ARTH435/635 Bibliography
 
General | British America | New France | New Spain | The Caribbean
 
 
General

America: Bride of the Sun: 500 Years Latin America and the Low Countries. Royal Museum of Fine Arts/Imschoot books,1992

Berlo, Janet, and Ruth B. Phillips. Native North American Art. Oxford University Press, 1998.

Cañizares-Esguerra, Jorge. Puritan Conquistadors. Iberianizing the Atlantic, 1550-1700. Stanford University Press, 2006.

Cañizares-Esguerra, Jorge and Erik R Seeman, eds. The Atlantic in Global History, 1500-2000. Pearson Prentice Hall, 2007.

Elliott, J.H. Empires of the Atlantic world: Britain and Spain in America, 1492-1830. Yale University Press, 2006.

Greenblatt, Stephen Jay. New World Encounters. University of California Press, 1993.

Greenblatt, Stephen Jay. Marvelous Possessions: The Wonder of the New World. University of Chicago Press, 1991.

Greer, Allan, and Jodi Bilinkoff, ed. Colonial Saints: Discovering the Holy in the Americas, 1500-1800. Routledge, 2003.

Kupperman, Karen Ordhal, ed. America in European Consciousness, 1493-1750. University of North Carolina Press for the Omohundro Institute of Early National History and Culture, 1995.

Morgan, David. Visual Piety: A History and Theory of Popular Religious Images. University of California Press, 1998.

Phillips, Ruth B., and Christopher B. Steiner, eds. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. University of California Press, 1999.

Pohl, Frances. Framing America: A Social History of American Art. Thames and Hudson, 2002, 22-40.

Quilley, Geoff, and Kay Dian Kriz. An Economy of Colour: Visual Culture and the Atlantic World, 1660-1830. Manchester University Press, 2003.

Rishel, Joseph J., and Suzanne Stratton-Pruitt. The Arts in Latin America, 1492–1820. Philadelphia Museum of Art/Yale University Press, 2006.

Seed, Patricia. Ceremonies of Possession in Europe’s Conquest of the New World 1492-1640. Cambridge University Press, 1995.

St. George, Robert Blair, ed. Possible Pasts: Becoming Colonial in Early America. Cornell University Press, 2000.

Sullivan, Edward J. The Language of Objects in the Art of the Americas. Yale University Press, 2007

Todorov, Tzvetan. The Conquest of America. Harper & Row, 1984.

 

 
 
British America

Abrams, Ann Uhry. “Politics, Prints, and John Singleton Copley’s Watson and the Shark.” The Art Bulletin 61:2 (1979): 265-276.

Ameri, Amir H. “Housing Ideologies in the New England and Chesapeake Bay Colonies, c. 1659-1700.” The Journal of the Society of Architectural Historians 56:1 (March 1997): 6-15.

Bellion, Wendy. “The Return of the Eighteenth Century.” American Art 19:2 (2005): 2-10.

Breen, T.H. The Marketplace of Revolution. How Consumer Politics Shaped American Independence. Oxford: Oxford University Press, 2004.

Brilliant, Richard, with Ellen Smith. Facing the New World: Jewish Portraits in Colonial and Federal America. exh. cat., The Jewish Museum, New York. Munich and New York: Prestel Verlag, 1997.

Brueckner, Martin. The Geographic Revolution in America: Maps, Literacy and National Identity. Chapel Hill: University of North Carolina Press for the Omohundro Institute of Early National History and Culture, 2006.

Bushman, Richard L. The Refinement of America: Persons, Houses, Cities. New York: Alfred A. Knopf, 1992.

Carson, Cary, Ronald Hoffman, and Peter J. Albert, eds. Of Consuming Interests: The Style of Life in the Eighteenth Century. Charlottesville, Va. and London, 1994.

Cavitch, Max. “Interiority and Artifact: Death and Self-Inscription in Thomas Smith’s Self-Portrait,” Early American Literature 37:1 (spring 2002), 89-117

Crain, Patricia. The Story of A: The Alphabetization of America from the New England Primer to the Scarlet Letter. Stanford: Stanford University Press, 2000.

Craven, Wayne.  Colonial American Portraiture.  Cambridge: Cambridge University Press, 1986.

