		1958	N.L.	LatCiv	H 100	B	`Deborah' (Vilma Espin), Raul Castro's political advisor.
H	b 6	13		1958	N.L.	LatCiv	H 101	B	Raul Castro
H	b 6	13		1958	N.L.	LatCiv	H 101	B	Raul Castro
H	b 5	13		1958	N.L.	LatCiv	H 102	B	Castroite domains
H	b 5	13		1958	N.L.	LatCiv	H 102	B	Castroite domains
H	b 6	13		1958	N.L.	LatCiv	H 103	B	Executed rebel: executed at Castro's orders, he confessed to the rape and murder of a woman.
H	b 6	13		1958	N.L.	LatCiv	H 103	B	Executed rebel: executed at Castro's orders, he confessed to the rape and murder of a woman.
H	a	13		1958	N.L.	LatCiv	H 104	B	Fidel Castro talks to LOOK reporter-photographer Andrew St. George.
H	b 6	13		1958	N.L.	LatCiv	H 104	B	Fidel Castro talks to LOOK reporter-photographer Andrew St. George.
H	a	13		1958	N.L.	LatCiv	H 104	B	Fidel Castro talks to LOOK reporter-photographer Andrew St. George.
H	b 6	13		1958	N.L.	LatCiv	H 104	B	Fidel Castro talks to LOOK reporter-photographer Andrew St. George.
H	b 6	13		1958	N.L.	LatCiv	H 105	B	Fidel Castro listens to a scout's report; his lieutenants are nearby.
H	b 6	13		1958	N.L.	LatCiv	H 105	B	Fidel Castro listens to a scout's report; his lieutenants are nearby.
H	b 6	13		1958	N.L.	LatCiv	H 106	B	Rebel setting fire to sugar cane field.
H	b 6	13		1958	N.L.	LatCiv	H 106	B	Rebel setting fire to sugar cane field.
H	b 6	13		1958	N.L.	LatCiv	H 107	B	Sentry guarding Castro's headquarters: a survivor of the 1956 landing.
H	b 6	13		1958	N.L.	LatCiv	H 107	B	Sentry guarding Castro's headquarters: a survivor of the 1956 landing.
H	b 6	13		1958	N.L.	LatCiv	H 108	B	A woman serving with Castro's rebels, works as a cook and nurse.
H	b 6	13		1958	N.L.	LatCiv	H 108	B	A woman serving with Castro's rebels, works as a cook and nurse.
H	b 6	13		1958	N.L.	LatCiv	H 109	B	Snake provides food for rebels.
H	b 6	13		1958	N.L.	LatCiv	H 109	B	Snake provides food for rebels.
H	b 6	13		1958	N.L.	LatCiv	H 110	B	Rebels break for a rest following a long march.
H	b 6	13		1958	N.L.	LatCiv	H 110	B	Rebels break for a rest following a long march.
H	b 6	13		1958	N.L.	LatCiv	H 111	B	Fidel Castro examines a prisoner during a trial: this is the only court in the rebel-held zone.
H	b 6	13		1958	N.L.	LatCiv	H 111	B	Fidel Castro examines a prisoner during a trial: this is the only court in the rebel-held zone.
H	b 6	13		1958	N.L.	LatCiv	H 112	B	Carrying captured Cuban army weapons, Castro's forces invade the open country.
H	b 6	13		1958	N.L.	LatCiv	H 112	B	Carrying captured Cuban army weapons, Castro's forces invade the open country.
H	b 6	13	a	1959	N.L.	LatCiv	H 113	B	Castro's troops enter Havana.
H	b 6	13	a	1959	N.L.	LatCiv	H 113	B	Castro's troops enter Havana.
H	b 6	13	a	1959	N.L.	LatCiv	H 114	B	Freeing political prisoners in Havana.
H	b 6	13	a	1959	N.L.	LatCiv	H 114	B	Freeing political prisoners in Havana.
H	b 6	13	a	1959	N.L.	LatCiv	H 115	B	Burning of gambling machines in Havana following Castro's takeover.
H	b 6	13	a	1959	N.L.	LatCiv	H 115	B	Burning of gambling machines in Havana following Castro's takeover.
H	a	13		1959	N.L.	LatCiv	H 116	B	Fidel Castro.
H	a	13		1959	N.L.	LatCiv	H 116	B	Fidel Castro.
H	b 6	13	a	1959	N.L.	LatCiv	H 117	B	With Castro's colours tied to his rifle, victorious revolutionary walks the streets of Havana in triumph.
H	b 6	13	a	1959	N.L.	LatCiv	H 117	B	With Castro's colours tied to his rifle, victorious revolutionary walks the streets of Havana in triumph.
H	a	13		1960	N.L.	LatCiv	H 118	B	Father Armando Llorente, who was a student with Fidel Castro at Belen (Jesuit School).
H	a	13		1960	N.L.	LatCiv	H 118	B	Father Armando Llorente, who was a student with Fidel Castro at Belen (Jesuit School).
H	c 1	13	a	1960	N.L.	LatCiv	H 119	B	Emilia Vasquez, building new living blocks outside Havana, following the revolution, in which she supported Castro.
H	c 1	13	a	1960	N.L.	LatCiv	H 119	B	Emilia Vasquez, building new living blocks outside Havana, following the revolution, in which she supported Castro.
H	b 6	13		1960	N.L.	LatCiv	H 120	B	Commandante Luis Crespo, survivor of Castro's 1956 landing.
H	b 6	13		1960	N.L.	LatCiv	H 120	B	Commandante Luis Crespo, survivor of Castro's 1956 landing.
H	b 6	13	a	1960	N.L.	LatCiv	H 121	B	Ernesto `Che' Guevara and LOOK reporter Laura Bergquist.
H	b 6	13	a	1960	N.L.	LatCiv	H 121	B	Ernesto `Che' Guevara and LOOK reporter Laura Bergquist.
H	b 7	26	a	1961	N.L.	LatCiv	H 122	B	Francisco Juliao addresses a meeting of Brazil's powerful Peasant league, a movement he helped to found.
H	a	26	a	1961	N.L.	LatCiv	H 122	B	Francisco Juliao addresses a meeting of Brazil's powerful Peasant league, a movement he helped to found.
H	a	26	a	1961	N.L.	LatCiv	H 122	B	Francisco Juliao addresses a meeting of Brazil's powerful Peasant league, a movement he helped to found.
H	b 7	26	a	1961	N.L.	LatCiv	H 122	B	Francisco Juliao addresses a meeting of Brazil's powerful Peasant league, a movement he helped to found.
H	b 7	26	a	1961	N.L.	LatCiv	H 123	B	Francisco Juliao (3rd from left) visits a peasant village.
H	a	26	a	1961	N.L.	LatCiv	H 123	B	Francisco Juliao (3rd from left) visits a peasant village.
H	b 7	26	a	1961	N.L.	LatCiv	H 123	B	Francisco Juliao (3rd from left) visits a peasant village.
H	a	26	a	1961	N.L.	LatCiv	H 123	B	Francisco Juliao (3rd from left) visits a peasant village.
H	p 5	11		Unknown	N.L.	LatCiv	H 124	C	Panama Canal: Gatun locks
H	p 1	11		Unknown	N.L.	LatCiv	H 124	C	Panama Canal: Gatun locks
H	p 5	11		Unknown	N.L.	LatCiv	H 124	C	Panama Canal: Gatun locks
H	p 1	11		Unknown	N.L.	LatCiv	H 124	C	Panama Canal: Gatun locks
H	p 5	11		Unknown	N.L.	LatCiv	H 125	C	Cargo ship at Miraflores locks, Panama Canal
H	p 5	11		Unknown	N.L.	LatCiv	H 125	C	Cargo ship at Miraflores locks, Panama Canal
H	b 8	13		1960	N.L.	LatCiv	H 126	B	Cartoon (American): `Yankee,Go Home... via Cuban Airlines'
H	b 8	13		1960	N.L.	LatCiv	H 126	B	Cartoon (American): `Yankee,Go Home... via Cuban Airlines'
H	a	13	a	1960	N.L.	LatCiv	H 127	B	Ernesto `Che' Guevara
H	a	13	a	1960	N.L.	LatCiv	H 127	B	Ernesto `Che' Guevara
H	a	13	a	1960	N.L.	LatCiv	H 128	B	Ernesto `Che' Guevara
H	a	13	a	1960	N.L.	LatCiv	H 128	B	Ernesto `Che' Guevara
H	a	13	a	1960	N.L.	LatCiv	H 129	B	Ernesto `Che' Guevara
H	a	13	a	1960	N.L.	LatCiv	H 129	B	Ernesto `Che' Guevara
H	a	13	a	1960	N.L.	LatCiv	H 130	B	Ernesto `Che' Guevara
H	a	13	a	1960	N.L.	LatCiv	H 130	B	Ernesto `Che' Guevara
H	a	13		1961	N.L.	LatCiv	H 131	C	Fidel Castro, on LIFE cover, 2 June 1961.
H	a	13		1961	N.L.	LatCiv	H 131	C	Fidel Castro, on LIFE cover, 2 June 1961.
H	b 7	26	a	1961	N.L.	LatCiv	H 132	B	Rally at Recife in support of Castro's Cuba, following Bay of Pigs invasion.
H	b 7	26	a	1961	N.L.	LatCiv	H 132	B	Rally at Recife in support of Castro's Cuba, following Bay of Pigs invasion.
H	p 3	13		1960	N.L.	LatCiv	H 133	B	Post-revolutionary shoe factory.
H	p 3	13		1960	N.L.	LatCiv	H 133	B	Post-revolutionary shoe factory.
