Faculty News - Student News - Alumni News
Graduate students Emily Casey (pictured) and Ashley Rye-Kopec both presented papers at the Southeastern College Art Conference (SECAC) annual conference, which was held October 21-24 in Pittsburgh. Alumnae Sarah Beetham and Catherine Holochwost also presented papers at the conference, and another alumna, Nanette Luarca-Shoaf, co-chaired a panel.
Graduate student Jessica Larson curated the exhibition Print as Political Statement: Lithography and the Popular Press as part of her summer internship at the Princeton University Art Museum. She recently gave a lecture on her exhibition at the museum. Print as Political Statement is on view until February 14, 2016.
Erica F. Battle, the John Alchin and Hal Marryatt Associate Curator of Contemporary Art at the Philadelphia Museum of Art, will participate in a roundtable discussion with students from the Departments of Art History and Art & Design in the Visual Resources Center (211 Old College) on Tuesday, November 17 at 2:00 pm.
She will be taking questions and talking about her upcoming and past projects at the PMA, including the recent Dancing around the Bride and next year's International Pop.
Graduate and undergraduate students with an interest in curating are invited to attend.
Graduate student Sarah Leonard leads a "slow art" tour of Marie Spartali Stillman's Kelmscott Manor paintings at the Delaware Art Museum on Sunday, November 15 at 1:30 pm.
That afternoon is also a Meet the Museum Day, which makes it a great chance to hear performances by students from the Music School of Delaware, take tours, taste the new DAM Blend coffee by Brandywine Coffee Roasters, and generally see what the museum has to offer. And, best of all, the museum is free this (and every!) Sunday afternoon.
Graduate student Isabel Oleas's paper, "Troubling Encounters: Portrait of Francisco de Arobe and His Sons," was recently published in Hemisphere: Visual Cultures of the Americas, vol. VIII. Isabel's paper proposes that the portrait of the indigenous leaders of Esmeraldas, commissioned by a Spanish judge at the end of the sixteenth century, shows the struggles in the process of conquest by superficially recognizing the sitters as noblemen, while simultaneously questioning their status.
Graduate student Nicole Elizabeth Cook contributed an essay to the 2015 catalogue for the first monographic exhibition on late Golden Age artist Godefridus Schalcken, the subject of her dissertation. The show, Schalcken — Gemalte Verführung (Schalcken — Painted Seduction), is curated by Dr. Anja K. Sevcik and opened in September at the Wallraf-Richartz-Museum & Fondation Corboud in Cologne. Nicole will also be participating in the international conference accompanying the exhibition at the Wallraf-Richartz-Museum on January 21-23, 2016.
In October 2015, graduate student Michele Frederick (CTPhD program) delivered a paper entitled "Put a Bird on It: A Case for Emulation and Collaboration in Jordaens's Prometheus" at the 7th Annual Anne d'Harnoncourt Symposium, organized jointly by the Philadelphia Museum of Art and the University of Pennsylvania in conjunction with the exhibition "The Wrath of the Gods: Masterpieces by Rubens, Michelangelo, and Titian," currently on view at the Philadelphia Museum of Art. In September 2015 she published the article "Imitatio and Aemulatio: Reevaluating Aert de Gelder's Self-Portrait as Zeuxis" in the journal Athanor.
As a Mellon Fellow in the Curatorial Track Ph.D. program, graduate student Galina Olmsted helped organize Gustave Caillebotte: The Painter's Eye, on view at the National Gallery of Art, Washington, through October 4, 2015. This exhibition is the first major U.S. retrospective of the French painter's work in twenty years. Bringing together over fifty of Caillebotte's best paintings from 1875 through the mid-1880s, the show explores the depth of his commitment to original and modern modes of vision. Galina is a contributing author for the catalog accompanying the exhibition, jointly published by the National Gallery of Art and University of Chicago Press. After its close in Washington this fall, Gustave Caillebotte: The Painter's Eye will travel to the Kimbell Art Museum in Fort Worth, where it will be on view from November 8, 2015, through February 14, 2016.
Graduate student Hannah Segrave (CTPhD program) is the guest curator for an exhibition at the Cleveland Museum of Art, "The Novel and the Bizarre: Salvator Rosa's Scenes of Witchcraft," on view from February 15, 2015 to June 14, 2015. For more information, visit http://www.clevelandart.org/about/press/media-kit/cleveland-museum-art-presents-novel-and-bizarre-salvator-rosa’s-scenes-witchcraft.
Graduate student Rachel Zimmerman presented a paper titled "A Brazilian Idiosyncrasy: Hammocks and Social Status in Colonial Brazil" for Professor Wendy Bellion's panel "Delight and Design in Material Life" at the East-Central/American Society for Eighteenth-Century Studies (EC/ASECS) conference held at the University of Delaware in November. She was one of two students chosen to receive the S. Eric Molin Prize for Best Conference Paper by a Student.
The Material Culture Living Learning Community (LLC) is a community for freshmen admitted as Art History, Anthropology, or Art Conservation majors. Incoming material culture freshmen share experiences through opportunities and extracurricular activities developed by faculty members of Art History, Anthropology, and Art Conservation. Students will also have access to special resources, programs, and other activities including seminars, mentoring events, discussion groups, career development, hands-on workshops, and study groups. An exciting year is about to begin!
For more information about the Material Culture LLC, visit Residence Life & Housing.
Graduate student Jeff Richmond-Moll was the 2013 Alfred Appel, Jr. Curatorial Fellow at the Delaware Art Museum, where he organized an exhibition on the American artist Violet Oakley (1874-1961). During World War II, Oakley collaborated with the Citizens Committee of the Army and Navy to produce portable altarpieces for use on American battleships, military bases, and airfields around the world. The Angel of Victory, now in the Museum's permanent collection, was the first of her twenty-five wartime altarpieces, completed just two weeks after the attack on Pearl Harbor. This exhibition reunites this altarpiece with preliminary studies for the project for the first time. It also explores Oakley's unique creative process, and reveals how she responded to a volatile moment in world history by infusing her religious works with a democratic spirit and her lifelong belief in peace. "'Blessed are the Peacemakers': Violet Oakley's The Angel of Victory (1941)" runs from February 8 to May 25, 2014. For more information, visit http://delart.org/peacemakers.
Art History major Omar Durán won first prize in the Humanities category of the National McNair Scholars Research Competition with his entry "Observing Invisible Corpses: Gender and Violence in Teresa Margolles's 'Embroidered Fabric,'" a study of feminicide in Guatemala through a particular work of the Mexican performance artist Teresa Margolles. The project grew out of a summer project last year under the supervision of Professor Mónica Domínguez Torres. For a description of the McNair Scholars Program and for the other University of Delaware winners, see: http://www.udel.edu/udaily/2014/oct/mcnair-research-102413.html