Davis, John. “The End of the American Century: Current Scholarship on the Art of the United States.” The Art Bulletin 85:3 (2003): 544-80.

DeCunzo, Lu Ann and Bernard Herman, eds. Historical Archaeology and the Study of American Culture. Winterthur: Henry Francis Du Pont Winterthur Museum, 1996.

Deetz, James. In Small Things Forgotten: An Archeology of Early American Life. New York: Doubleday, 1977, reprint 1996.

Einhorn, Arthur. “Tattooed Bodies & Severed Auricles: Images of Native American Body Modification in the Art of Benjamin West.” American Indian Art Magazine 23:4 (autumn 1998): 42-53.

Gaudio, Michael. “Swallowing the Evidence: William Bartram and the Limits of Enlightenment.” Winterthur Portfolio 36:1 (2001): 1-17.

Gurney, George, and Therese Thau Heyman, eds. George Catlin and His Indian Gallery. Washington, D.C.: Smithsonian American Art Museum, 2002.

Fleischer, Roland E. “Emblems and Colonial American Painting.” The American Art Journal 20:3 (1988): 2-35.

Fleming, E. McClung. “The American Image as Indian Princess, 1765-1783.” Winterthur Portfolio II (1965): 65-81.

Herman, Bernard L. Town House: Architecture and Material Life in the Early American City, 1780-1830. Chapel Hill: University of North Carolina Press, 2005.

Hoffer, Peter Charles. Sensory Worlds in Early America. Baltimore: Johns Hopkins University Press, 2005.

Hoffman, Ronald, Mechal Sobel, and Frederika J. Teute. Through a Glass Darkly: Reflections on Personal Identity in Early America. Chapel Hill: University of North Carolina Press for the Omohundro Institute of Early National History and Culture, 1997.

Hutchins, Catherine E., ed. Everyday Life in the Early Republic. Winterthur, 1994.

Isaac, Rhys. The Transformation of Virginia. Chapel Hill: University of North Carolina Press for the Omohundro Institute of Early National History and Culture, 1982.

Jaffee, David. Meet Your Neighbors: New England Portraits, Painters & Society. Sturbridge, MA: University of Massachusetts Press, 1992.

Jaffee, David. People of the Wachusett: Greater New England in History and Memory, 1630-1860. Ithaca, NY: Cornell University Press, 1999.

Katz, Wendy. “Portraits and the Production of the Civil Self in Seventeenth-Century Boston.” Winterthur Portfolio 39:2 (2004): 101.

Kornwolf, James D. Architecture and Town Planning in Colonial North America. Vol. I. Baltimore and London: The Johns Hopkins University Press, 2002.

Lanier, Gabrielle M. The Delaware Valley in the Early Republic: Architecture, Landscape, and Regional Identity. Baltimore: Johns Hopkins University Press, 2004.

Lapsansky, Emma Jones, and Anne Verplanck, eds. Quaker Aesthetics: Reflections on a Quaker Ethic in American Design and Consumption. Philadelphia: University of Pennsylvania Press, 2003.

Lindman, Janet Moore and Michele Lise Tarter, eds. A Centre of Wonders: The Body in Early America. Ithaca: Cornell University Press, 2001.

Lovell, Margaretta M. Art in a Season of Revolution: Painters, Artisans, and Patrons in Early America, Early American Studies. Philadelphia: University of Pennsylvania Press, 2005.

Lyons, Maura. William Dunlap and the Construction of an American Art History. Amherst: University of Massachusetts Press, 2005.

Manthorne, Katherine. Tropical Renaissance: North American Artists Exploring Latin America, 1839-1879. Washington: Smithsonian Institution Press, 1989.

Martin, Ann Smart and J. Ritchie Garrison. American Material Culture: The Shape of the Field. Winterthur: University of Tennessee Press, 1997.

Martin, Ann Smart. “Material Things and Cultural Meanings: Notes on the Study of Early American Material Culture.” The William and Mary Quarterly 53:1 (Jan. 1996): 5-12.

McCoubrey, John W. American Tradition in Painting. New York: G. Braziller, 1963, reprint 2000.