H	p 3	13		1960	N.L.	LatCiv	H 134	B	Henry Hattem, Esso plant engineer, who supported Fidel Castro, and rose in the plant when he came to power.
H	b 6	13		1960	N.L.	LatCiv	H 134	B	Henry Hattem, Esso plant engineer, who supported Fidel Castro, and rose in the plant when he came to power.
H	b 6	13		1960	N.L.	LatCiv	H 134	B	Henry Hattem, Esso plant engineer, who supported Fidel Castro, and rose in the plant when he came to power.
H	p 3	13		1960	N.L.	LatCiv	H 134	B	Henry Hattem, Esso plant engineer, who supported Fidel Castro, and rose in the plant when he came to power.
H	c 2	13		1963	N.L.	LatCiv	H 135	C	Hungarian crane unloads a Russian tractor from a Russian ship, under the supervision of a Cuban dockworker - in the foreground is a Chinese earth-mover.
H	c 2	13		1963	N.L.	LatCiv	H 135	C	Hungarian crane unloads a Russian tractor from a Russian ship, under the supervision of a Cuban dockworker - in the foreground is a Chinese earth-mover.
H	b 3	13	a	1963	N.L.	LatCiv	H 136	B	Cosmonaut Pavel Popovich visits Cuba.
H	b 3	13	a	1963	N.L.	LatCiv	H 136	B	Cosmonaut Pavel Popovich visits Cuba.
H	b 3	13	a	1963	N.L.	LatCiv	H 137	B	Editor of PRAVDA Georgi Zhukov with LOOK reporter Rene Burri in Havana.
H	f 1	13	a	1963	N.L.	LatCiv	H 137	B	Editor of PRAVDA Georgi Zhukov with LOOK reporter Rene Burri in Havana.
H	b 3	13	a	1963	N.L.	LatCiv	H 137	B	Editor of PRAVDA Georgi Zhukov with LOOK reporter Rene Burri in Havana.
H	f 1	13	a	1963	N.L.	LatCiv	H 137	B	Editor of PRAVDA Georgi Zhukov with LOOK reporter Rene Burri in Havana.
H	b 7	13	a	1963	N.L.	LatCiv	H 138	B	January 2 Parade, Havana.
H	m 2	13	a	1963	N.L.	LatCiv	H 138	B	January 2 Parade, Havana.
H	b 7	13	a	1963	N.L.	LatCiv	H 138	B	January 2 Parade, Havana.
H	m 2	13	a	1963	N.L.	LatCiv	H 138	B	January 2 Parade, Havana.
H	b 3	13		1963	N.L.	LatCiv	H 139	B	Lenin poster on Havana colonial mansion.
H	h 2	13		1963	N.L.	LatCiv	H 139	B	Lenin poster on Havana colonial mansion.
H	h 2	13		1963	N.L.	LatCiv	H 139	B	Lenin poster on Havana colonial mansion.
H	b 3	13		1963	N.L.	LatCiv	H 139	B	Lenin poster on Havana colonial mansion.
H	b 3	13	a	1963	N.L.	LatCiv	H 140	B	Far Eastern communists hear Castro speak.
H	b 3	13	a	1963	N.L.	LatCiv	H 140	B	Far Eastern communists hear Castro speak.
H	a	13	a	1963	N.L.	LatCiv	H 141	C	Fidel Castro on the cover of LOOK, 9 April 1963.
H	a	13	a	1963	N.L.	LatCiv	H 141	C	Fidel Castro on the cover of LOOK, 9 April 1963.
H	j 3	13	a	1963	N.L.	LatCiv	H 142	B	Cuban folk-dance group dances in the Industrial Bank building.
H	j 3	13	a	1963	N.L.	LatCiv	H 142	B	Cuban folk-dance group dances in the Industrial Bank building.
H	p 1	13		1963	N.L.	LatCiv	H 143	B	Architect Ricardo Porro, who returned to Cuba after the revolution.
H	p 1	13		1963	N.L.	LatCiv	H 143	B	Architect Ricardo Porro, who returned to Cuba after the revolution.
H	d	13	a	1963	N.L.	LatCiv	H 144	B	Elena Porro, wife of Ricardo, graduate of Smith College, who works with the Cuban Ministry of Education.
H	d	13	a	1963	N.L.	LatCiv	H 144	B	Elena Porro, wife of Ricardo, graduate of Smith College, who works with the Cuban Ministry of Education.
H	m 2	13		1963	N.L.	LatCiv	H 145	B	16-year-old `Miliciana' guards a sugar mill.
H	b 2	13		1963	N.L.	LatCiv	H 145	B	16-year-old `Miliciana' guards a sugar mill.
H	b 2	13		1963	N.L.	LatCiv	H 145	B	16-year-old `Miliciana' guards a sugar mill.
H	m 2	13		1963	N.L.	LatCiv	H 145	B	16-year-old `Miliciana' guards a sugar mill.
H	b 8	13		1963	N.L.	LatCiv	H 146	B	Busts of Lenin on sale in Cuba
H	b 8	13		1963	N.L.	LatCiv	H 146	B	Busts of Lenin on sale in Cuba
H	j 3	13		1963	N.L.	LatCiv	H 147	B	11-year-old male ballet students march, following practice.
H	j 3	13		1963	N.L.	LatCiv	H 147	B	11-year-old male ballet students march, following practice.
H	b 1	13		1963	N.L.	LatCiv	H 148	B	Cuban culture centre on what was formerly a golf course
H	h 1	13		1963	N.L.	LatCiv	H 148	B	Cuban culture centre on what was formerly a golf course
H	b 1	13		1963	N.L.	LatCiv	H 148	B	Cuban culture centre on what was formerly a golf course
H	h 1	13		1963	N.L.	LatCiv	H 148	B	Cuban culture centre on what was formerly a golf course
H	j 3	13		1963	N.L.	LatCiv	H 149	B	11-year-old male ballet students at practice.
H	j 3	13		1963	N.L.	LatCiv	H 149	B	11-year-old male ballet students at practice.
H	b 3	13		1963	N.L.	LatCiv	H 150	B	Russian and Chinese ambassadors as guests at production awards banquet.
H	b 3	13		1963	N.L.	LatCiv	H 150	B	Russian and Chinese ambassadors as guests at production awards banquet.
H	p 2	13	a	1963	N.L.	LatCiv	H 151	B	Carlos Rafael Rodriquez, who ran Cuban land reform progam.
H	b 2	13	a	1963	N.L.	LatCiv	H 151	B	Carlos Rafael Rodriquez, who ran Cuban land reform progam.
H	b 2	13	a	1963	N.L.	LatCiv	H 151	B	Carlos Rafael Rodriquez, who ran Cuban land reform progam.
H	p 2	13	a	1963	N.L.	LatCiv	H 151	B	Carlos Rafael Rodriquez, who ran Cuban land reform progam.
H	a	13		1963	N.L.	LatCiv	H 152	B	Raul Castro, wife (nee Vilma Espin), and family.
H	a	13		1963	N.L.	LatCiv	H 152	B	Raul Castro, wife (nee Vilma Espin), and family.
H	a	13	a	1963	N.L.	LatCiv	H 153	B	Ernesto `Che' Guevara, Minister of Industries.
H	a	13	a	1963	N.L.	LatCiv	H 153	B	Ernesto `Che' Guevara, Minister of Industries.
H	b 2	13		Unknown	N.L.	LatCiv	H 154	B	Militiaman walks past religious painting and lottery numbers
H	b 2	13		Unknown	N.L.	LatCiv	H 154	B	Militiaman walks past religious painting and lottery numbers
H	c 2	13	a	1963	N.L.	LatCiv	H 155	B	Valentine's Day: volunteer sits as sidewalk guard over window display.
H	b 2	13	a	1963	N.L.	LatCiv	H 155	B	Valentine's Day: volunteer sits as sidewalk guard over window display.
H	c 2	13	a	1963	N.L.	LatCiv	H 155	B	Valentine's Day: volunteer sits as sidewalk guard over window display.
H	b 2	13	a	1963	N.L.	LatCiv	H 155	B	Valentine's Day: volunteer sits as sidewalk guard over window display.
H	a	13		1963	N.L.	LatCiv	H 156	B	Fidel Castro, on cover of LIFE, 15 March 1963.
H	a	13		1963	N.L.	LatCiv	H 156	B	Fidel Castro, on cover of LIFE, 15 March 1963.
H	b 6	13		1958	N.L.	LatCiv	H 157	B	Cantinflas, guerrilla fighter nicknamed for the Mexican actor, who served without pay.
H	b 6	13		1958	N.L.	LatCiv	H 157	B	Cantinflas, guerrilla fighter nicknamed for the Mexican actor, who served without pay.
H	f 1	13	a	1960	N.L.	LatCiv	H 158	B	LOOK reporter Laura Bergquist arrives in Cuba.
H	f 1	13	a	1960	N.L.	LatCiv	H 158	B	LOOK reporter Laura Bergquist arrives in Cuba.
H	b 6	13		1960	N.L.	LatCiv	H 159	C	Fidel Castro speaks to a rally in the Sierra Maestra Mountains.
H	b 6	13		1960	N.L.	LatCiv	H 159	C	Fidel Castro speaks to a rally in the Sierra Maestra Mountains.
H	b 6	13		1960	N.L.	LatCiv	H 160	C	Fidel Castro (r) receives cheers of Cuban crowd.
H	b 6	13		1960	N.L.	LatCiv	H 160	C	Fidel Castro (r) receives cheers of Cuban crowd.
H	b 6	13	a	1959	N.L.	LatCiv	H 161	B	Havana crowd breaks into Deauville casino, and, while this was a spontaneous act, Castro made the break-up of the gambling industry part of his post-revolutionary program.
H	b 6	13	a	1959	N.L.	LatCiv	H 161	B	Havana crowd breaks into Deauville casino, and, while this was a spontaneous act, Castro made the break-up of the gambling industry part of his post-revolutionary program.
H	c 2	13	a	1963	N.L.	LatCiv	H 162	B	Cubans queue up for clothes and textiles in an ex-Woolworths.
H	c 2	13	a	1963	N.L.	LatCiv	H 162	B	Cubans queue up for clothes and textiles in an ex-Woolworths.
H	b 3	13		1963	N.L.	LatCiv	H 163	B	Russian technicians in Cuba - isolated, insulated
H	b 3	13		1963	N.L.	LatCiv	H 163	B	Russian technicians in Cuba - isolated, insulated
H	b 2	13	a	1963	N.L.	LatCiv	H 164	B	Uncrating of Russian tractors, trucks, etc., at Havana docks.
H	c 2	13	a	1963	N.L.	LatCiv	H 164	B	Uncrating of Russian tractors, trucks, etc., at Havana docks.
H	b 2	13	a	1963	N.L.	LatCiv	H 164	B	Uncrating of Russian tractors, trucks, etc., at Havana docks.
H	c 2	13	a	1963	N.L.	LatCiv	H 164	B	Uncrating of Russian tractors, trucks, etc., at Havana docks.
H	b 3	13		1963	N.L.	LatCiv	H 165	C	Russian technician explains tractor to Cuban farm workers.
H	p 2	13		1963	N.L.	LatCiv	H 165	C	Russian technician explains tractor to Cuban farm workers.
H	p 2	13		1963	N.L.	LatCiv	H 165	C	Russian technician explains tractor to Cuban farm workers.
H	b 3	13		1963	N.L.	LatCiv	H 165	C	Russian technician explains tractor to Cuban farm workers.
H	b 2	13	a	1963	N.L.	LatCiv	H 166	B	Blacks on Havana street-corner - they have enthusiastically supported Castro's government
H	c 7	13	a	1963	N.L.	LatCiv	H 166	B	Blacks on Havana street-corner - they have enthusiastically supported Castro's government
H	c 7	13	a	1963	N.L.	LatCiv	H 166	B	Blacks on Havana street-corner - they have enthusiastically supported Castro's government
H	b 2	13	a	1963	N.L.	LatCiv	H 166	B	Blacks on Havana street-corner - they have enthusiastically supported Castro's government
H	b 6	13		1960	N.L.	LatCiv	H 167	B	Castro shakes hands with a guajiro (peasant).
H	b 6	13		1960	N.L.	LatCiv	H 167	B	Castro shakes hands with a guajiro (peasant).
H	a	26	a	1961	N.L.	LatCiv	H 168	B	Francisco Juliao, backed by a portrait of himself, speaks to his followers.
H	b 7	26	a	1961	N.L.	LatCiv	H 168	B	Francisco Juliao, backed by a portrait of himself, speaks to his followers.
H	a	26	a	1961	N.L.	LatCiv	H 168	B	Francisco Juliao, backed by a portrait of himself, speaks to his followers.
H	b 7	26	a	1961	N.L.	LatCiv	H 168	B	Francisco Juliao, backed by a portrait of himself, speaks to his followers.
H	p 2	26	a	Unknown	N.L.	LatCiv	H 169	B	Sugar cane workers.
H	p 2	26	a	Unknown	N.L.	LatCiv	H 169	B	Sugar cane workers.
H	a	24		1961	N.L.	LatCiv	H 170	B	Soviet agent Darwin Bracco, a diplomat who was discovered giving secrets to the Russians: he was demoted because the civil service system does not allow the firing of an employee.
H	b 3	24		1961	N.L.	LatCiv	H 170	B	Soviet agent Darwin Bracco, a diplomat who was discovered giving secrets to the Russians: he was demoted because the civil service system does not allow the firing of an employee.
H	b 3	24		1961	N.L.	LatCiv	H 170	B	Soviet agent Darwin Bracco, a diplomat who was discovered giving secrets to the Russians: he was demoted because the civil service system does not allow the firing of an employee.
H	a	24		1961	N.L.	LatCiv	H 170	B	Soviet agent Darwin Bracco, a diplomat who was discovered giving secrets to the Russians: he was demoted because the civil service system does not allow the firing of an employee.
H	b 3	24		1961	N.L.	LatCiv	H 171	B	Communist Chinese agent, who came to `aid and counsel' the trade unions.
H	b 3	24		1961	N.L.	LatCiv	H 171	B	Communist Chinese agent, who came to `aid and counsel' the trade unions.
H	c 6	13	a	1963	N.L.	LatCiv	H 172	B	Aristocratic Cubans talk on Havana street
H	c 6	13	a	1963	N.L.	LatCiv	H 172	B	Aristocratic Cubans talk on Havana street
H	d 3	13	a	1963	N.L.	LatCiv	H 173	B	Students at Havana school
H	d 3	13	a	1963	N.L.	LatCiv	H 173	B	Students at Havana school
H	h 1	13	a	1963	N.L.	LatCiv	H 174	B	Havana Plaza in the evening
H	c 4	13	a	1963	N.L.	LatCiv	H 174	B	Havana Plaza in the evening
H	h 1	13	a	1963	N.L.	LatCiv	H 174	B	Havana Plaza in the evening
H	c 4	13	a	1963	N.L.	LatCiv	H 174	B	Havana Plaza in the evening
H	a	13	a	1963	N.L.	LatCiv	H 175	B	Fidel Castro
H	a	13	a	1963	N.L.	LatCiv	H 175	B	Fidel Castro
H	c 6	13	a	1963	N.L.	LatCiv	H 176	B	Cubans watch ship dock (shows people only)
H	c 6	13	a	1963	N.L.	LatCiv	H 176	B	Cubans watch ship dock (shows people only)
H	b 6	13		1960	N.L.	LatCiv	H 177	B	Speech by boy orator at rally is praised by Fidel Castro and top aide Celia Sanchez.
H	b 6	13		1960	N.L.	LatCiv	H 177	B	Speech by boy orator at rally is praised by Fidel Castro and top aide Celia Sanchez.
H	c 2	13		1960	N.L.	LatCiv	H 178	B	Signing of Cuba-China trade pact.
H	c 2	13		1960	N.L.	LatCiv	H 178	B	Signing of Cuba-China trade pact.
H	b 3	13	a	1960	N.L.	LatCiv	H 179	B	Havana anti-American rally.
H	b 3	13	a	1960	N.L.	LatCiv	H 179	B	Havana anti-American rally.
H	c11	13	a	1960	N.L.	LatCiv	H 180	B	Graduation party at Havana
H	c 4	13	a	1960	N.L.	LatCiv	H 180	B	Graduation party at Havana
H	c11	13	a	1960	N.L.	LatCiv	H 180	B	Graduation party at Havana
H	c 4	13	a	1960	N.L.	LatCiv	H 180	B	Graduation party at Havana
H	b 6	13	a	1960	N.L.	LatCiv	H 181	B	Dr. Blanca Nieves Gomez, chemist, Fidelista.
H	b 6	13	a	1960	N.L.	LatCiv	H 181	B	Dr. Blanca Nieves Gomez, chemist, Fidelista.
H	b 3	13	a	1960	N.L.	LatCiv	H 182	B	`Capitalist' coffins (expropriated companies) in the sea.
H	c 2	13	a	1960	N.L.	LatCiv	H 182	B	`Capitalist' coffins (expropriated companies) in the sea.
H	c 2	13	a	1960	N.L.	LatCiv	H 182	B	`Capitalist' coffins (expropriated companies) in the sea.
H	b 3	13	a	1960	N.L.	LatCiv	H 182	B	`Capitalist' coffins (expropriated companies) in the sea.
H	b 7	21		Unknown	N.L.	LatCiv	H 183	C	Bolivian communist hears Castro speak.
H	b 7	21		Unknown	N.L.	LatCiv	H 183	C	Bolivian communist hears Castro speak.
H	c 4	13		1963	N.L.	LatCiv	H 184	B	Santiago cafe
H	c 4	13		1963	N.L.	LatCiv	H 184	B	Santiago cafe
H	c 5	13		1963	N.L.	LatCiv	H 185	C	Mess hall at Cuban communal farm.
H	p 2	13		1963	N.L.	LatCiv	H 185	C	Mess hall at Cuban communal farm.
H	c 5	13		1963	N.L.	LatCiv	H 185	C	Mess hall at Cuban communal farm.
H	p 2	13		1963	N.L.	LatCiv	H 185	C	Mess hall at Cuban communal farm.
H	c11	13	a	1963	N.L.	LatCiv	H 186	B	Cuban girl in patriotic T-shirt
H	c11	13	a	1963	N.L.	LatCiv	H 186	B	Cuban girl in patriotic T-shirt
H	p 3	13		1963	N.L.	LatCiv	H 187	B	Cuban worker operates pressing machine in sugar mill.
H	p 3	13		1963	N.L.	LatCiv	H 187	B	Cuban worker operates pressing machine in sugar mill.
H	p 2	13		1963	N.L.	LatCiv	H 188	B	Workers are shipped by rail to harvest sugar cane.
H	p 2	13		1963	N.L.	LatCiv	H 188	B	Workers are shipped by rail to harvest sugar cane.
H	b 6	13	a	1963	N.L.	LatCiv	H 189	B	Meeting of one Havana block of the Committee for the Defense of the Revolution.