McInnis, Maurie D. “Little of Artistic Merit? The Problem and Promise of Southern Art History.” American Art 19:2 (2005): 11-18.

McInnis, Maurie D. “Cultural Politics, Colonial Crisis, and Ancient Metaphor in John Singleton Copley’s Mr. and Mrs. Ralph Izard.” Winterthur Portfolio 34, no. 2/3 (Summer/Autumn 1999): 85-108.

McNamara, Martha J. From Tavern to Courthouse: Architecture and Ritual in American Law. Baltimore: Johns Hopkins University Press, 2004.

Morgan, David, and Sally M. Promey. The Visual Culture of American Religions. Berkeley: University of California Press, 2001.

Meyers, Amy and Margaret Beck Pritchard, eds. Empire’s Nature: Mark Catesby’s New World Vision. Chapel Hill: University of North Carolina Press, 1998.

Myers, Kenneth John. “On the Cultural Construction of Landscape Experience: Contact to 1830.” In American Iconology: New Approaches to Nineteenth-Century Art and Literature, ed. David C. Miller, 58-79. New Haven: Yale University Press, 1993.

Nelson, Louis P. American Sanctuary: Understanding Sacred Spaces. Bloomington: Indiana University Press, 2006.

Nemerov, Alexander. “The Ashes of Germanicus and the Skin of Painting: Sublimation and Money in Benjamin West’s Agrippina.” The Yale Journal of Criticism (summer 1998), 11-27.

New England Begins: The Seventeenth Century. Boston: Museum of Fine Arts, 1982.

Orsi, Ramon A. and Richard J. Guitierrez, ed. Contested Eden: California Before the Gold Rush. California History Sesquicentennial Series, ed. Richard J. Orsi. Berkeley: University of California Press, 1998.

Palumbo, Anne Cannon. “Averting ‘Present Commotions’: History as Politics in Penn’s Treaty.” American Art 9:3 (1995): 28.

Parrish, Susan Scott. American Curiosity: Cultures of Natural History in the Colonial British Atlantic World. Chapel Hill: University of North Carolina Press for the Omohundro Institute of Early National History and Culture, 2006.

Promey, Sally M. “Seeing the Self ‘in Frame’: Early New England Material Practice and Puritan Piety.” Material Religion (2005).

Prown, Jules David. Art as Evidence: Writings on Art and Material Culture. New Haven, CT: Yale University Press, 2001.

Prown, Jules David. John Singleton Copley. 2 vols. Cambridge, Mass.: Harvard University Press, 1966.

Rather, Susan. “Carpenter, Tailor, Shoemaker, Artist: Copley and Portrait Painting around 1770.” Art Bulletin 79 (June 1997): 269-290.

Rauser, Amelia. “Death or Liberty: British Political Prints and the Struggle for Symbols in the American Revolution.” Oxford Art Journal 21:2 (1998): 151-71.

Rebora, Carrie et al., John Singleton Copley in America, New York: Metropolitan Museum of Art, 1995.

Rebora, Carrie. “Transforming Colonists into Goddesses and Sultans: John Singleton Copley, his Clients, and their Studio Collaboration.” American Art Journal 27:1/2 (1995/1996): 4-37.

Reinhardt, Leslie. “British and Indian Identities in a Picture by Benjamin West.” Eighteenth-Century Studies 31:3 (1998): 283-305.

Rigal, Laura. The American Manufactory: Art, Labor, and the World of Things in the Early Republic. Princeton: Princeton University Press, 1998.

Rigal, Laura. “Framing the Fabric: A Luddite Reading of Penn’s Treaty with the Indians.” American Literary History 12:3 (2000).

Schmidt, Leigh Eric. Hearing Things: Religion, Illusion, and the American Enlightenment. Cambridge, Mass.: Harvard University Press, 2002.

Shields, David S. Civil Tongues & Polite Letters in British America. Chapel Hill: University of North Carolina Press, 1997.

Stabile, Susan. Memory’s Daughters: The Material Culture of Remembrance in Eighteenth-Century America. Ithaca: Cornell University Press, 2004.

Stein, Roger B. “Thomas Smith’s Self-Portrait: Image/Text as Artifact.” Art Journal 44 (1984): 316-27.