H	b 2	13	a	1963	N.L.	LatCiv	H 189	B	Meeting of one Havana block of the Committee for the Defense of the Revolution.
H	b 2	13	a	1963	N.L.	LatCiv	H 189	B	Meeting of one Havana block of the Committee for the Defense of the Revolution.
H	b 6	13	a	1963	N.L.	LatCiv	H 189	B	Meeting of one Havana block of the Committee for the Defense of the Revolution.
H	d	13		1960	N.L.	LatCiv	H 190	C	Cuban teachers prepare to leave for rural areas.
H	d	13		1960	N.L.	LatCiv	H 190	C	Cuban teachers prepare to leave for rural areas.
H	c 5	13		1960	N.L.	LatCiv	H 191	C	Farmers wave scrolls, `titles' to their land.
H	b 2	13		1960	N.L.	LatCiv	H 191	C	Farmers wave scrolls, `titles' to their land.
H	c 5	13		1960	N.L.	LatCiv	H 191	C	Farmers wave scrolls, `titles' to their land.
H	b 2	13		1960	N.L.	LatCiv	H 191	C	Farmers wave scrolls, `titles' to their land.
H	b 6	13		1959	N.L.	LatCiv	H 192	B	Fidelista guerrilla looks down on town of El Cobre
H	b 6	13		1959	N.L.	LatCiv	H 192	B	Fidelista guerrilla looks down on town of El Cobre
H	b 6	13		1958	N.L.	LatCiv	H 193	B	Coup do grace is administered to man executed by the Fidelistas.
H	b 6	13		1958	N.L.	LatCiv	H 193	B	Coup do grace is administered to man executed by the Fidelistas.
H	b 6	13		1958	N.L.	LatCiv	H 194	B	Carlos Ramirez awaits execution for multiple rape, robbery, murder - led 22-man gang.
H	b 6	13		1958	N.L.	LatCiv	H 194	B	Carlos Ramirez awaits execution for multiple rape, robbery, murder - led 22-man gang.
H	b 6	13		1959	N.L.	LatCiv	H 195	B	Execution of a Batista spy.
H	b 6	13		1959	N.L.	LatCiv	H 195	B	Execution of a Batista spy.
H	b 6	13		1958	N.L.	LatCiv	H 196	B	Raul Castro greets US vice consul Robert Weicha - negotiations for US prisoners held by guerrillas.
H	b 6	13		1958	N.L.	LatCiv	H 196	B	Raul Castro greets US vice consul Robert Weicha - negotiations for US prisoners held by guerrillas.
H	b 3	13		1958	N.L.	LatCiv	H 197	B	Fidelista captain `Oriente' embraces released US United Fruit man H.F. Sparks
H	b 3	13		1958	N.L.	LatCiv	H 197	B	Fidelista captain `Oriente' embraces released US United Fruit man H.F. Sparks
H	b 3	13		1958	N.L.	LatCiv	H 198	B	Helicopter with load of freed prisoners takes off, as Consul Park Wollam waves
H	b 6	13		1958	N.L.	LatCiv	H 198	B	Helicopter with load of freed prisoners takes off, as Consul Park Wollam waves
H	b 3	13		1958	N.L.	LatCiv	H 198	B	Helicopter with load of freed prisoners takes off, as Consul Park Wollam waves
H	b 6	13		1958	N.L.	LatCiv	H 198	B	Helicopter with load of freed prisoners takes off, as Consul Park Wollam waves
H	b 6	13		1959	N.L.	LatCiv	H 199	B	Fidelista night roadblock
H	b 6	13		1959	N.L.	LatCiv	H 199	B	Fidelista night roadblock
H	b 6	13		1959	N.L.	LatCiv	H 200	B	Ambushed truck, blasted by Fidelista mine, is searched by scavengers
H	b 6	13		1959	N.L.	LatCiv	H 200	B	Ambushed truck, blasted by Fidelista mine, is searched by scavengers
H	b 6	13		1958	N.L.	LatCiv	H 201	B	Carlos Ramirez - rapist, robber, murderer, leader of outlaw gang - awaits execution.
H	b 6	13		1958	N.L.	LatCiv	H 201	B	Carlos Ramirez - rapist, robber, murderer, leader of outlaw gang - awaits execution.
H	b 6	13		1958	N.L.	LatCiv	H 202	B	Execution of rapist by guerrillas.
H	b 6	13		1958	N.L.	LatCiv	H 202	B	Execution of rapist by guerrillas.
H	b 6	13		1959	N.L.	LatCiv	H 203	B	Female guard - member of Castro's all-female security unit.
H	b 6	13		1959	N.L.	LatCiv	H 203	B	Female guard - member of Castro's all-female security unit.
H	b 6	13		1959	N.L.	LatCiv	H 204	B	Mario Hidalgo - one of the first to join Castro in 1956.
H	b 6	13		1959	N.L.	LatCiv	H 204	B	Mario Hidalgo - one of the first to join Castro in 1956.
H	b 6	13		1959	N.L.	LatCiv	H 205	B	Merican Jack Nordeen - disabled by polio, he stands guard at Fidelista post.
H	b 6	13		1959	N.L.	LatCiv	H 205	B	Merican Jack Nordeen - disabled by polio, he stands guard at Fidelista post.
H	b 6	13		1959	N.L.	LatCiv	H 206	B	Fidel Castro at work at his desk.
H	b 6	13		1959	N.L.	LatCiv	H 206	B	Fidel Castro at work at his desk.
H	b 6	13	a	1959	N.L.	LatCiv	H 207	B	Batista discusses situation in Oriente province.
H	b 6	13	a	1959	N.L.	LatCiv	H 207	B	Batista discusses situation in Oriente province.
H	b 6	13		1959	N.L.	LatCiv	H 208	B	Luis Crespo (`El Guajiro') - Castro's bomb-builder.
H	b 6	13		1959	N.L.	LatCiv	H 208	B	Luis Crespo (`El Guajiro') - Castro's bomb-builder.
H	b 6	13		1959	N.L.	LatCiv	H 209	B	Jorge Moran - master tactician, patrol leader.
H	b 6	13		1959	N.L.	LatCiv	H 210	B	Alfonso Guillen - field dentist
H	c 4	13		1963	N.L.	LatCiv	H 211	B	Candidate for queen of 1963 Socialist carnival
H	b 7	13		1963	N.L.	LatCiv	H 211	B	Candidate for queen of 1963 Socialist carnival
H	a	13	a	1963	N.L.	LatCiv	H 212	B	Ernesto `Che' Guevara.
H	p 2	13		1963	N.L.	LatCiv	H 213	B	Harvesting sugar cane.
H	m 1	13		1963	N.L.	LatCiv	H 214	B	Woman wears militia uniform.
H	c11	13	a	1963	N.L.	LatCiv	H 215	B	Socialist beauty parlour.
H	j 3	13	a	1963	N.L.	LatCiv	H 216	B	Black student studies ballet.
H	b 6	13	a	1959	N.L.	LatCiv	H 217	B	Havana demonstrating in favour of Manuel Urrutia, named by Castro as provisional president
H	b 6	13		1959	N.L.	LatCiv	H 218	B	Manuel Urrutia, named as provisional president by Castro.
H	b 6	13		1959	N.L.	LatCiv	H 219	B	Batista's sons, Carlos and Roberto, overlook New York skyline from Waldorf-Astoria.
H	b 6	13		1959	N.L.	LatCiv	H 220	B	Batista's daughter Elisa arrives in Jacksonville, Florida.
H	p 2	13		1958	N.L.	LatCiv	H 221	B	Set afire by Fidelista guerrillas, sugar cane burns in the fields
H	b 6	13		1958	N.L.	LatCiv	H 221	B	Set afire by Fidelista guerrillas, sugar cane burns in the fields
H	b 6	13		1958	N.L.	LatCiv	H 222	B	Preparation for the execution of rapist, murder, by Fidelista guerrillas.
H	b 6	13		1958	N.L.	LatCiv	H 223	B	Guerrillas flee to the hills in commandeered vehicles
H	b 6	13	a	1969	N.L.	LatCiv	H 224	C	Pre-Revolutionary sign: `Batista Asesino' still on Havana wall in 1969
H	h 2	13	a	Unknown	N.L.	LatCiv	H 225	C	Post-Revolutionary housing
H	c 2	26	a	Unknown	N.L.	LatCiv	H 226	C	Paral sugar market.
H	h 2	22	b	Unknown	N.L.	LatCiv	H 227	C	Elite housing, Vina del Mar.
H	n 2	20	b	Unknown	N.L.	LatCiv	H 228	C	Huancayo Valley.
H	p 2	20	b	Unknown	N.L.	LatCiv	H 228	C	Huancayo Valley.
H	h 2	13	a	1973	N.L.	LatCiv	H 229	C	Apartments
H	n 1	20	b	Unknown	N.L.	LatCiv	H 230	C	Highland town, Huarochiri.
H	n 1	20	b	Unknown	N.L.	LatCiv	H 231	C	Highland town, Huarochiri.
H	c 2	20	d	Unknown	N.L.	LatCiv	H 232	C	Ica (Inca?) market.
H	p 1	20	b	Unknown	N.L.	LatCiv	H 233	C	Morococha mine entrance.
H	p 2	24		Unknown	N.L.	LatCiv	H 234	C	Uruguayan gaucho.
H	p 2	24		Unknown	N.L.	LatCiv	H 235	C	Cattle herding, Uruguay.
H	h 2	20	d	Unknown	N.L.	LatCiv	H 236	C	Shanties, Chosicas.
H	c 5	20	d	Unknown	N.L.	LatCiv	H 236	C	Shanties, Chosicas.