St. George, Robert Blair, ed. Material Life in America, 1600-1860. Boston: Northeastern University Press, 1988.

St. George, Robert Blair. Conversing by Signs: Poetics of Implication in Colonial New England Culture. Chapel Hill: University of North Carolina, 1998.

Tobin, Beth Fowkes. Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting. Durham: Duke University Press, 1999.

Ulrich, Laurel Thatcher. The Age of Homespun. New York: Knopf, 2001.

Upton, Dell. Holy Things and Profane: Anglican Parish Churches in Colonial Virginia. New Haven: Yale University Press, 1997.

Ward, David C. Charles Willson Peale: Art and Selfhood in the Early Republic. Berkeley: University of California Press, 2004.

Wood, Marcus. Blind Memory: Visual Representations of Slavery in England and America. New York: Routledge, 2000.

Yentsch, Elizabeth, and Mary C. Beaudry, eds. The Art and Mystery of Historical Archeology: Essays in Honor of James Deetz. Boca Raton: CRC Press, 1992.

 

 
 
New France

Anderson, Karen. Chain Her by One Foot: The Subjugation of Native Women in Seventeenth Century New France.

Axtell, James. The Invasion Within: The Contest of Cultures in Colonial North America.

Banks, Kenneth J. Chasing Empire across the Sea: Communications and the State in the French Atlantic, 1713-1763. Montreal and Kingston, 2002.

Barr, Juliana. “A Diplomacy of Gender: Rituals of First Contact in the ‘Land of the Tejas.’” William and Mary Quarterly 61 (July 2004): 393-438.

Berlin, Ira. “Devolution in the Lower Mississippi Valley,” in Many Thousands Gone: The First Two Centuries of Slavery in North America.

Blackburn, Robin. “The Construction of the French Colonial System,” in The Making of New World Slavery, 277-306.

Blair, Emma Helen, ed. and trans.. The Indian Tribes of the Upper Mississippi Valley & Region of the Great Lakes. 2 vols.

Bond, Bradley G. French Colonial Louisiana and the Atlantic World. Baton Rouge and London: Louisiana State University Press, 2005.

Clark, Emily. Masterless Mistresses: The New Orleans Ursulines and the Development of a New World Society, 1727-1834. Chapel Hill, 2007.

Coates, Collin. Metamorphoses of Landscape and Community in Early Quebec.

Dechêne, Louise. Habitants et marchands de Montréal au XVIIe siècle. Paris and Montréal, 1974.

Depatie, Sylvie and Catherine Desbarats, eds., Vingt ans après ‘Habitants et marchands’, Lectures de l’histoire des XVIIe et XVIIIe siècles canadiens.

Duval, Kathleen “‘A Good Relationship & Commerce’: The Native Political Economy of the Arkansas River Valley.” Early American Studies 1 (spring 2003): 61-89.

Eccles, W. J. The French in North America, 1500-1783.

Eccles, W. J. “The Fur Trade and Eighteenth-Century Imperialism.” William and Mary Quarterly 40 (July 1983): 341-362.

Fryd, Vivian Green. “Rereading the Indian in Benjamin West’s ‘Death of General Wolfe.’” American Art 9:1 (spring 1995): 72-85.

Greer, Allan. Peasant, Lord, and Merchant: Rural Society in Three Quebec Parishes, 1740-1840.

Hall, Gwendolyn Midlo. Africans in Colonial Louisiana: The Development of Afro-Creole Culture in the 18th Century. Baton Rouge, 1992.

Havard, Gilles and Cécile Vidal. “Making New France New Again.” Common-Place 7:4 (July 2007).

Hinderaker, Eric. Elusive Empires: Constructing Colonialism in the Ohio Valley, 1673-1800. Cambridge, 1997.

Hirsch, Arnold R., and Joseph Logsdon. Creole New Orleans: Race and Americanization. Baton Rouge and London: Louisiana State University Press, 1992.

Ingersoll, Thomas. Mammon and Manon in Early New Orleans.

Jaenen, Cornelius. Friend and Foe: Aspects of French-Amerindian Cultural Contact in the Sixteenth and Seventeenth Centuries.

Kamil., Neil. Fortress of the Soul: Violence, Metaphysics, and Material Life in the Huguenots’ New World, 1517-1751. Baltimore: Johns Hopkins University Press, 2005.

Kellogg, Louise Phelps. “France and the Mississippi Valley: A Resume.” The Mississippi Valley Historical Review 18 (June 1931): 3-22.

LaVere, David. “Between Kinship and Capitalism: French and Spanish Rivalry in the Colonial Louisiana-Texas Indian Trade.” Journal of Southern History 64 (May 1998): 197-218.

Leacock, Eleanor. “Montagnais Women and the Jesuit Program for Colonization.” In Rethinking Canada: The Promise of Women’s History, 25-42.

Miller, Christopher L. and George R. Hamell. “A New Perspective on Indian-White Contact: Cultural Symbols and Colonial Trade.” Journal of American History 73 (1986), 311-328.

Moogk, Peter. La Nouvelle France: The Making of French Canada—A Cultural History.

Morrison, Kenneth. “Baptism and Alliance: The Symbolic Mediations of Religious Syncretism.” Ethnohistory 37 (Fall 1990), 416-437.

Phillips, Ruth B. Trading Identities: The Souvenir in Native North American Art from the Northeast, 1700-1900. Montreal: McGill-Queen’s University Press, 1998.

Pritchard, James. In Search of Empire: The French in the Americas. New York and Cambridge, 2004.

Richter, Daniel. Facing East from Indian Country: A Native History of Early America.

Rushforth, Brett. “‘A Little Flesh We Offer You’: The Origins of Indian Slavery in New France.” William and Mary Quarterly 60 (Oct. 2003): 777-808.

Sleeper-Smith, Susan. Indian Women and French Men: Rethinking Cultural Encounter in the Western Great Lakes.

Steckley, John. “The Warrior and the Lineage: Jesuit Uses of Iroquoian Images to Communicate Christianity.” Ethnohistory 39 (fall 1992): 478-509.

Steckley, John, ed. and trans., De Religione: Telling the Seventeenth-Century Jesuit Story in Huron to the Iroquois.

Trigger, Bruce and William Swagerty. “Entertaining Strangers: North America in the Sixteenth Century.” In Trigger and Washburn, eds., The Cambridge History of the Native Peoples of the Americas, vol. I, North America, part 1, 325-398.

Vidal, Cécile. “Africains et Européens au pays des Illinois durant la période française (1699-1765).” French Colonial History 3 (2003), 51-68.

Wien, Thomas. “Selling Beaver Skins in North American and Europe, 1720-1760: The Uses of Fur-Trade Imperialism.” Journal of the Canadian Historical Association/Revue de la Société historique du Canada 1 (1990): 293-318.

White, Bruce. “Encounters with Spirits: Ojibwa and Dakota theories about the French and their merchandise.” Ethnohistory 41:3 (1994): 369-405.

White, Richard. The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region.

White, Richard. The Roots of Dependency: Subsistence, Environment, and Social Change among the Choctaws, Pawnees, and Navajos.

Usner, Daniel H. Indians, Settlers and Slaves in a Frontier Exchange Economy. Chapel Hill, 1992.

 

 
 
New Spain

Alarcón Cedillo, Roberto, María del Rosario García de Toxqui, and Ana Joaquina Montalvo de Morales, ed. Pintura novohispana: Museo Nacional del Virreinato, Tepotzotlán. Asociación de Amigos del Museo Nacional del Virreinato, 1992.

Alberro, Solange. Inquisición y sociedad en México, 1571-1700. Fondo de Cultura Económica, 1988.

Baer, Kurt, and Hugo Rudinger. Architecture of the California missions. University of California Press, 1958.

Bailey, Gauvin A. The Art of Colonial Latin America. Phaidon Press, 2005.

Bailey, Gauvin A. Art on the Jesuit missions in Asia and Latin America, 1542-1773. University of Toronto Press, 1999.

Beezley, William, Cheryl E. Martin and William E. French, ed. Rituals of rule, rituals of resistance:  public celebrations and popular culture in Mexico.  SR Books, 1994

Boone, Elizabeth Hill, and Thomas B. F. Cummins, ed. Native traditions in the postconquest world: a symposium at Dumbarton Oaks, 2nd through 4th October 1992. Dumbarton Oaks, 1998.