H	h 2	20	c	Unknown	N.L.	LatCiv	H 237	C	Shantytown barriada.
H	c 5	20	c	Unknown	N.L.	LatCiv	H 237	C	Shantytown barriada.
H	p 2	26	d	Unknown	N.L.	LatCiv	H 238	C	Coffee drying, Sao Paulo.
H	m 8	16	a	Unknown	N.L.	LatCiv	H 239	C	Haitian fort, Port-au-Prince.
H	b 7	13	a	Unknown	N.L.	LatCiv	H 240	C	Symbol of the 26th of July Movement
H	b 7	13	a	1976	N.L.	LatCiv	H 241	C	26 July Procession
H	b 6	13	a	1969	N.L.	LatCiv	H 242	C	Wall monument to the Martyrs of the Revolution
H	h 5	13	a	1969	N.L.	LatCiv	H 242	C	Wall monument to the Martyrs of the Revolution
H	b 6	13	a	1969	N.L.	LatCiv	H 243	C	Wall monument to the Martyrs of the Revolution (detail)
H	h 5	13	a	1969	N.L.	LatCiv	H 243	C	Wall monument to the Martyrs of the Revolution (detail)
H	h 5	13	a	1969	N.L.	LatCiv	H 244	C	Wall monument to the Martyrs of the Revolution (detail)
H	b 6	13	a	1969	N.L.	LatCiv	H 244	C	Wall monument to the Martyrs of the Revolution (detail)
H	b 7	13	a	1976	N.L.	LatCiv	H 245	C	26 July Procession
H	b 7	13	a	1976	N.L.	LatCiv	H 246	C	26 July Procession
H	b 8	13	a	1969	N.L.	LatCiv	H 247	C	Poster Exhibit
H	b 8	13	a	1969	N.L.	LatCiv	H 248	C	Poster Exhibit
H	b 8	13	a	1969	N.L.	LatCiv	H 249	C	Poster Exhibit
H	b 8	13	a	1969	N.L.	LatCiv	H 250	C	Poster Exhibit
H	b 8	13	a	1969	N.L.	LatCiv	H 251	C	Poster Exhibit
H	b 8	13	a	1969	N.L.	LatCiv	H 252	C	Poster Exhibit
H	b 8	13	a	1969	N.L.	LatCiv	H 253	C	Poster Exhibit
H	b 8	13	a	1969	N.L.	LatCiv	H 254	C	Poster Exhibit
H	p 5	20	c	1961	N.L.	LatCiv	H 255	C	Lima streetcar.
H	b 7	20	c	Unknown	N.L.	LatCiv	H 256	C	Lima: Presidential palace and parade.
H	h 4	20	c	Unknown	N.L.	LatCiv	H 256	C	Lima: Presidential palace and parade.
H	b 8	13	a	1969	N.L.	LatCiv	H 257	C	Display of pre-Revolutionary propaganda posters
H	b 6	13	a	1969	N.L.	LatCiv	H 258	C	Wall monument to the Martyrs of the Revolution (detail)
H	h 5	13	a	1969	N.L.	LatCiv	H 258	C	Wall monument to the Martyrs of the Revolution (detail)
H	b 8	13	a	Unknown	N.L.	LatCiv	H 259	C	Display of pre-Revolutionary propaganda
H	c 2	20	f	Unknown	N.L.	LatCiv	H 260	C	Market scene, Cuzco
H	n 2	20	d	Unknown	N.L.	LatCiv	H 261	C	Ground water lake at Huacachina, Ica.
H	p 1	20	b	Unknown	N.L.	LatCiv	H 262	C	Morocucha, mine entrance.
H	n 2	20	d	Unknown	N.L.	LatCiv	H 263	C	Mouth of Lurin River.
H	p 5	20		Unknown	N.L.	LatCiv	H 264	C	Woman on train, Huancayo.
H	n 2	20		Unknown	N.L.	LatCiv	H 265	C	View of upper valley showing mountains with large areas of little vegetation.
H	p 1	20	b	Unknown	N.L.	LatCiv	H 266	C	Morocucha.
H	h 2	13	a	1969	N.L.	LatCiv	H 267	C	Havana street scene
H	b 8	13	a	1969	N.L.	LatCiv	H 268	C	Poster Exhibit
H	c 2	20	b	Unknown	N.L.	LatCiv	H 269	C	Cuzco market scene.
H	p 1	22	a	Unknown	N.L.	LatCiv	H 270	C	Chucicomata: Copper mine, open pit.
H	c 1	20	c	Unknown	N.L.	LatCiv	H 271	C	Agricultural labourers.
H	p 2	20	c	Unknown	N.L.	LatCiv	H 271	C	Agricultural labourers.
H	c 2	21		Unknown	N.L.	LatCiv	H 272	C	La Paz market.
H	c 2	20	b	Unknown	N.L.	LatCiv	H 273	C	Jarja market.
H	n 2	20	d	Unknown	N.L.	LatCiv	H 274	C	Ancon Bay.
H	p 6	20	h	Unknown	N.L.	LatCiv	H 275	C	Totora reed boats, drying.
H	p 5	20	h	Unknown	N.L.	LatCiv	H 275	C	Totora reed boats, drying.
H	g 3	20	c	Unknown	N.L.	LatCiv	H 276	C	President Belaunde in religious ceremony.
H	a	20	c	Unknown	N.L.	LatCiv	H 276	C	President Belaunde in religious ceremony.
H	n 1	22	c	Unknown	N.L.	LatCiv	H 277	C	Santiago
H	h 1	26	c	Unknown	N.L.	LatCiv	H 278	C	Capitol in Brasilia.
H	n 1	26	c	Unknown	N.L.	LatCiv	H 279	C	Brasilia
H	g 3	26	a	Unknown	N.L.	LatCiv	H 280	C	Brasilia: Memorial
H	n 1	3		Unknown	N.L.	LatCiv	H 281	C	Taxco
H	n 1	26	c	Unknown	N.L.	LatCiv	H 282	C	Brasilia: Night cityscape.
H	p 2	24		Unknown	N.L.	LatCiv	H 283	C	Uruguay: Sheep herding.
H	p 1	22	a	Unknown	N.L.	LatCiv	H 284	C	Chucicamata, open-pit copper mine.
H	p 1	22	a	Unknown	N.L.	LatCiv	H 285	C	Chucicamata, open-pit copper mine.
H	p 1	22	a	Unknown	N.L.	LatCiv	H 286	C	Chucicamata, open-pit copper mine.
H	h 2	21		Unknown	N.L.	LatCiv	H 287	C	Titicaca region, housing.
H	p 2	26	d	Unknown	N.L.	LatCiv	H 288	C	Sugar fazenda, Sao Paulo.
H	p 2	26	d	Unknown	N.L.	LatCiv	H 289	C	Sugar cane loading, Sao Paulo.
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 290	C	Aerial view of Usuamacinta River.
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 291	C	Aerial view of Usuamacinta River.
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 292	C	Aerial view of Lake Izabal.
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 293	C	Aerial view of Lake Izabal.
H	n 1	7		1978	Tikal, Guatemala	LatCiv	H 294	C	Aerial view of Flores, Izabal.
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 295	C	Lowlands, Peten.
H	h 6	7		1978	Tikal, Guatemala	LatCiv	H 296	C	Flying over Tikal.
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 296	C	Flying over Tikal.
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 297	C	Landing at airport, aerial view of forests.
H	h 6	7		1978	Tikal, Guatemala	LatCiv	H 298	C	Landing at Tikal (ruins among the trees).
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 298	C	Landing at Tikal (ruins among the trees).
H	p 5	7		1978	Tikal, Guatemala	LatCiv	H 299	C	Airport, Tikal.
H	p 5	7		1978	Tikal, Guatemala	LatCiv	H 300	C	Our plane, Tikal airport.
H	h 1	7		1978	Tikal, Guatemala	LatCiv	H 301	C	Airport building, Tikal.
H	c 4	7		1978	Tikal, Guatemala	LatCiv	H 302	C	Campground, Tikal.
H	c 4	7		1978	Tikal, Guatemala	LatCiv	H 303	C	Campground, Tikal.
H	p 5	7		1978	Tikal, Guatemala	LatCiv	H 304	C	Road into Tikal.
H	p 1	7		1978	Tikal, Guatemala	LatCiv	H 304	C	Road into Tikal.
H	n 2	7		1978	Tikal, Guatemala	LatCiv	H 305	C	Jungle off road to Tikal.
H	p 1	7		1978	Tikal, Guatemala	LatCiv	H 306	C	Road into Tikal.
H	p 5	7		1978	Tikal, Guatemala	LatCiv	H 306	C	Road into Tikal.
H	h 6	7		1978	Tikal, Guatemala	LatCiv	H 307	C	Natural destruction of sculpture, Tikal.
H	k 4	7		1978	Tikal, Guatemala	LatCiv	H 308	C	Toucan, Tikal (native bird).
H	k 4	7		1978	Tikal, Guatemala	LatCiv	H 309	C	Parrot, Tikal (native bird).
H	k 4	7		1978	Tikal, Guatemala	LatCiv	H 310	C	Heron, Tikal (native bird).
H	k 4	7		1978	Tikal, Guatemala	LatCiv	H 311	C	Mystery bird?, Tikal.
H	k 4	7		1978	Tikal, Guatemala	LatCiv	H 312	C	Toucan- Tikal (native bird).
H	p 5	7		1978	Tikal, Guatemala	LatCiv	H 313	C	Parking lot, Tikal.
H	c16	7		1978	Tikal, Guatemala	LatCiv	H 314	C	Strangest animals of all- group of tourists, Tikal.
H	n 2	6		1970	Intro to Latin America	LatCiv	H 315	C	El Sumadero- Chiapas- mountains with deep ravines and sharp cliffs.
H	n 2	3		1975	Intro to Latin America	LatCiv	H 316	C	Popocatepti- central Mexico- snow-covered mountain peak.
H	h 2	3		1975	Intro to Latin America	LatCiv	H 317	C	Hut in Veracruz jungle Tajin.
H	c 3	3	a	1975	Intro to Latin America	LatCiv	H 318	C	Mexico City smog- city barely visible.
H	n 1	3	a	1975	Intro to Latin America	LatCiv	H 318	C	Mexico City smog- city barely visible.
H	c 4	3		1975	Intro to Latin America	LatCiv	H 319	C	Soccer field and players- Cholula, Puebla.
H	h 1	3		1975	Intro to Latin America	LatCiv	H 320	C	Streets of Cholula.
H	n 1	3		1975	Intro to Latin America	LatCiv	H 321	C	Cholula at dusk- aerial view.
H	n 1	3		1975	Intro to Latin America	LatCiv	H 322	C	Rooftops in Cholula- TV antennas visible.
H	n 2	3		1975	Intro to Latin America	LatCiv	H 323	C	Pan American Highway south through mountainous area.
H	p 1	3		1975	Intro to Latin America	LatCiv	H 324	C	Pan American Highway, church in background.
H	n 2	3		1975	Intro to Latin America	LatCiv	H 324	C	Pan American Highway, church in background.
H	n 2	3		1975	Intro to Latin America	LatCiv	H 325	C	Typical semi-arid roadside greenery.
H	c 2	3		1974	Intro to Latin America	LatCiv	H 326	C	Open market in Oaxaca.
H	c 2	3		1974	Intro to Latin America	LatCiv	H 327	C	Open market in Oaxaca.
H	n 1	3		1975	Intro to Latin America	LatCiv	H 328	C	Street scene- Cholula, showing people loitering in streets.
H	c 6	3		1975	Intro to Latin America	LatCiv	H 328	C	Street scene- Cholula, showing people loitering in streets.
H	n 1	6		1970	Intro to Latin America	LatCiv	H 329	C	San Cristobal, Chiapas- street scene showing shops.
H	c 2	6		1970	Intro to Latin America	LatCiv	H 329	C	San Cristobal, Chiapas- street scene showing shops.
H	c 7	3		1970	Intro to Latin America	LatCiv	H 330	C	A Chamula man (native dress?).
H	n 2	4		1970	Intro to Latin America	LatCiv	H 331	C	Pacific coast- Isthmus of Tehuantepec
H	n 2	4		1970	Intro to Latin America	LatCiv	H 332	C	Pacific coast- Isthmus of Tehuantepec, interior of beach hut.
H	h 2	4		1970	Intro to Latin America	LatCiv	H 332	C	Pacific coast- Isthmus of Tehuantepec, interior of beach hut.
H	n 2	7		1978	Intro to Latin America	LatCiv	H 333	C	Volcano Fuego, Antigua, Guatemala.
H	n 2	7		1978	Intro to Latin America	LatCiv	H 334	C	Countryside around Coban; hut or cabin in center of field.
H	h 2	7		1978	Intro to Latin America	LatCiv	H 334	C	Countryside around Coban; hut or cabin in center of field.
H	c 2	7		1978	Intro to Latin America	LatCiv	H 335	C	Women flower peddlers outside church, Chichicastenazo.
H	c 2	7		1978	Intro to Latin America	LatCiv	H 336	C	Boy in market, Chichicastenazo.
H	c 2	7		1978	Intro to Latin America	LatCiv	H 337	C	Woman in market, Chichicastenazo.
H	c 2	7		1978	Intro to Latin America	LatCiv	H 338	C	Woman in market, Chichicastenazo.
H	n 2	7		1978	Intro to Latin America	LatCiv	H 339	C	Lake Atitlan, Guatemala.
H	n 2	7		1978	Intro to Latin America	LatCiv	H 340	C	Lake Atitlan, Guatemala.
H	n 2	7		1978	Intro to Latin America	LatCiv	H 341	C	Peten jungle, Guatemala.
H	i 5	21		1979	Intro to Latin America	LatCiv	H 342	C	Bolivian textile.
H	i 5	21		1979	Intro to Latin America	LatCiv	H 343	C	Bolivian textile.
H	i 5	21		1979	Intro to Latin America	LatCiv	H 344	C	Bolivian textile.
H	n 2	19		1980	Intro to Latin America	LatCiv	H 345	C	El Corazon, Machachi (mountain).
H	h 2	19		1980	Intro to Latin America	LatCiv	H 346	C	Finca Bolivar, Machachi (ranch or farm).
H	p 2	19		1980	Intro to Latin America	LatCiv	H 347	C	Potato harvest, Machachi- men and women working in field.
H	n 2	19		1980	Intro to Latin America	LatCiv	H 348	C	Cotopaxi, Cotopaxi- snow covered mountain.
H	n 2	19		1980	Intro to Latin America	LatCiv	H 349	C	Cotopaxi, Cotopaxi- snow covered mountain.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 350	C	The city of Quito, aerial view of the city nestled in the mountains.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 350	C	The city of Quito, aerial view of the city nestled in the mountains.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 351	C	The city of Quito, aerial view of the city nestled in the mountains.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 351	C	The city of Quito, aerial view of the city nestled in the mountains.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 352	C	El Panecillo, Quito, mountain in middle of the city, aerial view.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 352	C	El Panecillo, Quito, mountain in middle of the city, aerial view.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 353	C	El Panecillo, Quito, mountain in middle of the city, aerial view- shows monument.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 353	C	El Panecillo, Quito, mountain in middle of the city, aerial view- shows monument.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 354	C	Quito, aerial view- shows blocks of skyscrapers and other buildings.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 355	C	Quito, aerial view- shows blocks of skyscrapers and other buildings.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 356	C	Quito, aerial view- shows blocks of skyscrapers and other buildings.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 357	C	Quito, aerial view- shows blocks of skyscrapers and other buildings.
H	p 3	19		1979-1980	Ecuador (Equador)	LatCiv	H 358	C	Pyracanthum factory, Guapulo, Quito.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 359	C	Quito, aerial view with mountains in background.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 359	C	Quito, aerial view with mountains in background.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 360	C	Quito, aerial view with mountains in background and foreground.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 360	C	Quito, aerial view with mountains in background and foreground.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 361	C	Quito, aerial view with mountains in background and foreground.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 361	C	Quito, aerial view with mountains in background and foreground.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 362	C	Quito, aerial view with mountains in background and foreground.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 362	C	Quito, aerial view with mountains in background and foreground.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 363	C	Quito, aerial view with mountains in background and foreground.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 363	C	Quito, aerial view with mountains in background and foreground.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 364	C	Cotopaxi, snow-covered mountain peak.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 365	C	Cotopaxi, snow-covered mountain peak.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 366	C	Cotopaxi, snow-covered mountain peak towering over valley with cultivated fields.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 367	C	El Altar, snow-covered mountain peak.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 368	C	El Altar, snow-covered mountain.
H	k 4	19		1979-1980	Ecuador (Equador)	LatCiv	H 369	C	Paramo, plain with grasses and small bushes.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 369	C	Paramo, plain with grasses and small bushes.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 370	C	Panamerican Highway South, through desert area.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 370	C	Panamerican Highway South, through desert area.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 371	C	Panamerican Highway South, through desert area.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 371	C	Panamerican Highway South, through desert area.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 372	C	Panamerican Highway South, through mountainous area.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 372	C	Panamerican Highway South, through mountainous area.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 373	C	Panamerican Highway South, through mountains.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 373	C	Panamerican Highway South, through mountains.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 374	C	Panamerican Highway South, through mountains.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 374	C	Panamerican Highway South, through mountains.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 375	C	The cultivation of strawberries, Chilpecito, Checa.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 376	C	The cultivation of strawberries, Chilpecito, Checa.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 377	C	The cultivation of strawberries, Chilpecito, Checa.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 378	C	The cultivation of strawberries, Chilpecito, Checa.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 379	C	Checa, mountainous area.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 380	C	Checa, mountainous area.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 381	C	Checa, mountainous area.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 382	C	Otavalo, area of cultivated land around small city in a valley.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 382	C	Otavalo, area of cultivated land around small city in a valley.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 383	C	Otavalo; small town or city in a valley.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 384	C	Otavalo; cultivated land next to a small town in a valley.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 384	C	Otavalo; cultivated land next to a small town in a valley.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 385	C	Otavalo; houses and cultivated land in a valley.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 385	C	Otavalo; houses and cultivated land in a valley.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 386	C	Otavalo; roofless house with steep mountains in background.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 386	C	Otavalo; roofless house with steep mountains in background.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 387	C	Otavalo; houses with cultivated land.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 387	C	Otavalo; houses with cultivated land.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 388	C	Otavalo; houses with cultivated land.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 388	C	Otavalo; houses with cultivated land.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 389	C	Cuisin, Otavalo; big farm in valley.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 390	C	Otavalo- deep ravine between mountains.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 391	C	Otavalo- small girl with fields in background.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 391	C	Otavalo- small girl with fields in background.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 392	C	Lago San Pablo, Otavalo, lake in mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 393	C	Lago San Pablo, Otavalo, lake with mountains in background.
H	p 6	19		1979-1980	Ecuador (Equador)	LatCiv	H 394	C	Lago San Pablo, Otavalo, lake in mountains; natives fishing.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 394	C	Lago San Pablo, Otavalo, lake in mountains; natives fishing.