Borrell M, Héctor Rivero, ed. The grandeur of Viceregal Mexico: treasures from the Museo Franz Mayer = La grandeza del México virreinal: tesoros del Museo Franz Mayer. Museum of Fine Arts Houston; Museo Franz Mayer, 2002.

Brading, D. A. Mexican Phoenix: Our Lady of Guadalupe: image and tradition across five centuries. Cambridge University Press, 2001.

Cash, Marie Romero. Santos: enduring images of northern New Mexican village churches. University Press of Colorado, 1999.

Cuadriello, Jaime, and Esther Acevedo, ed. Catálogo comentado del acervo del Museo Nacional de Arte. Museo Nacional de Arte, 1999.

Curcio, Linda Ann. The great festivals of colonial Mexico City: performing power and identity. University of New Mexico Press, 2004.

Early, James. The colonial architecture of Mexico. University of New Mexico Press, 1994.

Edgerton, Samuel Y. Theaters of conversion: religious architecture and Indian artisans in colonial Mexico. University of New Mexico Press, 2001.

Fane, Diana, ed. Converging cultures: art & identity in Spanish America. The Brooklyn Museum in association with Harry N. Abrams, 1996.

Farago, Claire and Donna Pierce, eds. Transforming images: New Mexican santos in-between worlds. Pennsylvania State University Press, 2006.

Flores Guerrero, Raúl, and Pedro Rojas. Historia general del arte mexicano. Editorial Hermes, 1962.

Grizzard, Mary Faith Mitchell. Spanish colonial art and architecture of Mexico and the U. S. Southwest. University Press of America, 1986.

Gruzinski, Serge. “Ultrabaroque: Art, Mestizaje, Globalization” in: Armstrong, Elizabeth et al, eds. Ultrabaroque:  aspects of post-Latin American art. Museum of Contemporary Art, 2000, p. 141-159.

Gutiérrez, Ramón. Pintura, escultura y artes útiles en Iberoamérica, 1500-1825, Manuales arte Cátedra. Cátedra, 1995.

Iberoamérica mestiza: encuentro de pueblos y culturas: Centro Cultural de la Villa. Madrid, octubre - noviembre, 2003: Castillo de Chapultepec. México, enero - marzo, 2004. Sociedad Estatal para la Acción Cultural, 2003.

Juegos de ingenio y agudeza. La pintura emblemática de la Nueva España. Consejo Nacional para la Cultura y las Artes, 1994.

Katzew, Ilona. Casta painting: images of race in eighteenth-century Mexico. Yale University Press, 2004, 62-109.

Kubler, George, and Martin Sebastian Soria. Art and architecture in Spain and Portugal and their American dominions, 1500 to 1800. Penguin Books, 1959.

Kubler, George. The religious architecture of New Mexico; in the colonial period and since the American occupation. University of New Mexico Press, 1973.

Lightfoot, Kent G. Indians, Missionaries, and Merchants: The Legacy of Colonial Encounters on the California Frontiers. Berkeley: University of California Press, 2005.

Los siglos de oro en los virreinatos de América: 1550-1700. Sociedad Estatal para la Conmemoración de los Centenarios de Felipe II y Carlos V, 1999.

Luque Agraz, Elin, Mary Michele Beltrán, and Elisa Vargas Lugo de Bosch, ed. El arte de dar gracias: selección de exvotos pictóricos del Museo de la Basílica de Guadalupe = the art of giving thanks: a selection of pictorial exvotos in the collection of the Museum of the Basilica of Guadalupe. Universidad Iberoamericana/Casa Lamm, 2003.

Mather, Christine, ed. Colonial frontiers: art and life in Spanish New Mexico: the Fred Harvey Collection. 1st ed. Ancient City Press, 1983.

Mexico: splendors of thirty centuries. Metropolitan Museum of Art; Little Brown, 1990.

Monjas coronadas: vida conventual femenina en Hispanoamérica. Instituto Nacional de Antropología e Historia/Museo Nacional del Virreinato/Landucci, 2003.

Morgan, Ronald. Spanish American Saints and the Rhetoric of Identity, 1600-1810. University of Arizona Press, 2002.