H	c15	19		1979-1980	Ecuador (Equador)	LatCiv	H 395	C	Lago San Pablo, Otavalo, lake in mountains; women washing clothes.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 395	C	Lago San Pablo, Otavalo, lake in mountains; women washing clothes.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 396	C	Otavalo, street scene.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 396	C	Otavalo, street scene.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 397	C	Chorlavi, Otavalo- restaurant in open courtyard.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 398	C	Ibarra, plaza with palm trees, church in background.
H	h 3	19		1979-1980	Ecuador (Equador)	LatCiv	H 398	C	Ibarra, plaza with palm trees, church in background.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 399	C	Ibarra, plaza with palm trees.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 400	C	Ibarra, street scene of shops and residences.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 400	C	Ibarra, street scene of shops and residences.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 401	C	Ibarra, street scene, residences.
H	p 3	19		1979-1980	Ecuador (Equador)	LatCiv	H 402	C	Ibarra, industrial area.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 403	C	Ibarra, houses.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 404	C	Cuicocha, Otavalo: lake in mountains.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 405	C	Panamerican Highway South, passing through mountains and valleys.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 405	C	Panamerican Highway South, passing through mountains and valleys.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 406	C	Panamerican Highway South, through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 406	C	Panamerican Highway South, through mountainous region.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 407	C	Panamerican Highway South, through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 407	C	Panamerican Highway South, through mountainous region.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 408	C	Panamerican Highway South, through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 408	C	Panamerican Highway South, through mountainous region.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 409	C	Panamerican Highway South, through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 409	C	Panamerican Highway South, through mountainous region.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 410	C	Panamerican Highway South, through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 410	C	Panamerican Highway South, through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 411	C	Chimborazo, snow-covered mountain peak towering in background.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 412	C	Chimborazo, snow-covered mountain peak.
H	p 3	19		1979-1980	Ecuador (Equador)	LatCiv	H 413	C	Salcedo, Ambato, tapestry (textile) shop.
H	c 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 413	C	Salcedo, Ambato, tapestry (textile) shop.
H	p 3	19		1979-1980	Ecuador (Equador)	LatCiv	H 414	C	Tapestry (textile) workshop, Salcedo, Ambato.
H	c 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 414	C	Tapestry (textile) workshop, Salcedo, Ambato.
H	p 3	19		1979-1980	Ecuador (Equador)	LatCiv	H 415	C	Tapestry (textile) workshop, Salcedo, Ambato.
H	c 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 415	C	Tapestry (textile) workshop, Salcedo, Ambato.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 416	C	Pelileo, Ambato- small town- street scene.
H	c 6	19		1979-1980	Ecuador (Equador)	LatCiv	H 417	C	Pelileo, Ambato- small town- residents passing time on street.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 418	C	Road east to Banos, through mountains.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 418	C	Road east to Banos, through mountains.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 419	C	Road east to Banos, through mountains.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 419	C	Road east to Banos, through mountains.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 420	C	Banos, small town in mountainous area.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 420	C	Banos, small town in mountainous area.
H	c 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 421	C	Roadside store with Pepsi sign- road east from Banos.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 422	C	Rio Pastaza- mountain ridge which is eroding away.
H	n 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 422	C	Rio Pastaza- mountain ridge which is eroding away.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 423	C	Rio Pastaza- waterfall over rocky cliff.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 424	C	Road to Puyo- through mountainous region.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 424	C	Road to Puyo- through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 425	C	Road to Puyo- through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 425	C	Road to Puyo- through steep mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 426	C	Road to Puyo- through steep mountainous region, waterfall visible across ravine.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 427	C	Road to Tena- through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 428	C	Road to Tena- river bed in scene and mountain visible in background.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 429	C	Road to Tena- road cuts through jungle area.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 430	C	Road to Tena- view of river running to sea through mountainous area.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 431	C	Shell-Mera - small town street scene.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 431	C	Shell-Mera - small town street scene.
H	k 4	19		1979-1980	Ecuador (Equador)	LatCiv	H 432	C	Guayacan in bloom (flowering tree).
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 433	C	Rio Pastaza- nearly dry riverbed.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 434	C	Bridge near tea plantation in midst of jungle.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 435	C	Te Sulay- tea plantation- fields of tea plants.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 436	C	Te Sulay- tea plantation- fields of tea plants.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 437	C	Te Sulay- tea plantation- fields of tea plants.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 438	C	Tea processing at tea plantation.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 439	C	Tea processing at tea plantation.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 440	C	Tea processing at tea plantation (ovens for drying).
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 441	C	Tea packing at tea plantation.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 442	C	Road to Macas- hut and truck along side the river.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 442	C	Road to Macas- hut and truck along side the river.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 443	C	Road to Macas- transporting goods across river by platform pulled across by pulleys and ropes.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 443	C	Road to Macas- transporting goods across river by platform pulled across by pulleys and ropes.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 444	C	Rio Pastaza (river) as it passes by mountain.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 445	C	Road to Misahuali- road passes through heavily wooded areas.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 446	C	Road to Misahuali- jungle area.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 447	C	Road to Misahuali- road passes through jungle area.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 447	C	Road to Misahuali- road passes through jungle area.
H	h 3	19		1979-1980	Ecuador (Equador)	LatCiv	H 448	C	Misahuali- store and church in backround.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 448	C	Misahuali- store and church in backround.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 449	C	Misahuali- store and bus pulling trailer.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 449	C	Misahuali- store and bus pulling trailer.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 450	C	Rio Napo, Misahuali- river with canoe on shore.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 450	C	Rio Napo, Misahuali- river with canoe on shore.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 451	C	Hotel, Misahuali- rough wooden walls with cots.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 452	C	Misahuali- a few houses and a church.
H	h 3	19		1979-1980	Ecuador (Equador)	LatCiv	H 452	C	Misahuali- a few houses and a church.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 453	C	Misahuali- shop.
H	c13	19		1979-1980	Ecuador (Equador)	LatCiv	H 454	C	Misahuali- children with school books.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 454	C	Misahuali- children with school books.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 455	C	Misahuali- structure with telephone office.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 455	C	Misahuali- structure with telephone office.
H	c13	19		1979-1980	Ecuador (Equador)	LatCiv	H 456	C	Misahuali- school children.
H	c13	19		1979-1980	Ecuador (Equador)	LatCiv	H 457	C	Misahuali- children.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 458	C	Misahuali- shop or house.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 459	C	Misahuali- bakery.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 460	C	Rio Napo (river) with man and canoe on shore.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 461	C	Rio Napo (river)- people in motorized boat crossing over.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 462	C	Rio Napo (river)- jungle across river.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 463	C	Rio Napo (river)- boat with motor and boy steering it.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 464	C	Rio Napo (river)- forest and mountains in background.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 465	C	Village on the Napo River- huts with thatched roofs in middle of jungle.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 465	C	Village on the Napo River- huts with thatched roofs in middle of jungle.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 466	C	Village on the Napo River- huts with thatched roofs in jungle.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 466	C	Village on the Napo River- huts with thatched roofs in jungle.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 467	C	Village on the Napo River- hut with thatched roof.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 467	C	Village on the Napo River- hut with thatched roof.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 468	C	Village on the Napo River- hut with cooking paraphanalia.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 468	C	Village on the Napo River- hut with cooking paraphanalia.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 469	C	Village on the Napo River- thatched huts, children in front.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 469	C	Village on the Napo River- thatched huts, children in front.
H	k 4	19		1979-1980	Ecuador (Equador)	LatCiv	H 470	C	Yucca plants in the jungle.
H	k 4	19		1979-1980	Ecuador (Equador)	LatCiv	H 471	C	Monkey in the jungle.
H	c 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 472	C	Man in water panning for gold, Rio Napo (river).
H	c 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 473	C	Woman and child panning for gold, Rio Napo (river).
H	c 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 474	C	Man panning for gold, Rio Napo (river).
H	c 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 475	C	Man panning for gold, Rio Napo (river)- large wooden bowl with gold dust.
H	c 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 476	C	Man panning for gold, Rio Napo (river)- large wooden bowl with gold dust in bottom.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 477	C	Rio Napo (river)- natives in canoe.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 478	C	Rio Napo (river)- pole bridge across river.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 479	C	Rio Napo (river)- thatched huts along river.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 480	C	Rio Napo (river)- rapids.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 481	C	Jungle near Misahuali- wooden hut in clearing.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 482	C	Jungle near Misahuali- wooden hut in clearing.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 483	C	Jungle near Misahuali- wooden hut in clearing.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 484	C	Swinging bridge, Misahuali- made of planks with thick ropes for handrails.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 485	C	Swinging bridge, Misahuali- view of river from bridge.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 486	C	Store near Misahuali.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 487	C	Jungle, Misahuali.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 488	C	Baeza- small town with several houses.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 488	C	Baeza- small town with several houses.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 489	C	Baeza- heavily forrested hillside.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 490	C	Road northwest to Quito- heavily forrested mountains.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 491	C	Road north-west to Quito- heavily forrested mountains.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 492	C	Road north-west to Quito- high waterfall.
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 493	C	Oil pipeline near Papallacta.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 494	C	Road to Papallacta (truck on road).
H	p 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 494	C	Road to Papallacta (truck on road).
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 495	C	Road to Papallacta- little vegetation off side of road.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 496	C	Road west from Quito- city at base of mountain.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 496	C	Road west from Quito- city at base of mountain.
H	p 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 497	C	Road west from Quito- farm along river; land used for pastures.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 498	C	Road west from Quito- road through mountainous region.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 499	C	Road to Santo Domingo- waterfall through ravine.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 500	C	Tinalandia- river through valley.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 501	C	Santo Domingo- modern house and pickup truck.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 501	C	Santo Domingo- modern house and pickup truck.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 502	C	Santo Domingo- modern restaurant (?).
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 503	C	Santo Domingo- interior of restaurant.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 504	C	Santo Domingo- house.
H	k 4	19		1979-1980	Ecuador (Equador)	LatCiv	H 505	C	Pepper plant.
H	k 4	19		1979-1980	Ecuador (Equador)	LatCiv	H 506	C	Pepper field.
H	k 4	19		1979-1980	Ecuador (Equador)	LatCiv	H 507	C	Oil palms.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 508	C	Road to San Clemente- sparse vegetation.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 509	C	San Clemente- along river.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 510	C	San Clemente- house along river.
H	c 4	19		1979-1980	Ecuador (Equador)	LatCiv	H 511	C	San Clemente- volleyball game on shore.
H	p 6	19		1979-1980	Ecuador (Equador)	LatCiv	H 512	C	San Clemente- boys pulling fishing nets up from sea.
H	p 5	19		1979-1980	Ecuador (Equador)	LatCiv	H 513	C	San Clemente- traveller on donkey in middle of desert.
H	h 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 514	C	Bahia de Caraguez, marketplace.
H	c 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 514	C	Bahia de Caraguez, marketplace.
H	h 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 515	C	Coast north of Bahia- house and shacks.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 515	C	Coast north of Bahia- house and shacks.
H	n 1	19		1979-1980	Ecuador (Equador)	LatCiv	H 516	C	San Clemente- city on coast seen across bay.
H	n 2	19		1979-1980	Ecuador (Equador)	LatCiv	H 516	C	San Clemente- city on coast seen across bay.
F	a	3		1972	Hamnett, Brian	LatCiv	H 530	C	Mural showing 'Juarez as symbol of republican resistance to the French' by Antonio Gonzalez Orozco in the Museo Nacional de Historia, Casillo de Chapultepec.
H	a	3		1972	Hamnett, Brian	LatCiv	H 530	C	Mural showing 'Juarez as symbol of republican resistance to the French' by Antonio Gonzalez Orozco in the Museo Nacional de Historia, Casillo de Chapultepec.
H	b 2	3	a	1957-67	Fernandez, Justino	LatCiv	H 531	C	'The Revolution Against the Porfirio Diaz Dictatorship.' Mural in acrylic resin paints. David Alfaro Siqueiros. Mseo Nacional del Historia, Chapultepec Castle, Mexico City. 1957-67.
H	i 2	3	a	1957-67	Fernandez, Justino	LatCiv	H 531	C	'The Revolution Against the Porfirio Diaz Dictatorship.' Mural in acrylic resin paints. David Alfaro Siqueiros. Mseo Nacional del Historia, Chapultepec Castle, Mexico City. 1957-67.
H	i 1	3	a	1942	Fernandez, Justino	LatCiv	H 532	C	'The Market Place of Tenochtitlan-Mexico (detail),' by Diego Rivera. 1942. Fresco in the corridors of the Palacio Nacional, Mexico City. Rivera's interpretation of the history of Mexico from the Indian past to the present.
H	i 1	3	a	1942	Fernandez, Justino	LatCiv	H 533	C	'The Market Place of Tenochtitlan-Mexico (detail),' by Diego Rivera. 1942. Fresco in the corridors of the Palacio Nacional, Mexico City. Rivera's interpretation of the history of Mexico from the Indian past to the present. Detail of Lat Am G54.
H	i 1	3	a	1926	Fernandez, Justino	LatCiv	H 534	C	'Cortes and Malinche,' by Jose Clemente Orozco. Fresco in National Preparatory School of San Idelfonso, Mexico City. This image of the Spanish conqueror w/ native girl Malinche (his mistress, guide, and interpreter) symbolizes a blending of 2 races.
H	i 1	3		1939	Fernandez, Justino	LatCiv	H 535	C	'Hernan Cortes,' by Jose Clemente Orozco. Fresco in the soffit of the vaulted ceiling of the Salon de Actos (Auditorium) of the Instituto Cabanas, Guadalajara, Jalisco state. Image of Cortes as a terrifying machine.
H	i 1	3		1939	Fernandez, Justino	LatCiv	H 536	C	'Man of Flames,' by Jose Clemente Orozco. Fresco in the cupola of the Salon de Actos (Auditorium) of the Instituto Cabanas, Guadalajara, Jalisco state. An allegory of the human condition.
H	i 2	3		1943	Fernandez, Justino	LatCiv	H 537	C	'Self-portrait,' by David Alfonso Siqueiros. Pyroxylin on celotex. 1943.
H	i 1	3		1952	Fernandez, Justino	LatCiv	H 538	C	'Homage to the Race (Homaenaje a la raza),' by Rufino Tamayo. Vinylite on masonite. 1952. Mural commisssioned for the exhibition of Mexican art which was seen in Paris, Stockholm, and London in 1952-3.
H	i 3	3		20th C.	Fernandez, Justino	LatCiv	H 539	C	Sugar fish. 20th-century popular art. Painted sweetmeat.
H	g 4	3		20th C.	Fernandez, Justino	LatCiv	H 540	C	Sugar skull. 20th-c. pop. art. On the 'day of the dead' (All Souls', Nov. 2) it's custom to make presents of edible sugar skulls, often w/ the individual's name inscribed on forehead in icing & w/fanciful adornments to give them a cheerful appearance
H	i 3	3		20th C.	Fernandez, Justino	LatCiv	H 540	C	Sugar skull. 20th-c. pop. art. On the 'day of the dead' (All Souls', Nov. 2) it's custom to make presents of edible sugar skulls, often w/ the individual's name inscribed on forehead in icing & w/fanciful adornments to give them a cheerful appearance
H	i 3	3		20th C.	Fernandez, Justino	LatCiv	H 541	C	Lacquer tray. Polychrome lacquer on wood. From Michoacan state.
H	i 5	3		20th C.	Fernandez, Justino	LatCiv	H 542	C	'Quechquemitl.' Woolen embroidery. Cape w/ square hole to put the head through; the typical outer garment worn by Indian women in many regions of Mexico. Each piece is hand-worked in free improvisation on certain traditional rules and techniques.
H	i11	3		20th C.	Fernandez, Justino	LatCiv	H 543	C	Candelabrum. 20th-c. pop. art. Polychrome earthenware. From Metepec, Mexico state. Good example of Metepecan folk art, w/ Adam & Eve in the center surrounded by the serpent, cherubs, & an angel on top (in addition to birds, rabbits, & flowers).
H	n 2	18		20th C.	Anton, Ferdinand et al.	LatCiv	H 544	c	Contemporary view of a typical mountain landscape in Colombia.
H	i 2	3	a	1945	Fernandez, Justino	LatCiv	H 545	C	'The City of Mexico' (detail). Tempera on masonite. Juan O'Gorman. 1949.
H	m 7	13		1959	Hobsbawm, Eric		H 546	b	Fidel Cstro's rebel army enters liberated Santa Clara before taking power in Cuba on January 1, 1959.
H	m 7	13		1980s	Hobsbawm, Eric		H 547	b	Guerrillos (insurrectionaries) in El Salvador in the 1980s preparing hand grenades.
H	g 4	3		20th Century	Viola, Herman&C. Margolis		H 548	c	Contemporary Indian at Lake Titicaca. He is padding a boat loaded with a llama, to be sacrificed for the prospect of bountiful crops.
H	g 4	3		20th Century	Viola, Herman&C. Margolis		H 548	c	Contemporary Indian at Lake Titicaca. He is padding a boat loaded with a llama, to be sacrificed for the prospect of bountiful crops.
H	p 6			20th Century	Viola, Herman&C. Margolis		H 549	c	Contemporary photo of a man poling a flat-bottomed boat along a lake in Mexico(?) the early morning mist.
H	p 5	2		20th Century	Viola, Herman&C. Margolis		H 549	c	Contemporary photo of a man poling a flat-bottomed boat along a lake in Mexico(?) the early morning mist.
H	p 2	30		20th Century	Viola, Herman&C. Margolis		H 550	c	Aerial photo of a man with teams of oxen in a partially harvested sugar cane field.
H	p 2	22			Smith D., Bruce		H 551	c	An Indian woman sits in a doorway peeling a pile of potatoes. Potatoes were probably domesticated in the South-central Andes more than 4,000 years ago.
A	p 2	22			Smith D., Bruce		H 551	c	An Indian woman sits in a doorway peeling a pile of potatoes. Potatoes were probably domesticated in the SOuth-central Andes more than 4,000 years ago.
H	p 2	30			Smith D., Bruce		H 552	c	Photo of madern earns of corn illustrating the variety from race to race in size, shape, and color as a result of thousands of years of human selection.
H	p 2	30			Smith D., Bruce		H 553	c	Illustration of present-day maize, with its single spike, contrasted to its wild ancestor teosinte, which had numerous small stalks each with several samll grain spikes.
H	p 2	30			Smith D., Bruce		H 554	c	Photo of stands of a perennial species of tesosinte (Zea perennis) in the state of Jalesco, Mexico.
H	p 2	20			Smith D., Bruce		H 555	c	Brightly colored tubers of oca, ullaca, and mashua. Today these species are still imporatant food crops in the Andes.
A	p 2	22			Smith D., Bruce		H 555	c	Brightly colored tubers of oca, ullaca, and mashua. Today these species are still imporatant food crops in the Andes.
H	i 1	2		late 20th C	Webster, Donovan	L Amer	H 556	c	Archaeologist Eduardo Serafin experiments with the same methods ancient artists may have used to create hand silhouettes.