Mullen, Robert James. Architecture and its sculpture in viceregal Mexico. 1st ed. University of Texas Press, 1997.

Padilla, Carmella, ed. Conexiones: Connections in Spanish Colonial Art. Museum of Spanish Colonial Art, 2002.

Pagden, Anthony. Spanish Imperialism and the Political Imagination. Yale University Press, 1995.

Peterson, Jeanette Favrot. “The Virgin of Guadalupe: Symbol of Conquest or Liberation?” Art Journal 51, no. 4 (1992): 39-47.

Pierce, Donna, Rogelio Ruiz Gomar, and Clara Bargellini, ed. Painting a new world: Mexican art and life, 1521-1821. Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art Denver Art Museum, 2004.

Quirarte, Jacinto. The art and architecture of the Texas missions. University of Texas Press, 2002.

Rojas, Pedro. Historia general del arte mexicano. Editorial Hermes, 1981.

Russo, Alessandra. El realismo circular: Tierras, espacios y paisajes de la cartografía novohispana, siglos XVI y XVII. Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 2005

Sandos, James A. Converting California: Indians and Franciscans in the missions. Yale University Press, 2004.

Sebastián, Santiago, José de Mesa, and Teresa Gisbert. Arte iberoamericano desde la colonización a la independencia. Espasa-Calpe, 1985.

Stoichita, Victor Ieronim. Visionary experience in the golden age of Spanish art. Reaktion Books, 1995.

The word made image: religion, art, and architecture in Spain and Spanish America, 1500-1600. Isabella Stewart Gardner Museum, 1998.

Toussaint, Manuel. Colonial art in Mexico. University of Texas Press, 1967.

Treib, Marc, and Dorothe Imbert. Sanctuaries of Spanish New Mexico. University of California Press, 1993.

Vargas Lugo de Bosch, Elisa, ed. Parábola novohispana: Cristo en el arte virreinal. Fomento Cultural Banamex, 2000.

Vida cotidiana y cultura en el México virreinal: antología. Instituto Nacional de Antropología e Historia, 2000.

Weismann, Elizabeth Wilder, and Judith Hancock de Sandoval. Art and time in Mexico: from the Conquest to the Revolution. Harper & Row, 1985.

Wroth, William. “New Mexico Santos and the Preservation of Religious Traditions.” In Critical Issues in American Art, edited by Mary Ann Calo. Westview Press, 1998, pp. 125-133.

Wroth, William. Images of penance, images of mercy: southwestern santos in the late nineteenth century. University of Oklahoma Press, 1991.

 

 
 
The Caribbean

Boucher, Philip. Islands of Discontent.

Boucher, Philip.Cannibal Encoutners: Europeans and Island Caribs, 1492-1763.

Boucher, Philip. “W. J. Eccles’s France in America from a Caribbeanist’s Perspective.” British Journal of Canadian Studies 11 (1996): 72-76.

Casid, Jill H. Sowing Empire: Landscape and Colonization. Minneapolis:  University of Minnesota Press, 2005.

Debien, Gabriel. “Marronage in the French Caribbean.” In Richard Price, ed., Maroon Societies: Rebel Slave Communities in the Americas, 107-134.

Dubois, Laurent. A Colony of Citizens: Revolution and Slave Emancipation in the French Caribbean, 1787-1804.

Fick, Carolyn. The Making of Haiti: The Saint-Domingue Revolution from Below.

Geggus, David P. “Sugar and Coffee Production and the Shaping of Slavery in Saint Domingue,” in Cultivation and Culture: Labor and the Shaping of Slave Life in the Americas. Eds. Ira Berlin and Philip D. Morgan.

Hulme, Peter. “Postcolonial Theory and Early America: An Approach from the Caribbean.” In Possible Pasts: Becoming Colonial in Early America, ed. Robert Blair St. George, 33-48. Ithaca: Cornell University Press, 2000.

Peabody, Sue. “‘A Dangerous Zeal’: Catholic Missions to Slaves in the French Antilles, 1635-1800.” French Historical Studies 25 (winter 2002), 53-90.

Tobin, Beth Fowkes. Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting. Durham: Duke University Press, 1999.

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